• The only element of Prague that offers a welcome break from the dreary, amateurish and clichéd story grafted onto a bad two-hour ad for the city of Prague is the music by Atif Afzal and Varun Grover. Director Shukla gets all the music montage scenes just right, but every single one of those scenes are so tonally detached that they seem like they belong in another movie. Pity.

  • Komal Nahta
    Komal Nahta
    Komal Nahta

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    Prague is a well-made film for the evolved audience but its box-office prospects are very bleak because of complete lack of mass appeal and absence of face value.