The otherwise well-intentioned film is slightly marred by its length.
The climax in which Dr. Tariq is forced to report in the operation room is not easy to digest. Yet, the few demerits of Club 60 outweigh the genuineness with it has been made.

…Saif does justice to his role, bringing to it a vital spark and zest that flows so effortlessly. Sonakshi Sinha in a brief role does what is required for the part. Bullet Raja’s slogan claims “aayenge toh garmi badyaenge.” To the film’s credit it delivers what it promises.

At a run time of two-hours-forty minutes Ram-Leela could get a bit laborious but you can surpass that because Bhansali comes forth with a love story that is enthralling, sparkling and compelling but not self-indulgent like Saawariya.

The comic-thriller is fast paced, constantly taking you from one unexpected situation to another. The dialogue is witty, full of repartees and with many smart one-liners that most characters, even the supporting ones get to mouth and display their comic mettle. When the film slips into thriller territory it does remarkably, keeping the dramatic tension intact, gradually building up the tempo to a lively, entertaining climax. To its credit the film’s humour is quirky but not once below the belt.

An honest film made on a difficult subject like this is rare to find. Not many in the Bollywood factory would want to touch a subject like this. Do yourself a favour – watch Shahid, you will come out enriched!

In the end, it is one man who carries the film and that man is Chandan Roy Sanyal. It is delight to see this young actor, so far restricted to playing supporting characters in mainstream films become the mainstay of this well-made, independent film. Prague is a destination worth exploring.

The film is worth more than a few laughs. More because of the way the director spoofs Bollywood’s tried and tested conventions and the jokes he cracks at the expense of an industry he is only too familiar with.