Kya Dilli Kya Lahore may be a slow film but its climax will certainly touch you. Its poetic optimism will stay with you for long.

Watch the film for Gulzar’s poetry, the performance of its lead pair and an amazing climax. Avoid it if you love pace and action. This one offers neither a fast-paced story nor is there any blood and gore.

…deserves to be watched, but the filmed version is still a gem that needed a little more polish. The producer, Karan Arora, would do well to think about backing a stage adaptation of the same story and touring the country with the same cast. All he needs to do is fire Shandilya.

…is too class-appealing to create any impact whatsoever at the box-office. Its dull promotion will only add to its problems. Flop!

ven at this modest running length, Kya Dilli Kya Lahore feels stretched and half-baked, less of a big-screen experience and better suited to an intimate stage production. The accusations and counter-accusations traded by Samarth and Rehmat—much of it in un-subtitled Punjabi—aren’t particularly insightful about the intractable problems plaguing both nations, while the overwhelming sense of nostalgia for an undivided India doesn’t do the Pakistanis justice.