Eventually the film feels like a tidy museum piece, too bland to even work as escapist adventure.

Imtiaz skillfully creates moments that are at once, tender, funny and fragile. But my problem was that I simply didn’t buy into the story.

Her has a profound melancholy. It directly speaks to our harried, technology soaked lives and our many selves who are, at once, virtually over-connected and yet, emotionally unmoored. In places, this film feels long and stretched. But it shifts something within you. When Theodore’s love affair ends, as it must, I cried.

The story is both implausible and clumsy but sheer attitude – or tevar as we are reminded repeatedly – pulls it together. It’s the second half, when Bikram and Bala are at each other’s throats, that the film loses its spell. The narrative momentum is broken by unnecessary songs and a prolonged Bikram-Bala fight, in which Zafar succumbs to the Salman Khan rule – eventually shirts come off and well-oiled chests hurl against each other.

12 Years a Slave is the most devastating experience I’ve had in a movie theater in years. I first saw the film alone in LA and by the end, I was weeping uncontrollably into my popcorn. Salman Khan once said that going to a movie should be like going to a nightclub. If you believe that then don’t step into this one. But if you want to experience a film that is, in equal parts, brilliant and brutal, then head to a theater now.

Mid-way through One by Two, an exasperated ex-girlfriend screams at the still-besotted boyfriend whom she recently dumped: You are so boring. Aur toh aur tumhara naam bhi boring hai. I felt her pain. Boredom weighed me down too as I watched this film.

In all honesty, I’m confused about how to evaluate Jai Ho. Because it’s not a film. It’s a cartoon. So, to point out that the story is laughably ridiculous or that the characterisation has no depth seems churlish. After all, you can’t go to see a cartoon and then complain about its disconnect with reality.

…So much fun that I wonder if viewers will recognize what a staggering artistic achievement it is. Don’t miss this film.

I had only one question after watching Carrie – what was the point? This Carrie isn’t worth spending time with but I do recommend that you find the De Palma film.

I recommend that you see Miss Lovely. Yes, it is an acquired taste. But Ashim Ahluwalia’s distinct and intriguing voice is one more sign of how fundamentally and excitingly the Hindi film topography is changing.