Top Rated Films
Deborah Cornelious's Film Reviews
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The plot doesn’t actually reinvent the wheel and yet it dominates the screenplay. Reynolds’ sequel — because let’s be honest, it really is all his doing — is one of those incredibly fun and lewd gifts that keep on giving. And you certainly won’t stop taking it all in; double entendres and all.
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But is Infinity War the best Marvel film to day? Not really. With standalone ventures, the scope of a languid pace is a more balanced approach. Two-and-a-half-hours is a long time to be constantly sitting on the edge of a seat.
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The film’s saving grace is the focused recreation of the actual rescue that unfortunately gets diluted because of Padilha’s decision to swiftly cut between it and the Minus 16 performance. What does help immensely is the dance’s soundtrack, the powerful Hebrew passover song, ‘Echad Mi Yodea’. Though not a lengthy film, it’s too excruciating a wait to get to the good parts of 7 Days in Entebbe.
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There’s murder, double-crossing, plot twists, smart alec-y attempts and even a fist fight. And after the director is done with his titillation, there’s a very detailed explanation offered for all of it. Try as it might (and it really, really does) Hate Story 4 ends up more comedic than thriller.
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Clocking in at more than two very long hours, Red Sparrow should have been shorter, simpler and a lot more entertaining.
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This darkly comedic and moving revenge tale is a swansong to Frances McDormand’s skill
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The star, however, is Del Toro’s direction that constrains your chest in anticipation of the inevitable and simultaneously also swells your heart, reiterating that love does transcend everything, and in this case even species. And like the shape of water, it is all around us when submerged in it.
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Gary Oldman ceases to exist with his powerful performance as the former English Prime Minister…
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Don’t be surprised if you don’t quite get the purpose of how things unfold in Atomic Blonde ’s climax. In any case, switch off your brain, come for Theron and stay for the action.
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Shortland’s film is anti-climactic, burning at a painfully slow pace and never fully coming to a boil.