Overall, “Edge of Tomorrow” is a decent popcorn fare for adventure and sci-fic aficionados, but it surely will not keep them at the edge of their seat for too long.

Presented through an undercover policeman’s point of view, it is a convoluted crime saga designed in a Godfather-style father-son crime drama with a whole sub-set of assassin characters who have their own storylines and sequences.

Overall, compared to their previous collaborations, director Frank Coraci’s third rom-com partnership between Adam Sandler and Drew Barrymore hits an above average mark that’s worth a viewing.

With an overdose of the serious and the silly, the plot manages to sustain the pace and intensity commendably. Overall, with nearly 25 characters to track, fleeting between time zones, space and technically brilliant visuals, concentrating on the film becomes a tedious affair.

Written by the director, the dialogues are racy and humorously laced with exotic romantic phrases in Spanish. What adds to the viewing pleasure is the artistically layered jazz score.

Overall “Fading Gigolo” is a moderately entertaining dandy film that lacks dynamism.

Giftwrapped in an emotional father-son and family bonding story that hooks you on the sensitivity graph, “Godzilla” doesn’t give anybody time to be endearing or sarcastic or human in any way. It is a conundrum of a techno-thriller and a fabled nightmare put together.

Visually, Director Craig Gillespie looks at India through the Hollywood prism, representing it as an uncanny bizarre country packed with weird living conditions with locals who unwittingly admit that “Here in India, we do things a little differently”, making it look like a poor country cousin of “Slumdog Millionaire”.

This is cinematographer Wally Pfister’s maiden directorial venture which by modern criteria is a stylish off-beat humourless film with an atmosphere of a noir film.

“Oculus” is a well-crafted small budget film that delivers. While the visuals have a poetic quality at first, they gradually get frequent and the film’s tension between objective and apparent realities loses some of its power. Nevertheless, the film stays focused to its emotional quotient.

Despite all the minor flaws or cliches in “Divergent”, director Neil Burger’s minute aesthetic as well as technical trappings, do make many of the surreal moments of the film distinct, interesting and definitely worth a watch.