• Mom is a strange brew: audience-appeasing thriller, relationship drama and social commentary all rolled into one. To Udyawar’s credit, he manages to make it look cohesive, even as he struggles to contend with the moral quagmire of revenge and opts instead for the escape of pulp.

  • Salman and Kabir Khan attempt another ‘Bajrangi Bhaijaan’, but ‘Tubelight’ cannot rise above its desperate need to be liked…

  • David Hasselhoff and Pamela Anderson have brief cameos—I can picture them getting together on set and laughing about how this movie makes the series look like King Lear. A blooper reel runs alongside the end credits. I think it’s cute that the film thinks there’s a noticeable difference between Johnson or Efron flubbing and nailing a scene.

  • There are many large and compelling reasons to watch A Death in the Gunj. Here’s a small one: It’s a beautiful goodbye to Om Puri, who died this January. There he is, saying “Nothing gets better at this age” in that instantly familiar rasp.

  • Objectively speaking, Sachin: A Billion Dreams is safe, sentimental and saccharine. I was nevertheless thrilled by it. The heart wants what it wants.

  • Prominent as the Suri trademarks are, Half Girlfriend is very much a Chetan Bhagat film. All the markers of the man—the anti-intellectualism, the perfumed reek of good intentions, the ability to grind down complex issues into bite-size chunks of positivity—are all present. “Madhav Jha is not a name. Madhav Jha is an attitude,” we’re told at one point. It’s surprising this line isn’t in the book: it has the sort of management-institute facileness that suits the author’s style perfectly.

  • It might be overstuffed, it may meander and stall at times, but Guardians 2 should delight returning audiences, Michael Rooker fans, and anyone savvy enough to appreciate Cheap Trick, Sam Cooke and Jay and the Americans.

  • ‘Baahubali 2’ offers pounding action, soap opera storytelling and some worrying ideas about valour

  • A likeable comedy becomes an unconvincing protest film…

  • This film has nothing new to tell us about this tumultuous time in our history: the British were apparently very bad, so were politicians on both sides, so were royal families. This is the kind of broadly simplistic film in which a little girl can ask, “Is it the same thing to kill a Hindu and a Muslim?”

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