Uyir

“Despite a few uneven stretches, Uyir deserves appreciation for its emotional sincerity and its attempt to tell a socially relevant story with sensitivity. It may not be a flawless investigative thriller, but it leaves behind a sense of sadness, satisfaction, and moral discomfort.”

“A predictable procedural that falls short of its potential.”

“Despite its intriguing premise, Uyir never quite cracks the mystery, relying instead on emotional drama to deliver its final blow. Predictable twists, excessive flashbacks and uneven writing prevent the murder mystery from reaching its full potential. The good work is derailed by three extensive flashbacks that completely demystify the suspense and reduce everything to a generic, run-of-the-mill thriller.”

“The film fails on many counts. Arundhati's sudden crush on Sundar is not convincing enough. The reason given by Arundhati for her husband's suicide sounds illogical. In all, a lifeless film.”

“Director M Padmakumar's Roshan Mathew-Shruthy Menon starrer is a loosely written, spiritless affair that completely misses its emotional core.”

“'Uyir' can be described as a good film that conveys what it wants to say in a very realistic and clean way, without excessive cinematic suspense or big fuss.”

“The treatment of the film is such that at no point in the story does any of the revelations hit you hard, even when some of them are shocking enough. With its unimaginative and dated approach, Uyir does not break any ground and ends up as a run-of-the-mill police procedural.”