• The film’s impressive action scenes and pretty hero cannot compensate for its limited substance, which matters particularly because the action is not unrelenting. While Karan is bashing up baddies, it is hard to look away from the screen. When he is not, it becomes easy.

    Sadly, there is more to Jammwal than that face, body and his fighting skills. Someone give this man a more substantial film, please.

  • Running Shaadi would be a great short story, or a short film. As a full length feature, it is entertaining only in parts.

  • Jolly LLB 2, as it turns out, is a mixed bag. The references to the Kashmir conflict and Hindu-Muslim tensions are impressive because the film raises these crucial issues without being in your face about them. It also bravely takes a swipe at self-righteous deshbhakts in the ongoing nationalist-versus-anti-national debate. The basic elements in the story are teeming with potential. When it’s good, Jolly LLB 2 is alternately amusing and moving. Sadly, the patchy treatment leaves it sagging too often.

  • It is not easy to write and direct rubbish, and get an intelligent audience to laugh. As someone who refuses to brush aside David Dhawan and Rohit Shetty’s work, I can vouch for the fact Kung Fu Yoga is a pile of nothing.

  • Alif is proof, if any were needed, that good intentions need good writing, good direction and good production quality to be translated into a good film. This is an important story. It just needs to be told in a better film.

  • D for Damn you cosmos, for allowing this injustice.

    This is not a film. It is a waste of time.

  • Just as you need to acquaint yourself better with young people, enter their minds and understand their way of thinking, to portray them on screen with any degree of depth. Ok Jaanu is a surface skimmer.

  • Dangal may be confusingly cautious around popular notions on the parental front, but in the matter of sporting achievement it does not mince words: silver is second best, it tells us unequivocally, and there is nothing wrong in aiming for gold. In an India that remains doubtful about the virtues of ambition, in a world that continues to consider ambition a dirty word for women in particular, such clarity is remarkable and inspiring.

  • Ranveer Singh, Vaani Kapoor’s verve can’t mask this old wine in a glossy bottle…

  • Vidya Balan is fantastic in Kahaani 2, but storywise, the film is like a pleasant meal spoilt by a mediocre dessert. If only…

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