He sees what he shouldn't. She sees what he couldn't. So the question is, does he see it or not?Wikipedia
Tabu is marvelous, Sriram Raghavan finally having created a fitting role for this uber-talented actress, whom we really should be seeing much more of. Ayushmann Khurrana is wonderful, too, sinking into his part.
Sriram Raghvan’s new thriller pulls off great tricks in plain sight. It will surprise you when you least expect it to.
Sriram Raghavan’s thriller is about a blind pianist (Ayushmann Khurrana) who gets accidentally embroiled in a murder
AndhaDhun is a slow burner, the more you invest yourself in it, the more you enjoy it. Also, never treat a piano just as another instrument. You never know, it might be plotting against you.
Sriram Raghavan has set his focus on making the usually serious murder mystery a gripping yet entertaining one.
Andhadhun is completely aware of its intelligence and quick wits mercilessly testing our gullibility while Raghavan leads us to its staggering finish with the finesse of a Mikado champion.It's stunning, comic, grisly, absurd, intense, cold, crazy and must-watch.
Watch Andhadhun with your ears, eyes and minds open. You will come away with your senses heightened.
Open to various interpretations and unpredictable from beginning to end, AndhaDhun is an engaging thriller that keeps you on your toes and leaves you guessing all the way.
Bollywood doesn’t make too many thrillers and when it does, they don’t always measure up. “Andhadhun” ticks all the right boxes. This one should be savoured.
If you have grown up reading mystery/crime novels, don’t miss AndhaDhun. You will simply love it.
Andhadun, starring Ayushmann Khurrana, Radhika Apte and Tabu is a riveting and twisted classic thriller...
Before I say anything more, I suggest you watch ‘Andhadhun’ and then we can match our notes. If you watched Sriram Raghavan’s earlier works (‘Ek Hasina Thi’ (2004), ‘Badlapur’ (2015) among others), you know this one too isn’t going to be a predictable tale. Yet again, Raghavan has come up with something dark and delicious.
If you plan to watch Andhadhun, make sure you arrive early so that you do not miss the prologue or the old-fashioned credits, along with the bizarre statement accompanying them on screen, plus the tribute to Vividh Bharti's Chhaya Geet and Doordarshan's Chitrahaar. It all counts, as does every minute, second and millisecond of the unpredictable, crazy ride that follows.
The camera work and editing are flawless. The first scene where the hunter is chasing the hare in a cabbage field is intelligently integrated into the narrative and that is when the brilliance of the Director and his team, hits you.Overall, Andhadhun is a film worth your ticket price.
All the darkness comes laced with humour. Raghavan takes you to the edge of the seat with the pulse racing, makes you keep guessing even as you are chuckling. Getting outwitted and taken by surprise was never more entertaining. The film completes a perfect arc from where it starts to how it ends. Cabbage, cats and colour red; milestones and rabbits and liver and life all come with a larger meaning attached. Missing the beginning, end and anything in the middle would then severely imperil what could be the most fun you’d have at the movies.
But for those who love crime novelists James Hardley Chase or David Fincher’s films, then you are likely to savour Andhadhun, a perfect crime story with a killer plot.
Audience Reviews for Andhadhun
Not one film this year had full-bodied characters and the twist in the tale style as Sriram Raghavan's deep thriller Andhadhun. The crafty and effectively staged film is germinated on the basis of the French short film The Piano Tuner. This film about a pretending-to-be-blind pianist Aakash and the whirlpool of changes which come to his life when he goes to tune the piano in the home of a bygone big star's home is fabulously, deliciously, delicately twisted. The thrills come naturally in this genuinely upscale mystery, and the layers of narrative for the price of one is what I totally applauded. Ayushmann Khurrana, Radhika Apte and Tabu are amazing in playing their characters. The film carries with it meaning, symbolism, excitement and compelling drama. I'm going with 4 out of 5 for Andhadhun. The best film this year, the best Hindi thriller.
With Team India having demolished the Windies inside three days in the first Test at Rajkot, it pretty much meant that there was hardly anything else to watch over the weekend. That's when I happened to come across a couple of articles that spoke highly of "Andhadhun". Since it was directed by the brilliant Sriram Raghavan & had Tabu as one of the protagonists. I was more than eager to watch it.
Akash (Ayushmann Khurrana) is a talented 'blind' pianist who aspired to make it big in the music world. Despite numerous efforts, he wasn't able to earn a break & it was at this juncture that he meets Sophie (Radhika Apte) who offers him a job at her father's club. His performance at the club earns him numerous fans one of them happens to be yesteryear Bollywood star, Pramod Sinha (Anil Dhawan), who invites him over to his apartment for a private concert as an anniversary gift for his wife, Simi (Tabu). But little did Akash realise that this honour would turn out to be a nightmare & change his life forever.
Based on the French short film "L'Accordeur" (The Piano Tuner) in 2010 by Oliver Treiner, this flick belongs to the black comedy thriller genre that keeps us hooked until the very last scene. Sriram's credentials as a film-maker needs no introduction with movies like "Ek Hasina Thi", "Johnny Gaddaar" etc to his credit. He has also penned this engaging script in the company of Arijit Biswas, Pooja Surti & Yogesh Chandekar and it has got the various elements like murder, betrayal, double crossing, sex etc with a liberal sprinkling of wry humour. Just as in his previous movies, all characters have shades of grey & they are morally flawed. The unusual sequences which is a signature of Sriram can be observed right from the first shot (& be sure to watch it keenly) while his love for the past like Chitrahaar, Sholay, Scream etc., is all showcased here. Though the tempo slacks off towards the early part of the second half, it slowly regains its punch later on & finishes with a bang.
Apart from the script, the technical aspects have also contributed significantly in enhancing the viewer's experience. Key among them was Amit Trivedi's music & BGM which was impressive with 'Wo Ladki' rendered by Arijit Singh being my personal favourite. Equally praise worthy work was observed from K U Mohanan's smartly lighted frames & Pooja Surti's well thought out editing. In the performance part, Ayushmann was fantastic & continues to improve with each movie. It was imperative that he was in form as he was up against Tabu who always gives a thumping performance & this was a meaty role that gave her more adequate scope to rock. As for the rest of the cast, Radhika Apte didnt have much screen space while Zakir Hussain , Anil Dhawan, Manav Vij did their parts aptly.
Verdict: With a cracking script, skillful direction & excellent performances; it should be a winner at the boxoffice, However, more often than not intelligent movies like these fail to garner the adequate number of footfalls. Anywaz it deserves to be watched & if you are a fan of thrillers, then dont think twice. In short, dont miss it!!!
Andhadhun briefly reminded me of the good old days of silent comedies where everything on the screen was extraordinarily entertaining majorly supported by the score. There's a scene at the start where Akash is playing the piano and two people in front of him are foolishly resorting to their basic instincts. Not a word is spoken in those 10 minutes and yet it is the perhaps the most memorable scene in the film. It's pure cinematic brilliance, which unfortunately fades away in the second half as you complete watching the film in labored breathing. TN.
Andhadhun is that classic piece of art you will end up (unintentionally) pretending to like. The magic happens a little later though, when the melody seeps deep into you as moments pass.