Somewhere in the middle of Dabangg 3, Rajjo tells Chulbul that she will never again force him to take a ’70s-’80s style kasam (oath). Never mind the context. I do wish Bollywood would take a kasam here and now to lay Chulbul Pandey a.k.a. Robinhood Pandey to rest.

Panipat is shorn of Padmaavat and Kesari’s insidious intent, but it is not exactly an innocent, truthful chronicler of Indian history. Add to that its lack of polish and spark, and for all its positives, it ends up as just an average affair.

Pagalpanti is sporadically entertaining, but for the most part it feels stale and ordinary. Even the appearance of a Méhul Choksi lookalike in the end cannot lift the film out of its plainness. References to current events work if you have a take on them. Pagalpanti has none.

The overall excitement in the screenplay compensates for these flaws and the inordinately loud background score, especially if you are in an indulgent mood having accepted that in most departments War is conventional Bollywood.

Ayushmann Khurrana & some excellent co-stars are funny despite bumpy writing…

The writing of Chhichhore is so lacking in depth, and the direction so passionless, it is hard to believe it has been brought to us by the same person who made Dangal. Despite its sporadic bursts of humour, Chhichhore comes across as a half-hearted enterprise.

Sidharth Malhotra is too hot and happening for such bland fare…

Depth though is missing in this film that touches upon all these elements, but sinks its teeth into them only in fits and starts. It has its moments here and there. However, overall, although it is meant to be a comedy drama about sexual health, the comedy is occasionally on point but there is not enough of it, the social commentary is very occasionally insightful but not enough, and the drama is not dramatic enough.

If you have not yet seen the film, then know that Judgementall Hai Kya is based on an interesting concept, it is often funny and fascinating, but in the ultimate analysis, it does not make the grade.

Hrithik’s uneven acting, patchy storytelling and a narrow take on caste dilute a gutsy theme