The sequel of TUM BIN was perfect platform for Anubhav to make some serious noise as a filmmaker but alas! Still we keep this ‘fariyad’ (desire) in our dil (hearts) that Anubhav Sinha just not stick with endearing moments alone in his cinema, he gives an endearing 2+ hours cinema in future… a hint of 2019 was given in the film… just guessing.

When you spoil a good movie by doing a bad sequel then the crime gets doubled, but FORCE 2 is in an altogether different zone, I questioned the logic behind the remake of the lousy HIMMATWALA and now I need a spy to understand what was so great about FORCE that we had a forced FORCE 2 as a sequel.

Failing to ‘keep the faith’ with the eight year old ‘Magik’, ROCK ON 2 is a completely contrived and forced sequel that ‘loses its religion’ within few minutes and ironically qualifies for a sound tribute to REM (Randomly Executed movie) obviously I didn’t mean the band.

All said and done, Ajay Devgn fans will be watching it in any case but those who are still hooked to this, I will say that SHIVAAY is Ajay Devgn’s weakest Diwali gift since GOLMAAL. SHIVAAY must have started with the ambition to reach the highest peak but unfortunately, gets buried in the avalanche of a routine story that lacked any glory.

31st OCTOBER could have been the opportunity by the national award winning helmer Shivaji Lotan Patil to make a strong and powerful statement on screen.

Unfortunately the movie ends up as a sensationally forced recall of the 1984 horror that has a feeling in its heart but fails to convincingly put it on screen.

Ironically, in MIRZYA Rakesh Mehra loses conviction after a couple of reels right from the beginning itself and all the razzmatazz that follows turns out to be all sound no fury.

BANJO at the most and in all generosity is a TIME PASS only if you love Riteish Deshmukh more than anything else.

Exaggerated faces, clueless extras and cartoonish sound effects set the stage for something that resembles a sloppy sitcom more than an actual feature film

As far as RAAZ REBOOT is concerned, it’s just an extension of the money making franchise which at the most strictly manages to please the diehards.

Maintaining the consistency of Sohail Khan as a filmmaker that started with the dud HELLO BROTHER in 1999,FREAKY ALI starring Nawazuddin Siddiqui is a mockery of a comedy in which nothing really comes to a head.