Glamsham, India Glitz
Reviewing since 2013 · Last review Sept 2017
Films
Scoring fingerprint
88 scored reviews · 0–10
Most given: 4 (20 reviews)
In step with the room
Within a point of the Monk Score on 69% of 87 films
Closest peer
Agrees with Vishal on 91% of 32 shared films
Divergence
From the archive
All said and done, I conclude by recollecting the scene from the movie's climax where Salman khan makes his grand cameo in a double role. Both the judwaas - Salman and Varun make a jig at 'tan tana tan tan tan tara', Varun says very good and asks Salman to do it once again, Salman Khan obliges, Varun asks for 'tibara' (third time) Salman Khan disappears.. TAN TANA TAN TAN TAN TARA..kya kare Varun bechara..
Full review ↗TRM 4.7+0.3
BHOOMI brings back Sanjay Dutt to his karmbhoomi, like a seasoned warrior Dutt lovingly called 'baba' makes an impact and his screen presence is charismatic as ever. Watch it for Sanju Baba
Full review ↗TRM 4.0+1.0
NEWTON is a stark, dark, witty and symbolic gem presenting the mockery of democracy observed in certain parts of India. Powered by unbeatable performances and constantly amusing humour. NEWTON is a cinematic action on screen that deserves favorable reaction from the concerning and thinking audience. A must for those who yearn for quality and art in cinema.
Full review ↗TRM 7.3+0.7
So much liberty was taken, Shraddha could have easily chewed a pan and that would have been better. Even in such a film, Shraddha managed to get a scene in rain. Batao...
Full review ↗TRM 3.6−0.6
On paper this looks like a thrilling musical but the glaring loopholes and lack of characterization make LUCKNOW CENTRAL an indigestible and unconvincing jail escape adventure.
Full review ↗TRM 5.3−1.3
As the idea behind the title of this film SIMRAN demands an extra dose of patience, tolerance and imagination, Hansal Mehta had an interesting badass women robber - the bombshell bandit to churn into an intriguing piece of cinema like his previous SHAHID and ALIGARH which were based on characters from real life but this time in order to turn a bit quirky it turned murky resulting in a lost bet.
Full review ↗TRM 5.4−1.4
TRM 5.1−1.1
POSTER BOYS is a crazy, silly, screwball fun. If you have loved the no brainers of David Dhawan, Anees Bazmee and loved the Deols in YAMLA PAGLA DEEWANA, then this directorial debut by Shreyas Talpade will amuse you as well.
Full review ↗TRM 5.2+0.8
BAADSHAHO (meaning Emperor/King in Hindi) may not be the promised 'King' size action drama but we hope the chautha (read fourth) collaboration of Milan Luthria and Ajay Devgn turns out to be the last disappointment from Milan Luthria who has churned out entertainment, entertainment and entertainment starting from KACHCHE DHAAGE, TAXI NO. 9211, ONCE UPON A TIME IN MUMBAAI & DIRTY PICTURE. We hope Milan Luthria starts entertaining us DOBAARA (again) in near future.
Full review ↗TRM 3.8+0.2
...in spite of its flaws manages its promise date of a rom com that offers something different, thanks to its quirky, bold, snappy and saucy fun powered by an all the way endearing Ayushmann & Bhumi.
Full review ↗TRM 6.00.0
Kushan Nandy's most ambitious and technically his best film. The fascination to the radicalism of Anurag Kashyap is evident, there is nothing wrong in getting inspired but Kashyap had a clear point of view in GOW and RAMAN RAGHAV 2.0. Even after accepting its gimmicks, sensationalisms and hinterland exotica, the point of view behind BABUMOSHAI BANDOOKBAAZ is not clear, is it a black comedy on sharp shooters, or a morality lesson that crime doesn't pay?
Full review ↗TRM 4.8+0.2
...is the one to be missed. Ashwini Iyer Tiwari has fulfilled the desires of a feel good mainstream rom-com in BAREILLY KI BARFI. It is delightfully sweet, delicious, comes with a twist and is powered by top notch performance from Kirti Sanon, Ayushmann Khurrana and Rajkummar Rao.
Full review ↗TRM 6.0+1.0
...could have been a masterstroke but it isn't a lost hope either. In spite of its constipated second half and sluggish approach, the movie has its witty, satirical moments, terrific performances that entertain to the core and at least hint towards the open 'shit' that almost 54 percent of our proud digital India witnesses daily. Akshay Kumar deserves an extra pat on his back for highlighting it through a mainstream cinematic medium. Watch it at least for Akshay Kumar, his efforts and the cause the movie tries to raise.
Full review ↗TRM 5.5+0.5
...things are disappointingly lost in JAB HARRY MET SEJAL, the touted rom com turns out to be a bore com, romance goes surprisingly 'Phurr' along with director Imtiaz Ali in this flick.
Full review ↗TRM 4.7−0.7
INDU SARKAR if done by a new comer would have been called as a better attempt but we expected some tight comment from Madhur who gave us CHANDINI BAR, PAGE 3, FASHION and the underrated SATTA.
Full review ↗TRM 4.7+0.3
Glaring loopholes like Mohan's attraction towards Raina and the reason for Sonal's attraction towards other men is not explained or the maker wants us to believe it or take it as it comes. Unwanted back stories (The French neighbor past) are added just to make it feel intense but it fails to work.
Full review ↗TRM 5.1−2.1
All said and done MUBARAKAN is a complete family entertainer worth every cent of your penny spent. Go LOL with your near and dear ones.
Full review ↗TRM 5.6+2.4
Go if you demand something different and cinematic this weekend. You won't regret it.
Full review ↗TRM 6.8+1.2
''Munna Michael is not cinema, it's a circus where we see a chiseled Tiger dancing like a dream''. Beat it' or 'Enjoy Yourselves'.
Full review ↗TRM 3.8+0.2
JAGGA JASOOS is a missed opportunity in the end. This surprise musical fantasy solely rides on Ranbir Kapoor's infectious charm and those couple flashes of brilliance. Watch it if you have the patience and appreciation for something brave and different.
Full review ↗TRM 5.5−0.5
TRM 3.2−0.2
MOM is an important film for three reasons. 1) - Its testimony that Sridevi is one of the most accomplished actresses alive, 2) Ravi Udyawar is a filmmaker to look out for and last but not the least - it's a salute to motherhood and womanhood. Go take your Moms and daughters along. MOM is an important film for three reasons. 1) - Its testimony that Sridevi is one of the most accomplished actresses alive, 2) Ravi Udyawar is a filmmaker to look out for and last but not the least - it's a salute to motherhood and womanhood. Go take your Moms and daughters along.
Full review ↗TRM 6.4+1.6
All said and done TUBELIGHT is a huge waste of the given opportunity and resources, if we say that it missed in making a statement on the common 'belief' associated with North East Indians with the Zhu Zhu episode it will be an understatement.
Full review ↗TRM 4.7−0.7
Its not that BANK CHOR doesn't aim for a cinematic statement, it does, the maker has tried to make a comment on the cultural and other divides in this film but it's so juvenile that it hardly registers and ends up a mockery - a joke on itself. Watch it at your own risk.
Full review ↗TRM 3.7−0.7
BAYWATCH is nothing but a strong testimony on how far a studio can go in 'water' for 'mass' consumption and crazy cash grabs. Stay away from this BAY.
Full review ↗TRM 3.9−1.9
If cricket is religion and Sachin Tendulkar is God than SACHIN: A BILLION DREAMS is the offering (Prasad) that every follower of cricket and Sachin should take without fail. - See more at: http://www.glamsham.com/movies/reviews/sachin-a-billion-dreams-movie-review.asp#sthash.K5cExoxE.dpuf
Full review ↗TRM 7.1+1.9
Watch it for its pious effort and superlative performance by Irrfan, Saba and Deepak that is laced by humour and quirky fun.
Full review ↗TRM 6.5+0.5
Ruined by a bland, by-the-numbers plot and mediocre performance, HALF GIRLFRIEND is a painful adaptation of Chetan Bhagat's novel. Yes we have had engaging adaptations like KAI PO CHE!, 2 STATES and the modern cult 3 IDIOTS (inspired) from Chetan Bhagat's work but we also had ONE NIGHT @ THE CALL CENTRE and now we have HALF GIRLFRIEND to give a full company. Dekho but at your own risk.
Full review ↗TRM 4.0−1.0
It's breezy, but mediocre that fails to use the potential of the premise though inspired into a beguiling rom com. Yes we can say it's better than BEFIKRE, Ayushmann Khurrana and Parineeti Chopra are delightfully charming in this long prolonged affair and if that motivates you to go for it go or else wait for the official DVD.
Full review ↗TRM 4.9−0.9
As and when Amitabh Bachchan comes on screen it reminds of the 2005 Subash Nagre, this deja vu is good for RGV as it still manages to give a glimmer of hope that all is not lost for RGV till yet. His comments on social media may not be taken seriously but still those who have grown up watching his cinema since SHIVA in 1989 know about his capabilities and are still waiting. The sentiments mentioned however are bad for SARKAR 3 as the movie follows the form of the original SARKAR but to diminishing effect.
Full review ↗TRM 4.00.0
BAAHUBALI 2: THE CONCLUSION is an hauntingly eternal, ambitiously spectacular masterpiece that delivers on all fronts, having all the arcs for a swashbuckling blockbuster, the S.S. Rajamouli directed epic fantasy in reality is a lesson on how to conclude a sequel, making it bigger, better and unforgettable in the end. Was sad that BAAHUBALI 2: THE CONCLUSION has to finally end but glad that the audience faith in the magic of larger than life cinema that worships Indian mythology and pays tribute to Indian ethos is back and backed by the BAAHUBALI (means strong and powerful) shoulders of makers like S.S. Rajamouli who is now a phenomenon in mainstream cinema. Go experience the power of cinema in all its beauty and Indian grandiosity, watch BAAHUBALI 2: THE CONCLUSION right now.
Full review ↗TRM 7.1+1.9
MAATR starring Raveena Tandon just pretends to make a social statement about rape and revenge and in reality struggles even to be a routine escapist film that does nothing significant for anyone involved. MAATR (motherhood) is Maatr (just) an addition to the list of Bollywood run of the mill badla saga - See more at: http://www.glamsham.com/movies/reviews/maatr-movie-review.asp#sthash.M2tyXNs0.dpuf
Full review ↗TRM 4.3−1.3
NOOR is an endearing lovable hoor (women) waiting at your nearest screen that shows Sonakshi Sinha in her top form. She is clumsy, confused but charming oozing with positivity and lots of fun. Do make a date with this NOOR. CHASME BADDOR. - See more at: http://www.glamsham.com/movies/reviews/noor-movie-review.asp#sthash.SD8FKKZ8.dpuf
Full review ↗TRM 5.1+1.9
A plot that could have been a powerful eye opening metaphor on 'mata' (read women) and 'bharat mata' turns into a disturbing, over blown, deliberately hysterical and forcefully sensational misadaptation of the brilliant National award winning Bengali film RAJKAHINI. Shockingly, the creator of RAJKAHINI Srijit Mukherji is the destroyer of BEGUM JAAN which sees the fiery and determined Vidya Balan fighting a lost battle in this flimsy piece of cinema.
Full review ↗TRM 5.0−2.0
POORNA is a story that needs to be told. The movie upholds the power of will, determination and confidence that can make you scale the highest peak, it's a small little motivating gem recommended for those who look for some meaning in their life and cinema.
Full review ↗TRM 6.4+0.6
NAAM SHABANA may not have an innovative plot but it's a definite crowd pleaser. The makers have probably planned this probable money spinner banking on the popularity of their previous brilliant BABY and the movie doesn't disappoint in entertaining the action thriller hungry souls of Bollywood and also gives a soothing nostalgia to the diehard BABY enthusiast. NAAM SHABANA is a decent bahana (reason) for Bollywood makers to start thinking on the spin off genre and churn some more interesting twist.
Full review ↗TRM 4.9+2.1
After NH10, the promos of PHILLAURI promised some fun but it sadly ends as a pun on itself in trying to do so many things in one film, a comedy that too supernatural one and an old fashioned romance that forces the friendly spirit to hang out from the screen wondering who is suppose to take charge of the proceedings.
Full review ↗TRM 5.0−1.0
Certainly not for the weak hearted, weak stomachs and entertainment hungry souls of Bollywood, TRAPPED is a triumph in Bollywood's claustrophobic thriller genre that is masterly crafted by Vikramaditya Motwane and brilliantly acted by Rajkummar Rao. If you want to get rid from the 'trap' of the routine Bollywood thrills and have the appetite to try something different and new then get 'TRAPPED' at your nearest screens.
Full review ↗TRM 6.5+1.5
Watch it for the impeccably infectious chemistry between Varun and Alia they both nail it to the core and certainly are the most endearing young pair of Bollywood.
Full review ↗TRM 5.7+0.3
RANGOON is an epic misfire and the movie has demonstrated the desperation of Bhardwaj in trying to please the gallery in the end and that is more alarming. Bhardwaj's was 'successful' in his unique pail of dramatics seen in his re working of Shakespearean tragedies and remarkable brilliance in KAMINEY that was never designed to please the masses, this attitude placed him in the top ranks of serious helmers but in RANGOON I found that Bhardwaj lost in his junoon ( passion) to get the maximum.
Full review ↗TRM 6.0−1.0
With the pros overwhelming overpowering the cons, LION roars its way in the list of Hollywood movies that can make Indians and Indian filmmakers proud for its theme like AVATAR (based on reincarnation), SLUMDOG MILLIONAIRE (a Hollywood potboiler inspired by Bollywood masalas and the prolific Manmohan Desai's lost and found themes) in 'real' sense as this Garth Davis adaptation of 'A Long Way Home' by Saroo Brierley and Larry Buttrose is undeniably a story that deserves to be told and is told in a universally appealing, emotionally charging and cinematically uplifting manner.
Full review ↗TRM 7.5+0.5
Going by the plot and theme RUNNING SHAADI could have been a humourous take on the wedding and love scenes in India and the expose of the dangers of social media and pros and cons of marriage portals but it ends up as a waste opportunity.
Full review ↗TRM 4.8−0.8
THE GHAZI ATTACK is a rare phenomenon on Indian screen. We don't have much war epics and further its shows underwater submarine combats and most important in today's Bollywood days - this ode to Mother India doesn't feature the current poster boy of patriotism Akshay Kumar and still its satisfyingly entertaining cinema that rings the right bells on our macho patriotisms meter.
Full review ↗TRM 5.8+1.2
JOLLY LLB is a perfect package, it makes you laugh, think and stand in support of the judiciary system that in spite of its flaws, delays and criticism, we still have a faith that it will follow the truth. - See more at: http://www.glamsham.com/movies/reviews/jolly-llb-2-movie-review.asp#sthash.4Sh2d427.dpuf
Full review ↗TRM 6.2+1.8
Apart from the funny use of cobras that was unnecessary plus the political statement made by Asmita during her introduction to Jack, KUNG FU YOGA takes the audience for a ride. Sonu Sood's palace where he pets Lions and Hyenas is said to be in Rajasthan but actually it seems to be shot in Dubai.
Full review ↗TRM 4.1−0.1
While the director Zaigham in spite of his pious effort and meaningful message fails to uplift the film into a significant chapter that invites debate and have its cinematic stay due to its laziness in nuances and novelty in presentation restricting it to juts a serial on the subject getting played on the big screen.
Full review ↗TRM 4.8+0.2
Technically it's a mix bag where we see some tacky CGI developed outdoors and the music by Rajesh Roshan who otherwise reserves his best for his home banner disappoints. - See more at: http://www.glamsham.com/movies/reviews/kaabil-movie-review.asp#sthash.pwpeOwvY.dpuf
Full review ↗TRM 5.9+0.1
Surprisingly, RAEES (meaning rich) is not just a GARIB (poor/average) film it's GARIB in its entertainment quotient as well.
Full review ↗TRM 5.8−0.8
All said and done. XXX : RETURN OF XANDER CAGE may be a celebrated escapism of international standards for the thinking audience but for fans of Deepika and Vin it has enough pleasing moments of pop corn action fun that boosts Deepika's commercial reach as an international star that can kick some butts in the action genre.
Full review ↗TRM 5.1+0.9
After the insipid scripting, the lack of connection of Nawaz and Shweta with the audience becomes the movie's biggest drawback. Further during the climax when we pray that this tepidly misguided attempt will reach to some conclusion, a dark, abrupt end makes the matter worse leaving the audience in confusion whether to scratch their brains or tear the screen in which they have just seen HARAMKHOR - ironically, the makers have managed to objectify the movie's title in the end. BRAVO. What an art!!
Full review ↗TRM 5.9−3.9
OK JAANU is breezy, harmless love story that repeats Aditya Roy Kapur and Shraddha Kapoor's charming and adorable on screen glory (read chemistry).
Full review ↗TRM 5.0+1.0
DANGAL is not just a film, the finest movie to come out in recent years is an exhilarating experience that sees a conventional sports-movie getting an uplifting arc of women empowerment that penetrates the desire to be a fighter in life irrespective of what gender we belong to, powered by prize winning acts lead by Aamir Khan that can appeal way beyond the lovers of this genre and or the fans of the game of wrestling.
Full review ↗TRM 8.0+1.0
I didn't hate BEFIKRE but that doesn't mean that I loved it either. The adorable Ranveer and Vani made it watchable but not lovable.
Full review ↗TRM 5.00.0
...with all its predictability and lost opportunity KAHAANI 2: DURGA RANI SINGH is not a disaster but certainly a chapter on how to make a solid intriguing and shocking plot that concerns turn into a mediocre and routine action drama with limited thrills leaving the star power and super talents of actress like Vidya Balan do the rest. Watch it for the acting powers of Vidya Balan and the suave Arjun Rampal.
Full review ↗TRM 5.8+0.2
DEAR ZINDAGI is an impeccably performed touching if not everlasting adage on life and relationship with some soul stirring moments hailing the power of Alia Bhatt as a super performer and SRK as the irresistible cool charmer minus the super star's 'arm spread' we all know. Looking for a decent time with your near ones this weekend then DEAR ZINDAGI is your ticket.
Full review ↗TRM 5.6+1.4
The sequel of TUM BIN was perfect platform for Anubhav to make some serious noise as a filmmaker but alas! Still we keep this 'fariyad' (desire) in our dil (hearts) that Anubhav Sinha just not stick with endearing moments alone in his cinema, he gives an endearing 2+ hours cinema in future... a hint of 2019 was given in the film... just guessing.
Full review ↗TRM 4.6+0.4
When you spoil a good movie by doing a bad sequel then the crime gets doubled, but FORCE 2 is in an altogether different zone, I questioned the logic behind the remake of the lousy HIMMATWALA and now I need a spy to understand what was so great about FORCE that we had a forced FORCE 2 as a sequel.
Full review ↗TRM 5.2−1.2
Failing to 'keep the faith' with the eight year old 'Magik', ROCK ON 2 is a completely contrived and forced sequel that 'loses its religion' within few minutes and ironically qualifies for a sound tribute to REM (Randomly Executed movie) obviously I didn't mean the band.
Full review ↗TRM 4.5−0.5
All said and done, Ajay Devgn fans will be watching it in any case but those who are still hooked to this, I will say that SHIVAAY is Ajay Devgn's weakest Diwali gift since GOLMAAL. SHIVAAY must have started with the ambition to reach the highest peak but unfortunately, gets buried in the avalanche of a routine story that lacked any glory.
Full review ↗TRM 4.6+0.4
ADHM is all-good feel-good candy-floss and a nicely packaged new outing from Karan Johar but the big argument is why is Karan Johar still grappled with the temptations of repeating himself instead of forging a fresh path even after delivering the goods in MY NAME IS KHAN six years ago.
Full review ↗TRM 6.1+0.9
31st OCTOBER could have been the opportunity by the national award winning helmer Shivaji Lotan Patil to make a strong and powerful statement on screen. Unfortunately the movie ends up as a sensationally forced recall of the 1984 horror that has a feeling in its heart but fails to convincingly put it on screen.
Full review ↗TRM 3.9+0.1
Ironically, in MIRZYA Rakesh Mehra loses conviction after a couple of reels right from the beginning itself and all the razzmatazz that follows turns out to be all sound no fury.
Full review ↗TRM 4.7+0.3
It is not a bad movie by all means but it's a miss opportunity to score a significant mark in the world of Indian biopic on screen, looking at the caliber of Pandey as a film maker and potential of MS Dhoni as an inspirational sports phenomenon. Watch it for the love of the game if nothing else.
Full review ↗TRM 6.3−0.3
BANJO at the most and in all generosity is a TIME PASS only if you love Riteish Deshmukh more than anything else.
Full review ↗TRM 4.4+0.6
As far as RAAZ REBOOT is concerned, it's just an extension of the money making franchise which at the most strictly manages to please the diehards.
Full review ↗TRM 3.8+1.2
PINK is an essential piece of cinema. Having Mr. Bachchan in an act which nobody can afford to miss, the topical courtroom drama questioning the mindset of the society on women and the prevailing double standards demands compulsory viewing. Do yourself a favour, watch PINK.
Full review ↗TRM 7.8+0.2
Maintaining the consistency of Sohail Khan as a filmmaker that started with the dud HELLO BROTHER in 1999,FREAKY ALI starring Nawazuddin Siddiqui is a mockery of a comedy in which nothing really comes to a head.
Full review ↗TRM 4.5−1.5
In the end, if you are planning to take some 'time' out with your valentine for BAAR BAAR DEKHO, make sure he/she is the biggest fan of Sidharth or Katrina and you just want to give your 'time' to her. Otherwise wait for the TV premiere or DVD.
Full review ↗TRM 4.8−0.8
AR Murugadoss directed AKIRA has the kind of tempting action thriller allure that edges other routine adrenaline with its constant edge of the seat excitement showing Sonakshi Sinha's in a power pack action avatar. Watch it.
Full review ↗TRM 5.3+2.7
Like many dream bollywood projects, A FLYING JATT certainly appeared good on paper. It had a simple comical character having super powers with genuine feeling and big laughs standing for something essential for the mankind. But Remo in his free style filmmaking inspired from free style dancing seems to have put together an amalgamation of assorted inspirations that were never assembled into one coherent storyline.
Full review ↗TRM 4.3−0.3
HBJ has glaring flaws like Ali we are told is a musician but we never see him sing, is predictable and is a missed opportunity to turn itself into a laugh riot going by its premise and settings in Lahore with a couple of good punches on 'urdu' but still in totality it's an harmless feel good fun that successfully puts a smile on your face when you come out. Go for it.
Full review ↗TRM 5.5+0.5
After BAAHUBALI, we all asked why did Kattapa killed BAAHUBALI? It won't be a surprise if the world starts asking who survived after watching MOHENJO DARO? Watch it at your own risk.
Full review ↗TRM 4.5−1.5
Though Akshay Kuamr fans will be awed and the theatres especially the single screen may burst with taalis and citis (claps and whistles), the thinking audience may wonder the need for the exercise to make Rustom Pavri so noble.
Full review ↗TRM 5.6+0.4
DISHOOM lacks imagination, it's formulaic but John and Varun make it watchable. Go for it if you love John and/or Varun or you are looking for a harmless fun.
Full review ↗TRM 5.5+0.5
The winning and loving digital Mark Rylance as the good giant, Spielberg's remarkable ability to make us believe in dreams again and of course the magnificent Big B mesmerizing all the way in his deep baritone as the good friendly Giant, THE BFG (BADE FARISHTAY JI) is the family stuff Disney and Spielberg are known for. - See more at: http://www.glamsham.com/movies/reviews/the-bfg-movie-review.asp#sthash.a2ELwROG.dpuf
Full review ↗TRM 6.3+0.7
Just like the wronged common man like Naseer in A WEDNESDAY, Nirmal (Irrfan Khan) in MADAARI could have being the man to please the intellectual plus attract the others with its emotional depth in what we say a film for the classes and masses but Nishikanth Kamat's 'system' of delivering (read helming) made me 'wrong'.
Full review ↗TRM 5.5−1.5
GREAT GRAND MASTI is a ghoulishly unfulfilled and terribly ironic follow-up to the bawdy MASTI series that makes you feel bad for Riteish Deshmukh, Vivek Oberoi and director Indra Kumar because they had not actually hit this rock bottom until they agreed to appear in it.
Full review ↗TRM 2.5−0.5
What cringes SULTAN for a rational/reasonable viewer is the maker's complete surrender of novelty, and innovations in his sports drama, considering the banner YRF, which gave CHAK DE! INDIA the SRK starrer has now become a cult and is hailed as SRK's best ever. SULTAN fails to break such norms while bhai happily breaks bones in the ring to please his fans thus 'dhobi pachad-ing' (limiting) this to a highly predictable but harmless watch.
Full review ↗TRM 6.5−0.5
If you are still 'carrying' on reading this, I have good news to share. I was glad when the movie got over and you must also be glad now that this review is over.
Full review ↗TRM 4.3
SHORGUL is nothing but a hopeless political drama that gets played on our T.V. Channels just to fill the slot.
Full review ↗TRM 3.8−1.8
Those looking for a dark, de noire, and grisly time on screen with a twist in inhumanity powered by Nawazuddin Siddiqui's topnotch performance. RAMAN RAGHAV 2.0 makes the kill. Hit it.
Full review ↗TRM 5.9+1.1
All said and done, UDTA PUNJAB is certainly bold, highlights a critical issue and is powered by prize acts, though it makes the 'thinking' audience show a sign of concern, it fails to make the 'aam junta' react the way they should have. But for those who look for something out of the box, dark, with a 'kick' of realisms, UDTA PUNJAB is your shot. Take it.
Full review ↗TRM 6.8−0.8
In the end, DHANAK may not be as lasting as Nagesh's IQBAL and DOR but certainly this feel good road trip is worth taking a ride with your family. go for it.
Full review ↗TRM 6.7−0.7
DO LAFZON KI KAHANI has nothing much to say literally. Though the movie is faithful to its believe on love, the presentation lacks novelty. The makers should have understood that love is blind but lovers of good love story are not.
Full review ↗TRM 3.8+0.2
...after lack of thrills and glaring loopholes like the silence of the child during the climax, TE3N is a watchable flick if you go without carrying the baggage of high expectations of a thrilling 'Kahani' post KAHAANI. It will struggle to make its space in the midst of the reigning blockbusters but those who hate crap in the name of entertainment and loyalists of Mr. Bachchan will find something for them this weekend.
Full review ↗TRM 5.8+0.2
...may still find patronage among Akshay Kumar's die-hard fans and those who can laugh at anything. Leaving the rest to pray that this may be the 'Aakhri Pasta' (the last installment) of this no brainer that was once upon a time an entertainer...
Full review ↗TRM 4.3+0.7
...is not only banal but it's tiresomely boring cause it fails to get the audience to identify, like, sympathize with the lead characters...
Full review ↗TRM 2.9+0.1
Apart from Akshay Kumar's dashing looks and performance Once Upon Ay Time In Mumbai Dobaara has nothing to boost on its own as a sequel.. it's an uninspired, boring and highly disappointing sequel you'll ever see. Or not see, if you're lucky. If you love the first film, seriously, do not see this one. You'll ruin two movies at once.
Full review ↗TRM 4.6−0.6
