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Reviewing since 2012 · Last review Sept 2026
Indo-Asian News Service.
Films
Scoring fingerprint
370 scored reviews · 0–10
Most given: 6 (100 reviews)6% of reviews not scored
In step with the room
Within a point of the Monk Score on 57% of 346 films
Closest peer
Agrees with IANS on 91% of 23 shared films
Divergence
From the archive
'Daayra' is a gripping crime drama that chooses questions over easy answers. Meghna Gulzar keeps the film serious and grounded, while Kareena Kapoor Khan and Prithviraj Sukumaran give the story the emotional and moral weight it needs. With strong performances, assured direction and a subject that remains deeply relevant, Daayra makes for a compelling theatrical watch.
Full review ↗TRM 6.6+2.4
Haiwaan builds its strongest moments around two accomplished actors standing on opposite sides of a conflict. Akshay Kumar delivers what could easily be described as one of his darkest and most menacing performances to date, while Saif Ali Khan is equally compelling with remarkable restraint. Their scenes provide some of Haiwaan's most thrilling moments because the conflict is not merely physical; there is a strong psychological element to their encounters.
Full review ↗TRM 5.3+2.7
If you want to watch a thriller with a twist, go for it! Director Sriram Raghavan's mastery of several twists and turns comes to the fore as we see characters and a dead body making the happy ambience turn ominous.
Full review ↗TRM 6.8
Make no mistake about it, Mani Ratnam's 'Ponniyin Selvan - Part I' is a masterpiece that deserves all your adulation and love. Director Mani Ratnam scores in almost every department, right from the casting, and 'Ponniyin Selvan 1' is a job well begun.
Full review ↗TRM 7.2+0.8
The film works as an action entertainer, but doesn't leave you impressed or awe-struck. That is a tad disappointing, considering that it has so many heavy-duty performers such as Kamal Haasan, Fahadh Faasil and Vijay Sethupathi and expectations from the film were quite high. On the whole, 'Vikram' works if one looks at it as just an action entertainer, but one cannot but heave a sigh of disappointment when one realises that the film could have been so much more than what it has just been made into.
Full review ↗TRM 6.5+0.5
Director Lakshya Raj Anand's 'Attack - Part 1' is a well-made film that marries sci-fi and action tropes astutely. Though this is an action thriller -- intense and frenetic, the writing of the film is taut and well-balanced. Overall, the film is well-written, but the story seems to be an amalgamation of many sci-fi English films.
Full review ↗TRM 5.6
'Maanaadu' is a decent entertainer narrated with great skill. Director Venkat Prabhu seems to have delivered a winner, managing to make a film that is deeply engaging despite its complex plot.
Full review ↗TRM 6.9−0.9
What fails to click here is the comedy factor. While 'Vedalam' and 'Viswasam' had genuine comedy sequences that made the film a light-hearted affair, the supposedly funny parts in 'Annaaththe' fall flat. On the whole, 'Annaatthe' ends up being a sentimental drama that has very little to offer in terms of entertainment.
Full review ↗TRM 3.9+1.1
Nothing that goes on in this story actually prepares you for the end. If the test of a thriller lies in keeping its audience guessing, “Haseen Dillruba” would pass the test.
Full review ↗TRM 5.4
Ram Gopal Varma, on a good day, can easily make a meal out of such a plot, the way he did with his fantastic thriller, Kaun?! Here, what could have been a delicious thriller turns out to be merely a watchable and forgettable revenge-drama, which never goes as Malang as I thought it would be. Sorry Suri!
Full review ↗TRM 5.5−0.5
There will always be the questions raised about authenticity of facts, of course. Not much is known about Tanaji Malusare in any case, which is why any debatable aspect of his story might just be fended off with the statutory disclaimer right at the start. Watch Tanhaji as a well-crafted piece of Bollywood extravaganza, more than an authentic lesson in history.
Full review ↗TRM 5.5+0.5
Salman's flamboyance as Chulbul the supercop, however, fails to hide the fact that you are essentially paying to watch the same film for the third time. Hardcore fans may not complain, because Chulbul Pandey's world is still woven around their hero.
Full review ↗TRM 4.8+1.2
Ashutosh Gowariker's latest has its moments. It is spectacular historical fiction riding some good performances, and likeable for the way it salutes valour. The impact could have been stronger with more imaginative storytelling.
Full review ↗TRM 5.1+0.9
The problem with today's comedies is that they think they can get away with cast and canvas, and making poker faces on posters would led to the belief that they have made an entertaining film for families. Actors participating in such comedies usually say in interviews and write on social media how their films are not for critics and request the audiences to leave their brains at home. I did exactly that, didn't apply any logic or brain, all I desired was laughter... where's that? Whom should I talk to now?
Full review ↗TRM 3.3−0.3
For all its flaws, The Sky Is Pink works for the simple moral science lesson it leaves behind: Your loved ones matter most. Come to think of it, nothing regales the true-blue Bollywood buff than that sort of a message.
Full review ↗TRM 6.2−0.2
Joaquin Phoenix shines in this dark tale...Joker is a dark and disturbing take on the origins of the DC villain
Full review ↗TRM 7.1−0.1
If War was always about its leading men, the duo manages to deliver some thunder in this piece of absolute blunder. Go for War only if you root for Hrithik and/or Tiger.
Full review ↗TRM 5.4−1.4
The film has a winning premise, just like the book it has been inspired by, Anuja Chauhan's The Zoya Factor, but Abhishek Sharma and Chauhan herself, fail to give the same magic and madness to the adaptation. It reeks of redundancy and gratuitousness. Zoya's love for firecrackers, a scene involving old-age romance, Salmaan's rivalry with Angad Bedi, who has issues of his own, all merely skim the surface, never succeeding to care for these characters, let alone rooting. The blame then goes to the weak acting, particularly by the leads, who try everything to make the charm and the chemistry work, alas all in vain.
Full review ↗TRM 5.5−0.5
Dream Girl is your film if you are looking for a couple of hours packed with feel-good fun. Only, don't go in looking for deeper nuances just because the film flaunts Ayushmann Khurrana as its hero - there are none.
Full review ↗TRM 6.2−0.2
The cast overall remains a big draw in a film that somehow becomes mediocre somewhere down its runtime, despite its subject. 'Mission Mangal' ends up an ordinary film about an extraordinary feat.
Full review ↗TRM 5.9
There are flashes of brilliance from the prop cast. Sanjay Mishra as Babli's father, Javed Jaffrey as Hukum Singh, and Aparshakti Khurana as Babli's friend are a delight to watch, but their performances are hampered by shoddy writing. Jabariya Jodi is a case of jabariya filmmaking. That's not amusing at all.
Full review ↗TRM 4.4−0.4
Khandaani Shafakhana betrays most flaws that efforts of debutant directors in Bollywood normally do. Hopefully, Shilpi Dasgupta will give us a better second film.
Full review ↗TRM 4.6−0.6
Judgementall Hai Kya has its flaws. The film's novelty factor, however, is simply too tempting to gloss over. Don't be too judgemental about its flaws, and you might just love this one.
Full review ↗TRM 6.4
This is a great story of a man who decided the poor can be privileged if educated. That a king's son need not be a king. It would have taken a really daft director to ruin a story so inspiring. That, Vikas Bahl, is not. Lucky that he is good. Lucky for Anand Kumar. This movie has anointed him for good.
Full review ↗TRM 5.7+3.3
With crisp editing and screenplay, Ayushmann Khurrana outshines as a cop. With a thick moustache and dressed like an Englishman, the actor justifies his character in every scene. Can watch the film with your family, friends and is for all age groups
Full review ↗TRM 7.4+0.6
The film is Shahid Kapoor's canvas and he portrays the noir and naturally flawed character, Kabir Singh with unmatched sincerity. A nuanced performance, inclusive of all the excesses his character is guilty of, Shahid makes them look real, even though in reality they may seem incredulous. His pain, anger, obsession, caring and even self-destruction appear raw and real.
Full review ↗TRM 5.4+1.6
Bharat is not a patriotic film, it has all the elements required to make a full-fledged masala pot-boiler. With some age-old ideologies sprinkled with newness, Salman's film will entertain audience.
Full review ↗TRM 5.8+0.2
Rajkumar Gupta's directorial - "India's Most Wanted" - is a rare film on counter-terrorism which seems to show no inclination to overplay its cards,
Full review ↗TRM 5.3+2.7
Overall, with entertainment and romance, thrown in with equal measure, De De Pyaar De is an enjoyable film that is endearing.
Full review ↗TRM 5.0+1.0
The dialogues sound like group chats where everyone tries to be the smartest. The songs and dances are unbearably campy. The retro number Yeh jawani hai deewani is the perfect anthem for a film dedicated to the "josh and junoon" of the young. Sadly not this one. Not this car wreck of a movie.
Full review ↗TRM 3.8+0.2
But then again, this could be a wildly profound reading of a film that wants to be mischievous enough to be "India's Oceans 11". It succeeds in being that, and then some more.
Full review ↗TRM 5.1+1.9
The razor sharp edits are flawless as they seamlessly blend motion capture frames with the computer generated images. The 3D effects and elaborate background score are bonus to the viewing experience. Overall, this spectacular film would be a fans delight.
Full review ↗TRM 7.8−1.8
Madhuri Dixit as Bahar Begum disappoints and seems out of place even in the dance performance which appears forced and uncalled for. Overall, love conquers all in this period drama.
Full review ↗TRM 4.6+0.4
TRM 6.1−2.1
This fantasy adventure film, with all the trappings of a typical Disney fare, is the story of a baby elephant, who uses his extra-large ears to fly.
Full review ↗TRM 5.4+0.6
Overall, with aggressive pacing, the film is well-researched and potent in nature. But with the timing of its release and the undertones in its messaging, this film appears to be a propaganda film that neither ignites any patriotic fervour nor journalistic appeal.
Full review ↗TRM 3.5+2.5
Romeo Akbar Walter is a contrived espionage drama. At one stage, the film appears to be a documentary telling us about the birth of Bangladesh
Full review ↗TRM 4.6+0.4
TRM 5.00.0
Overall, while the story is a bit of a disappointment, you'd be blown away by the film's technical brilliance.
Full review ↗TRM 5.9−0.9
At the end Sujoy Ghosh captures two vital faces staring out of a window. They remind us of how important characterisation is to a tightly-wound plot, and how easily a suspense drama can come undone in the wrong hands. Not this one.
Full review ↗TRM 6.3+1.7
Luka Chuppi works for the lead pair. Kartik Aryan is endearingly guileless while Kriti Sanon is more worldly-wise. Together the couple is a scream
Full review ↗TRM 5.2+2.8
Total Dhamaal is a total time-pass film sans any intelligence. You could term it as an acceptable good grade from a below average student
Full review ↗TRM 4.0+2.0
Debutant director Shelly Chopra Dhar's Ek Ladki Ko Dekha Toh Aisa Laga is an interesting romance tale with a social message, where love blossoms at a wedding and culminates on the stage of a theatrical performance.
Full review ↗TRM 6.1+0.9
Watch it for the intense moments of thrill that it has to offer and for the lead actress, who has also turned a director with this venture. As a first time filmmaker, Kangana has proven her skills and the film stands victorious.
Full review ↗TRM 5.9+1.1
Overall, this film is notches better than any of the previous movies offering a glimpse into Balasaheb's life.
Full review ↗TRM 4.8+2.2
Uri is a work of many achievements. But to me, a film about national pride without a single shot of the Indian flag is the biggest miracle since the invention of the motionpicture camera. This is a glorious beginning to 2019. And if patriotism is the flavour of the year, bring it on, provided it's not about Paki-bashing. Just getting even.
Full review ↗TRM 6.0+4.0
Overall, while the original film was "Supercalifragilisticexpialidocious", this one is "simply-fragilistically-sad".
Full review ↗TRM 5.5−1.5
The film has ace technical values with excellent production values, brilliant cinematography, skilfully choreographed action sequences, fine editing and intensely dazzling background score. The songs mesh seamlessly into the narrative. They are melodious with catchy tunes and are well picturised.
Full review ↗TRM 5.7+2.3
Overall, while the film opens with an intriguing and engaging scene, the overall packaging despite being fantastical, lacks the punch.
Full review ↗TRM 4.7+1.3
Overall, the film will entice Marvel fans as well as general audiences who simply want to see a visually spectacular and astutely mounted animated film.
Full review ↗TRM 7.5−0.5
Mounted with brilliant visual effects and astounding score, each moment feels stunning, larger than life and simply beautiful. A little bit of editing of the action sequences could have made the film a bit more-taut. Nevertheless, the fluidity on screen is simply impeccable and a joy to watch. It is easily one of the best from the DC Extended Universe.
Full review ↗TRM 5.8+2.2
Though Sushant and Sara deliver their chops earnestly, their on-screen chemistry lacks charisma and the fault lies not with them, but the script
Full review ↗TRM 4.9+1.1
It does get a bit too much at times. But don't mind. Bhaiaji Deol wants Bhabhiji Zinta back at any cost. All blazing guns and spoofy drama, this is where you want to go this weekend if you are looking for some cheesy fun.
Full review ↗TRM 3.4+2.6
Fantastic Beasts And The Crimes Of Grindelwald Movie Review: Featuring Johnny Depp And A Shocking Reveal At The End...The Crimes of Grindelwald stars Johnny Depp as the titular power-hungry wizard while Jude Law plays Albus Dumbledore
Full review ↗TRM 5.7+0.3
Bohemian Rhapsody may not be "the film", Queen fans wanted it to be, but it surely is a sweet, sugar-coated memento for the legendary singer.
Full review ↗TRM 6.2−0.2
Director Vinod Kapri never runs out of ways to engage our senses in the most heightened state of emotional vulnerability.
Full review ↗TRM 5.3+2.7
While the first half is racy, the second half especially the climax and denouement drags a bit. Overall, this film is worth a watch for Aamir Khan's performance.
Full review ↗TRM 4.1+2.9
Far from an Indian version of 'The Wolf Of Wall Street' The first half of the film drags at an even keel without any real inciting moments, merely establishing the characters
Full review ↗TRM 4.5
Outdated and cliched...The characters in Namaste England are frivolous, cardboard thin and rationality to their behaviour zilch
Full review ↗TRM 3.1−0.1
A slow, immersive character-driven film...Ryan Gosling gives a compelling performance as he slips into the shoes of the enigmatic and dispassionate Neil A. Armstrong
Full review ↗TRM 7.1−1.1
An old-fashioned sweet tale of romance...Only for die-hard romantics who are suckers for a sentimental love story
Full review ↗TRM 3.9+1.1
You will never see anything like 'Tumbbad' again...Co-directors Anand Gandhi and Rahi Anil Barve have dared to enter a world that on paper seems impossible to render visually. Yet, they`ve done it!
Full review ↗TRM 6.7+2.3
By the time Venom battles another Symbiote at the film's climax, in an incoherent cloud of computer-graphics, you wouldn't care less what you're watching or what the stakes are. But definitely lookout for the sequel, it seems promising.
Full review ↗TRM 4.7+0.3
The camera work and editing are flawless. The first scene where the hunter is chasing the hare in a cabbage field is intelligently integrated into the narrative and that is when the brilliance of the Director and his team, hits you. Overall, Andhadhun is a film worth your ticket price.
Full review ↗TRM 7.5+0.5
The loud background score and the music mesh seamlessly with the narrative. Those looking forward to Malaika Arora's item number would be disappointed. Overall, the film is an above average entertainer.
Full review ↗TRM 6.5−0.5
Overall, despite excellent production values, the film does not cut the mark of distinction.
Full review ↗TRM 5.00.0
The film will appeal to people who love history and are well-versed with Manto's writings. The film enables you to travel back in time as cinematographer Kartik Vyas's lens captures and recreates the era replete with sepia tones to perfection. The atmospheric lighting further adds to the authenticity. The mellifluous and mournful score by Zakir Hussain imparts an interesting dimension to the narrative. Overall, Manto, rooted in history, is a treat to watch.
Full review ↗TRM 6.5+0.5
Manmarziyaan is a love story treated with a difference and it is the performances that keep you glued to the screen.
Full review ↗TRM 6.00.0
The film is packaged with excellent production values, but overall, this is just another derivative of Dutta's film Border in a fresh avatar.
Full review ↗TRM 4.1+0.9
Inspired by a true story, Gali Guleiyan is an astutely mounted psychological drama that unfurls intriguingly. At the core of it is an interesting story of Khuddoos (Manoj Bajpayee), a brooding character living in denial, trapped within his locality and circumstances.
Full review ↗TRM 6.5+0.5
Stree moves in mysterious ways through a labyrinth of lip-smacking interludes, some razor-sharp others blunt to the point of blandness. Even when the momentum of the eerie gets overly airy, there is still enough steam in the storytelling to keep us interested, if not enthralled, to the end.
Full review ↗TRM 6.3+1.7
Overall, this film might not have the spark of its predecessor but nevertheless, it is light-hearted enough to bring a smile to you face.
Full review ↗TRM 5.6+1.4
The film is shot on a lavish scale with ace production values. The music of the film is composed by Himesh Reshammiya and the background score by Monty Sharma. But what stand out is the fine sound designed by Resul Pookutty. At the end, the in depth explanation of a genius seems forced.
Full review ↗TRM 4.0
Overall, with an overload of patriotic films in the recent past, Gold fails to offer anything exciting.
Full review ↗TRM 6.0−1.0
"The Meg" is best when it acknowledges its derivativeness, just one more silly shark movie in an ocean full of them. Its finest moment is when Statham, having willingly jumped into the water near the Megalodon, channels Dory and murmurs to himself: "Just keep swimming."
Full review ↗TRM 4.8+0.2
Mounted with excellent production values, the film has its moments of brilliance and cliches, which does offer a midlist, escapist journey, over all.
Full review ↗TRM 5.4−0.4
Eventually, if you sit through the ordeal of watching Rajkummar Rao romance the stunning Ms Rai Bachcchan in an abandoned industrial factory with only her pet dog for company, Fanney Khan is a heartwarming ode to life, Lata Mangeshkar, Mohd Rafi and Sheila Ki Jawani. Effervescent and emotional, it is an effective antidote to the pain of existence.
Full review ↗TRM 4.4+1.6
Karwaan has much that is wrong with it. But it also has plenty that pleases, a warmth and an empathy for the misfits that makes it a very endearing road trip, albeit with irrelevant deviations.
Full review ↗TRM 5.8+1.2
Overall, the performances outdo the mediocrity of the script and keep the film afloat.
Full review ↗TRM 5.4+0.6
Soorma just makes you happy for the unsung heroes whom cinema has the power and reach to put on a pedestal.
Full review ↗TRM 5.6+3.4
Overall, despite a stretched narrative of 130 minutes, Isle of Dogs is a thought-provoking film that is worth a watch.
Full review ↗TRM 6.8−0.8
Sanju with a special emphasis on the father-son relationship, as well as his bond with his friend Kamli, is a heart-warming tale, honestly told.
Full review ↗TRM 6.9+1.1
Overall, the film, despite its crazy supernatural and classically mythological streak satisfies you as an intense family drama.
Full review ↗TRM 7.1−0.1
Despite a typical colour palette, witnessed in many superhero films, the visuals of the film along with the 3D animation, are decent and exciting. Overall, Incredibles 2 is an entertainer that would entice the young and the older audience alike.
Full review ↗TRM 7.0−1.0
The 3D effects are far and few, even the shattering of the glass frames with the shards strewn all around are ineffective. The songs are an aberration to the narrative. All of them are slow, uninspiring and have a fatigued beat and they are the weakest point of the film.
Full review ↗TRM 3.4+1.6
...the CGI is spot on and the visuals are aesthetically mounted. Director of Photography, Oscar Faura's live-action frames mesh smoothly with the CGI and together, you experience some enchanting images. Overall, this edition is much better than its predecessor.
Full review ↗TRM 5.8+1.2
The music and background score befits the genre and overall, the film gives you a feel of a B-grade potboiler of the 1980s.
Full review ↗TRM 3.3+0.7
Cinematographer Siddharth Diwan's visuals offer unique angles and frames especially during the chase sequences. And overall, the film boasts of excellent production values rendered by the Production and Design team along with the editing and sound team.
Full review ↗TRM 4.8+1.2
This film is great fun to watch. The quartet of gorgeous women are more entertaining than the four guys in Dil Chahta Hai. One of whom had famously said, "You can't improve on perfection". True, but you can do a helluva lot with imperfection. Specially if you have the wealth to play around with to hide your ongoing bouts of gaffes and faux pas. Veere Di Wedding is one helluva joyride, a designer's delight and yet not quite the air-headed experience it loudly proclaims itself to be.
Full review ↗TRM 5.6+2.4
Overall, the film is worth a watch for the unsung heroes of the tale.
Full review ↗TRM 5.2+0.8
This is a small film with a very big heart, enduring in its statement on the erosion of mutual respect in a marriage of convenience, and endearing in its susceptibility to keep the narrative clutter-free when the stakes are piled heavily against a friction-free condition of existence. Oh, and yes. This is a two-hero film. Sanjay Mishra and the city of Varanasi.
Full review ↗TRM 5.7+2.3
Overall, mounted with moderate production values the film is a mediocre fare worth a Sunday watch on television.
Full review ↗TRM 4.4−0.4
t all kind flattens out into a noisy mess towards the end. A kind of what-if-Neerja-had-no-script rudderless romp into air turbulence. But nonetheless, it is fun while it lasts because some of the actors seem to have a blast. The others seem to have come along just for the fun. And we can't help getting their point of view completely. High Jack is a fun for a while. Before it loses its plot.
Full review ↗TRM 5.0
Overall, despite a weak script, there is action aplenty throughout the film, but that doesn't bog down the viewing experience like many overcooked comic-book sequels. Also, the pendulum of the narrative swings from bloody mayhem to lewd comedy and back seamlessly and there are moments too where the film turns mushy. It is also advisable not to leave the theatre at the beginning of the final credits.
Full review ↗TRM 7.1−1.1
The film boasts of moderate production values. The background score by Rupert Fernandez is bright and chirpy. The songs; "Aache bachche rote nahin" and "Aye Zindagi" snuggly mesh into the narrative. Overall, the film is slight too flat and straight.
Full review ↗TRM 5.1−1.1
Raazi offers a subtle dose of patriotism that makes you root for the film as it brings to life the story of the unsung heroine of the India-Pakistan war.
Full review ↗TRM 7.1−0.1
Omerta is not an easy film to watch. It cuts the protagonist's movements down to size in episodic chunks and then regurgitates the vivid moments into scenes of colour-blinded documentation. There is a moment where Omar, pretending to be an ordinary tourist in Delhi named Rohit is accosted by an aggressive cop on the road who tells him bluntly that he "looks" like a Muslim.
Full review ↗TRM 6.1+1.9
While the film boasts of decent production values, overall it fails to engross you.
Full review ↗TRM 5.00.0
Overall, this quirky film has its moments of brilliance which keeps you riveted.
Full review ↗TRM 3.4+1.6
Overall, by the end, Beyond the Clouds seems like a forced narrative that tells the tale of the unfortunate siblings who are trying to coexist within their circumstances.
Full review ↗TRM 5.9+0.1
Overall, while the film is a cautionary tale about the dangers of biological manipulation, it offers nothing exceptional that one has not seen in earlier films of the same genre.
Full review ↗TRM 5.1−0.1
Overall, to appreciate any good piece of art, one needs to ruminate to find a meaning in its composition. Despite not breaking any barriers, Mercury offers a lot to ruminate about, not in an organic manner but a forced one.
Full review ↗TRM 4.9−0.9
Director Shoojt Sircar's October is a poignant tale about love and hope, where Shiuli or night Jasmine flowers, which are perfumed and spread their fragrance everywhere and abound in autumn, is cleverly used as a metaphor to denote the ephemeral nature of life.
Full review ↗TRM 6.9+0.1
Overall, the film, artistically mounted with horror tropes, despite its fascinating concept which feels fiercely original, risky and undeniably frightening, feels like a contrived film, especially towards the end.
Full review ↗TRM 7.2−2.2
If you are a Tabu fan, you'd find it easier to handle the incongruities that surface throughout the film. If not, then the going might get tough for you.
Full review ↗TRM 3.6+3.4
Blackmail is a virgin territory in the comedy genre. It is heady and hedonistic, cocky and compelling in the way the comedies of Hrishikesh Mukherjee and Basu Chatterjee used to be.
Full review ↗TRM 5.7+2.3
Baaghi 2 is a few notches better than its predecessor, which is saying a lot. And the only saving grace we could argue is that Ronnie joined the armed forces to vent the rebellion born out of his failed love story, which in the narrative is taken for granted.
Full review ↗TRM 4.7+0.3
Overall, while the film is good in all respects, it is still not the Spielberg film one pines for.
Full review ↗TRM 7.0−1.0
At the end, the film does manage to keep you at the edge of your seat as you empathise with the plight of the victims.
Full review ↗TRM 5.1−1.1
A pretentious creative fantasy...An atypical, funny and amusing art house film about an art house, specifically a pretentious Stockholm museum devoted to progressive modern art...
Full review ↗TRM 6.2−0.2
It takes a lot of will-power to stand back and let the corrupt steal the thunder from the incorruptible. Raid tells us virtuosity may be boring. But it is still a rare bird worth capturing in the palm of your hand.
Full review ↗TRM 6.1+1.9
TRM 3.2+2.8
Overall, this film surrounded by almost no hype, is a pleasant surprise as it entertains you completely and keeps you riveted to the screen.
Full review ↗TRM 3.5+2.5
Overall, an intelligent viewer would initially dismiss the film as a lazily penned plot with banalities and plot-holes galore, but then the writers cheekily and astutely wrap up the film... At some points, it makes you say, "Ah, I did not see that coming."
Full review ↗TRM 5.3−0.3
Deftly written and directed with a keen understanding of the clannish conspiracies that tie the people of small towns together, this film offers us a deep and penetrating view into the innermost enclaves of the human heart where unknown to us, the most unexpected secretion of humanism merges with the cruelest of blows dealt by destiny.
Full review ↗TRM 7.8+1.2
The film is fast-paced, emotionally honest, well-performed and intelligently structured.
Full review ↗TRM 6.8+0.2
Technically with ace production values, the film is aesthetically mounted. Overall, the film is entertaining and is a brilliant character study of an efficient spy.
Full review ↗TRM 5.1
When he perishes his false eye does a little dance of death on the floor. Like a child that will have its way even if the mother must be mortified in the process. And yes, we will never inhale the scent of an agarbatti in the same away again.
Full review ↗TRM 5.4+3.6
The 3D effects are unwarranted. As for the special graphic effects, the visual element that stands out is the scene which is designed like a stylized, comic book narrative, giving us a brief insight into Arjun's (Karan Johar) backstory. The film has decent production values and actual IIFA Awards shots are seamlessly meshed into the narrative.
Full review ↗TRM 2.8+0.2
Tongue lodged firmly in cheek, Luv Ranjan's bromance-versus-romance tale has enough bite to make it one of the most invigorating rom-coms in recent times.
Full review ↗TRM 5.2+3.8
Overall, credit must be given to a film that delivers the goods, and if you've ever liked Onir's films, you're likely to enjoy this one.
Full review ↗TRM 6.1−0.1
Denuded of that sense of layered luminosity that we have seen in Guillermo del Toro's best works (Pan's Labyrinth and Crimson Peak), The Shape Of Water would have been a classic children's fairytale if the Beauty did not have the hots for the Beast. Bathtubs will never be a place of innocent contemplation again.
Full review ↗TRM 7.4−0.4
This is a film that left me in a ruminative after-shock. How can any film so violent be so gentle and calming?
Full review ↗TRM 6.0+1.0
Overall, the Black Panther is an exceptionally impressive film worth witnessing on the large screen.
Full review ↗TRM 7.7+1.3
Phantom Thread" is a subtly layered romantic melodrama that would appeal to a few.
Full review ↗TRM 7.6−0.6
Overall, though entertaining, Padman is like a long-drawn public-service film that's worth your ticket money.
Full review ↗TRM 6.4+0.6
Padmaavat has raised the bars in terms of cinematography, music and production design, the film has authentically registered the richness of Rajput Kingdom, the lifestyle of Khiljis and their practices. Though the film's runtime is 163 minutes, it engages you from the start to the end. Special mention to the team who is in charge for the Tamil dubbing, they have done a brilliant job and in fact, we slowly begin to feel as if we are watching a direct Tamil film.
Full review ↗TRM 6.2
My Birthday Song struts its polished demeanour like a badge of honour. It has its slack passages. But most of the time we are absorbed in the goings-on waiting to see how Sanjay Suri gets out of the mess. The narrative gives him elbow room to seek an exit. Then pulls the rug from under his feet, leaving us with a feeling that the scriptwriter wanted us on the edge right till the end.
Full review ↗TRM 4.6+1.4
Do stay for the end credits to hear Rekha Bhardwaj and Ustad Rashid Khan crooning "Sakhi ri". It's a sobering send-off to a suspenseful and original journey.
Full review ↗TRM 4.0+2.0
Overall, despite a cliched and overexposed narrative that weighs it down, the film delivers precisely what fans of the action star expect, a B-grade entertainer.
Full review ↗TRM 4.9+0.1
Visually, every frame is like an intricate-scaled diorama, a work of art built up from thousands of tiny, thoughtful details that would enthral you over several viewings.
Full review ↗TRM 7.0−1.0
TRM 6.5+0.5
Overall with good production quality, debutant director Akshat Verma's attempt at this noir comedy is engaging but it goes without saying that the script material tries to sell itself a little too hard.
Full review ↗TRM 4.8
Overall, what starts off as an intriguing film ends up as an insipid horror tale that leaves no impact.
Full review ↗TRM 4.6+0.4
Overall, the film is an ingeniously crafted, tension filled, kidnapping drama that won't disappoint you.
Full review ↗TRM 6.2+1.8
Overall, with the production quality befitting the ticket value, the film will appeal to children and adults alike.
Full review ↗TRM 5.7−0.7
While the script written by Disha Rindani and Konkana Sen Sharma, is skilfully drafted giving every character equal weightage, there are moments that make it seem pretentious and predictable. But the last scene which works as a metaphor in the film, leaves a lot of scope for interpretations and discussions and that is what takes this film beyond the auditorium.
Full review ↗TRM 7.2−0.2
From the first frame to the last blast, this is a fanboy director making sure that every moment of the narrative is paisa vasool for the Salman fans.
Full review ↗TRM 6.2−0.2
Visually, the film is attractive and pulsating with colours and action. The 3D animation is picture perfect. The viewing experience is elevated because of the soundtrack which includes three original songs.
Full review ↗TRM 6.0+1.0
The visuals are bright and colourful, especially the one scene that takes place in a casino and the scenes that lead to the film's final battle. The computer generated images mesh seamlessly into the live action sequences demanding the film to be seen on an IMAX screen.
Full review ↗TRM 7.6+0.4
It is a treat for those who had watched the live matches on television as it revives memories, and apart from that, the film has enough elements to appeal to even neophytes of the sport.
Full review ↗TRM 6.2
Technically, the film is moderately mounted with humour in limited and mediocre quotient. And overall, the film's premise is so akin to the recently released Bad Moms Christmas.
Full review ↗TRM 4.2
Bad breath gets a bad name in "Fukrey". But it's all in good taste. Circumscribing a world of chit funds, bodypart smuggling, animal poaching and French kissing, the wickedly anarchic world of Fukrey Returns is much smarter and far more intelligent than it outwardly seems. This is a world of rapidfire happenings where what goes around doesn't necessarily come around.
Full review ↗TRM 4.8+2.2
Those who think Kapil's days are numbered should make it a point to see what unrehearsed energy he brings to even the most mundane conversation about a bar of soap. And guess who makes a very special appearance at the end? No, it's not Sunil Grover.
Full review ↗TRM 4.1+3.9
If you subscribe to a cinema of supreme starkness, Ajji is your thing. However, if you go to the cinema for an excursion into escapism, this is not your cup of tea. There is no escape from despair in Ajji.
Full review ↗TRM 6.4+1.6
If you insist on watching Justice League this week you mustn't regret having missed out one of the most thought-provoking and exhausting and yet finally exceedingly rewarding film.
Full review ↗TRM 6.4
TRM 7.2
It is an ensemble of poorly built characters who band together to stop the villain from annihilating the world.
Full review ↗TRM 5.2−0.2
Overall, the film, though journalistically fuzzy, seems to be made with an idealistic passion.
Full review ↗TRM 6.5−1.5
The film has moderate production values but befitting the strata of society depicted. Nothing seems incongruous.
Full review ↗TRM 6.6−0.6
Every Christmas, there is a film that eulogises the merits of the festival as a family affair, and this year it is, A Bad Moms Christmas, that does the needful with flair. A sequel to last year's Bad Moms, this one, with its raunchy comedy that would definitely make Santa and all of us blush to the rosiest of pinks.
Full review ↗TRM 4.00.0
Ribbon has its share of flaws. So relentless is the focus on the protagonists' lives that we barely get a glimpse into the lives of the other (interesting but sketchy) characters, like Sahana's friend or Karan's father or the babysitter who evidently leads a life as adventurous as her employers, if not more. But that, some other time.
Full review ↗TRM 5.6+1.4
Overall, the film is a fun watch which will appeal to non-Marvel fans too.
Full review ↗TRM 7.4−0.4
A formulaic whodunit sans intrigue...The non-linear narrative appears confusing and repetitive for the viewer.
Full review ↗TRM 5.5−0.5
Old-fashioned but effective...You will be thoroughly regaled by the two actresses, specially in he way they reverse gender biases.
Full review ↗TRM 2.9
TRM 5.5+0.5
Golmaal Again is one of the better editions of the series. It definitely revives your interest in the franchise.
Full review ↗TRM 5.2+0.8
TRM 6.8+1.2
Victoria & Abdul offers mixed reactions. It is pleasantly sweet but annoyingly off-putting.
Full review ↗TRM 4.8+0.2
Nevertheless it is fascinating as a potent, unwaveringly brutal and emotionally devastating film.
Full review ↗TRM 6.9−0.9
Chef is a feel-good film about the importance of relationships and the message comes across smoothly albeit garbed in a long-drawn plot.
Full review ↗TRM 5.7+0.3
...while the details are dazzling, the final effects of the film are mildly thrilling but yet far from tame.
Full review ↗TRM 6.5−0.5
Judwaa 2 is not a great comedy but it is an engaging entertainer with some laughs and a sort of warm goofiness.
Full review ↗TRM 4.7+0.3
Bhoomi could have been a much greater achievement if it had avoided all the familiar stereotypes of rape-and-revenge dramas. But Agra, and the Dutt-Rao chemistry save the day and elevate the film to a superior show of strength where a rapist is not allowed to get away with a sickeningly sexist statement such as this: "Women get raped all the time. Why did you have to get so worked up?"
Full review ↗TRM 4.0+4.0
Overall, what could have been a strong film, well-researched, stimulating and perhaps hard-hitting film, ends up as a poorly executed court room spectacle sans any drama.
Full review ↗TRM 3.6+0.4
Kingsman: The Golden Circle is a decent comic book-esque action packed film.
Full review ↗TRM 5.5+0.5
TRM 7.3+0.7
Overall, sans the thrilling factor, this hard boiled heist comedy, is unconvincing and difficult to digest.
Full review ↗TRM 6.4−2.4
Technically, sound and made with moderate production values the film offers a convincing appeal. The background score by composer Amar Mohile and the songs choreographed by Ganesh Acharya add life to the jamboree.
Full review ↗TRM 5.2−0.2
So pretentious and hammy are the actors it would be an insult to good taste to call them actors
Full review ↗TRM 3.8−0.8
The Hitman's Bodyguard offers light moments worth your popcorn and ticket price.
Full review ↗TRM 5.7+1.3
Overall, the major asset of the film is that it succeeds in maintaining interest and suspense despite obvious foreknowledge of the outcome.
Full review ↗TRM 4.8+1.2
Overall, swathed in mindless but slick action, this poorly told tale is purely risky to watch.
Full review ↗TRM 4.7−1.7
TRM 6.0+1.0
On the production front, director Sandberg along with production designer Jennifer Spence make great use of the eerily vast layout of the Mullins' farmhouse just as director Wan did with the haunted home at the centre of "The Conjuring". But it is clustered - Annabelle's room, the barn, the well in the courtyard and the unexplained lift shaft in the farm house that is used as the focal area of action and are well-exploited. Overall, the film is visually well-captured but the spirit is missing.
Full review ↗TRM 5.5−1.5
This is essentially a cause-without-pause melodrama set at an opulent octave. Happily, director Shree Narayan Singh counterbalances those shrill notes of self-righteousness and propaganda with just the right doses of warmth, humour and irony.
Full review ↗TRM 5.5+2.5
...on the face of it, "Atomic Blonde" is more of an interrogation film, rather than an espionage thriller and thus with Lorraine revealing the turn of events, the plot gets predictable and thus loses its spark.
Full review ↗TRM 5.9−0.9
A big disappointment for both the fans of Shah Rukh Khan and Imtiaz Ali. They both need to think about what to do next. In separate rooms, please.
Full review ↗TRM 4.7+0.3
For its 139-minute duration, the film seems stretched. The narrative is reiterated in the last act, making the viewing a tedious fare.
Full review ↗TRM 4.7−0.7
The set piece of the opening act, an inter-dimensional bazar known as Big Market are a few scenes that show the potential power of Besson's transporting vision. But they all feel like manic decorations meant to stimulate and distract from the glaring deficiencies of the characters and the story.
Full review ↗TRM 4.9−0.9
Nothing is implausible if it works in cinema. After all, it is a part of getting the job done and hence, one does not complain when it comes to Mubarakan as it entertains you wholeheartedly.
Full review ↗TRM 5.6+0.4
The only issue in the film is that the third act feels so rushed, leaving too many logical steps unanswered. Also, the subplot about Andi's relationship with his sick and withholding father goes nowhere interesting and it certainly doesn't explain how he turned into a monster.
Full review ↗TRM 5.8+0.2
...with the enemy not shown, Dunkirk is a cleverly made film that's worth watching in an IMAX or on a 70mm Projection.
Full review ↗TRM 7.8−3.8
...the hype surrounding this film is bound to get you to watch it and disappoint it wont.
Full review ↗TRM 6.8+0.2
...with a run time of two hours and forty five minutes, there are moments when you inadvertently end up snatching forty winks.
Full review ↗TRM 5.5−0.5
While some of jokes work swimmingly for example Rawal's entry gag where he brings an entire organization to a standstill while escorting his wife up the elevator, other gags simply apart. Much like the guests who overstay their welcome, come of the jokes also go on for too long. As writer-director Ashwni Dheer's roots are in television several plot point read like episodes from a television sitcom.
Full review ↗TRM 3.2+3.8
With excellent production values, the film is a visual treat that will appeal to all.
Full review ↗TRM 7.1−0.1
Mom is an important film. Though its theme is nothing new the debutant director ensures a vigorous accountability to almost every scene. You may be tempted to wonder why Mom seems such a special film with almost every shot exuding a freshness and a secret relevance that may or may not be revealed at any point.It's just so reassuring to have Sridevi around. Thank God some things never change. This is one of the best films in recent times. And not only because of Sridevi.
Full review ↗TRM 6.4+3.6
Overall, with moderate production values, The Big Sick is a pleasingly feel-good film.
Full review ↗TRM 7.0−1.0
Overall, Tubelight has the tempered magic of cinema but it fails to ignite the emotional quotient.
Full review ↗TRM 4.7+1.3
The production quality of the film befits the Yash Raj Films label, and the background score, in parts, creates the adrenaline charged atmosphere, befitting a thriller.
Full review ↗TRM 3.7+1.3
he Mummy is a fun film that sets the Dark Universe's ball rolling as viewers look forward to the next edition.
Full review ↗TRM 4.3+1.7
Overall, with the background score and the songs smoothly blending into the narrative, the film seems like a seamless canvas.
Full review ↗TRM 4.8+2.2
Baywatch never opts for ennui as a decent alternative to smutty entertainment. It lets out a welter of off-colour humour in scenes that have been written to spotlight Dwayne 'Rock' Johnson's dexterity with dumbness. You can't afford to miss his, and this film's gumption.
Full review ↗TRM 3.9+3.1
Like any other DC film, this film too is aesthetically and magnificently mounted. Matthew Jensen's Cinematography and Rupert Gregson-Williams score add the obvious emotional boosters that enrich the viewing experience.
Full review ↗TRM 7.2+0.8
For telling it like it is, for giving the national hero a befitting cinematic homage and for opening up the vistas of dreams that every working class youngster lives and dies with, Sachin: A Billion Dreams deserves a standing ovation. For giving us a documentary that is neither dry nor pedantic nor over-eulogistic, the entire team of this film deserves a "We Love Sachin" sweat-shirt each.... Signed by the man.
Full review ↗TRM 7.1+1.9
The songs in the film are hummable and the film, as expected, with excellent production values is all gloss and fluff but low on substance.
Full review ↗TRM 4.00.0
Hindi Medium with excellent production values and a strong local story, is undoubtedly a great canvas with a strong message.
Full review ↗TRM 6.5+0.5
Overall, while the film is interestingly told and is engaging, the last scene, though it talks about a happy ending, unsettles the purist.
Full review ↗TRM 4.9+1.1
The end credits promise - Guardians of the Galaxy Will Return, but if this streak of its storytelling continues, one is not sure if you'd be looking forward to it.
Full review ↗TRM 6.3−1.3
Pinneyum ends up as unintentionally funny and inane to the core. It's better if this one is forgotten as a bad dream.
Full review ↗TRM 5.6
Overall, the minor lapses in the portrayal of journalism as a profession, notwithstanding, 'Noor' is an enjoyable, breezy film which pivots around strong issues but is light-hearted too.
Full review ↗TRM 5.1+1.9
TRM 4.3+1.7
There is room for everything and everyone in this baggy after-thought including a cute baby who is part of the film's climactic stunts. The baby, named Brian after the late much-missed Paul Walker, has a ball. We do too. We don't miss Walker. There is no pause for nostalgia here.
Full review ↗TRM 5.7+1.3
Overdramatic and convoluted...Vidya Balan in the title role, as expected, is impressive and effortlessly convincing.
Full review ↗TRM 5.0−1.0
Ghost in the Shell is a visually arresting film that has it occasional moments of brilliance in the action scenes, but fails to hold your attention for long.
Full review ↗TRM 5.4−1.4
Laali ki Shaadi Mein Laddoo Deewana is a wedding you will want to attend and leave half way, as it fails to excite you after a point.
Full review ↗TRM 3.5+0.5
The film is a sincere attempt at recreating Poorna Malavath's historic feat and conveying the message of empowering the girl child.
Full review ↗TRM 6.4+0.6
TRM 5.7+1.3
Overall, the film, packed with forced symbolism, is a beautifully rendered piece full of nuance and subtlety. It moves along slowly but always keeps the audience captured with its intriguing intelligent quotient and bubbling tension.
Full review ↗TRM 6.9+0.1
Naam Shabana is a film of rude awakening, reminding us how much maturity in vision treatment execution and the performances, a film can achieve provided it stops looking for reasons to make audiences happy. Watching this film is a joy, although nothing really happy happens to Shabana. We are just happy that she can fight her own battles even when the odds are stacked skyhigh against her.
Full review ↗TRM 4.9+3.1
Phillauri is a well made film from debutant director Anshai Lal and is worth a watch.
Full review ↗TRM 5.0+1.0
The film is interesting as it offers some striking and genuinely terrifying moments.
Full review ↗TRM 6.0+1.0
TRM 6.8+0.2
TRM 6.5−1.5
Overall, the calm ending is a downer. But for an exhilarating experience, it is advisable to watch the film through a child's forgiving eyes. For otherwise, Kong: Skull Island is just another man versus monster tale.
Full review ↗TRM 5.8+0.2
Logan is an emotionally satisfying film which bids a gracious adieu to the superhero.
Full review ↗TRM 7.6−0.6
TRM 6.0+2.0
Shyamalan never loses grip over the narrative even when the surprise element slackens and slows down and finally whittles down to a zero. Split is remarkably assured in following the rules of a solid cat-and-mouse thriller. The attempts at bringing in a psychological heft by trying to align Casey's current captivity with her childhood predicament is, at best, tenuous.
Full review ↗TRM 6.6−0.6
Overall, with a proper tone, accurate setting and above all, an unforgettable performance, Jackie is a powerful, subtle and dark film made only more emotional by the grating soundtrack.
Full review ↗TRM 6.8+0.2
Impressive even awe-inspiring in its emotional velocity Lion is a film that will stay with you for a long time. At a time when Indian cinema has become distinctly shy of wearing the heart on the sleeve here is a film that just lets it all hang out unconditionally and wholeheartedly.
Full review ↗TRM 7.5+0.5
Overall, everything in this film is magnified and polished creating a high-octane atmosphere. It surely is a gift for all action lovers.
Full review ↗TRM 6.8+0.2
Running Shaadi has its share of flaws. The beeped-out 'com' from Running Shaadi is an irksome speedbreaker. Also, the effort to keep the goings-on constantly brisk-paced gets exhausting at some point in the narrative. I am really not sure when. It all happens so swiftly and happily and fluently. This is a rom.com with a dot between the 'rom' and 'com' reminding us that the traditional romantic comedy has come a long way. And dot's the whole truth.
Full review ↗TRM 4.8+2.2
This may not be your idea of a Valentine's day love story. But Rings tells you why it's important for couples to stand by one another under the most trying of circumstances. Also, why not to watch video tapes that are sent anonymously.
Full review ↗TRM 4.0+2.0
The production values are of expected quality, but overall tread wisely into this space only if you must.
Full review ↗TRM 4.6
Overall, nothing matters in this film since it a snooze fest. Even the fans of the series would agree.
Full review ↗TRM 4.1−1.1
TRM 4.9−0.9
TRM 5.8+0.2
Kaabil is a film about love and its abrupt send-off. It is a violent film. But the emphasis is on the damage done to the soul of the wronged man. It must be seen for Hrithik Roshan's incredibly moving performance and for the unexpected glimpse it provides into its director's romantic personality.
Full review ↗TRM 5.9+3.1
TRM 6.5+0.5
Overall, OK Jaanu is a strictly ok film, devoid of anything new or interesting.
Full review ↗TRM 5.0−1.0
TRM 6.1−0.1
Sans the performance, Dangal seems too perfunctory with its sports and biopic tropes that tend to be inspirational and motivational.
Full review ↗TRM 8.0−1.0
Overall, La La Land is a stylishly made film that pays homage to classic romance musicals.
Full review ↗TRM 8.00.0
"Office Christmas Party", packed with debauchery in the backdrop, is a very by-the-numbers comedy that offers nothing memorable or you have not seen too many times before.
Full review ↗TRM 5.0
Befikre captures the "pagalpan and bachpana" that is the madness and childishness of its protagonists in a cliched and not classic manner.
Full review ↗TRM 5.0
Dear Zindagi could have been a lively, fun film albeit with life lessons, rather than the long-winded slice of life it is.
Full review ↗TRM 5.6−0.6
With moderate production values, the film is technically polished with Paul Denham Austerbeery's vivid production designs that are realistically captured by Yves Belanger's efficient cinematography. Nathaniel Mechaly's score desperately tries to elevate the viewing experience. The edits by Baxter and Maryline Monthieux, flawlessly camouflage the fault lines in the narrative. Overall, Shut In is mediocre fare.
Full review ↗TRM 3.9−0.9
Force 2 offers nothing that you have not seen before, yet entertains you. It is an ideal watch for John and Sonakshi fans.
Full review ↗TRM 5.2−0.2
By the time ADHM gets into a full-on Devdas mode, we are in no mood for tragedy. But what to do? Karan Johar won't let his characters enjoy their self-inflicted pain without a pay-off. These people love the good life and must pay a price for it.
Full review ↗TRM 6.1−0.1
Technically, with good production values, the film is well-mounted and would appeal to Tom Cruise's fans, as it desperately attempts to replicate a franchise.
Full review ↗TRM 5.1−0.1
The Girl on the Train may not be at par with the October 2014 released thriller Gone Girl, in terms of an enthralling experience, but is nevertheless exciting.
Full review ↗TRM 6.0+1.0
Saat Uchakkey, with its profusion of profanities and an abundance of audacity, hits all the right notes for most of its playing time. Cinematographer John Jacob Payapalli shoots old Delhi with a keen eye for decadence and debauchery in conflict with a world of techno-driven instant gratification that has seeped into the crumbling walls of havelis that have seen better times.
Full review ↗TRM 4.5+2.5
Overall, when at the very end, you hear "If you loved humanity or this planet, you'd do anything to solve it", you feel let down with all the hype of the Inferno.
Full review ↗TRM 4.8−1.8
Overall, the film leaves you with a mixed feeling of wanting to like the film and its characters, but yet there is something that holds you back from accepting them wholeheartedly.
Full review ↗TRM 6.1−0.1
Mirzya even though two hours and 10 minutes, seems like a lifetime in the theatre as Rakeysh Omprakash Mehra does not succeed in involving you in the love story of the duo. Neither does your heart beat for them nor do you get teary eyed when they are separated. Aesthetically, it is a treat though.
Full review ↗TRM 4.7−0.7
With excellent production values executed by production designer Stephanie Carroll along with Mobolaji Dawodu's striking costumes, the visuals captured by cinematographer Sean Bobbitt's lens are appealing. And so is Alex Heffes's lavish score which tugs at your heartstrings and compliments the visuals. Overall, the film, rich in cultural texture is skilfully and sensitively handled.
Full review ↗TRM 6.8+0.2
The film is not as exciting as a one-day cricket match. Instead, it is like a Test Series that definitely touches the right nerve.
Full review ↗TRM 6.3−0.3
Visually the film has all the trappings of a Western. The action sequences are skilfully choreographed and every frame is aesthetically captured by Cinematographer Mauro Fiore's lens.
Full review ↗TRM 5.6+0.4
TRM 6.1−0.1
TRM 4.3−0.3
Overall, 'Pink' is an evocative film about women, brimming with messages relevant for society, and keeps you riveted to the screen.
Full review ↗TRM 7.8+0.2
TRM 5.3+0.7
The only saving grace in the film are the beautiful landscapes and a song sequence in Mongolia that is beautifully captured by cinematographer Chan Chiying's lens. Overall, watch Skiptrace only if you are a Jackie Chan fan.
Full review ↗TRM 4.3+0.7
Overall the film succeeds in offering something special and original. And, Fede Alvarez is a director to watch out for.
Full review ↗TRM 7.1+0.9
Overall, the film is a superficial entertainer that does not touch you emotionally.
Full review ↗TRM 6.2−1.2
Watch, "Waarrior Savitri" only if you have time to spare and nothing better to do.
Full review ↗TRM 3.8
Overall, the director seems to have lost the plot after the second act, as the narrative meanders making the entire comic affair agonising.
Full review ↗TRM 4.3−0.3
Over all, Nine Lives is a light film that would appeal to feline lovers and amuse little kids to distraction.
Full review ↗TRM 4.3+1.7
With fairly moderate production values, the film is glossy and upbeat. The aerial shots of the city are well-captured. Overall, 'UnIndian' is a frothy film, worth a watch to encourage Brett Lee.
Full review ↗TRM 5.00.0
Beltrami's music enhances the viewing experience and, overall, as mentioned earlier, this is a well-made epic that gives you the essence of the subject, but is definitely not comparable to the earlier classic.
Full review ↗TRM 4.8+2.2
Happy Bhag Jayegi is a feel-good, light-hearted drama that does not need to be taken seriously.
Full review ↗TRM 5.5+1.5
Overall, given the subject, Rustom could have been more taut and thrilling, but, Akshay Kumar makes it worth watching.
Full review ↗TRM 5.6+0.4
Overall, Mohenjo Daro lights up the screen but only if it was crisp and thrilling.
Full review ↗TRM 4.5+2.5
TRM 4.0−2.0
Overall, as mentioned earlier, the film would appeal only to DC Fans. For others it would be a loud and noisy affair.
Full review ↗TRM 5.1
Overall, this film is far from a strikingly designed epic and is not worth the ticket price.
Full review ↗TRM 2.6−0.6
Extraordinary in ever sense, this is a story that had to be told. Just as every Budhia needs a Biranchi Das, every story of an unsung hero needs a filmmaker with a dispassionate vision. "Budhia Singh - Born To Run" should be granted a tax exemption in every Indian state.
Full review ↗TRM 6.7+1.3
What makes The BFG supremely special is not just the way every frame has been put together accentuating the physical disparity and emotional empathy between Sophie and the Giant, but also the manner in which the original story by Roald Dahl is sublimated to contour the eternal bonding between two lonely misfits.
Full review ↗TRM 6.3+1.7
Dishoom offers nothing that you have not seen before, yet entertains you. An ideal watch for John and Varun fans.
Full review ↗TRM 5.5−0.5
Overall, this film is like watching a big budget film of the original television series.
Full review ↗TRM 6.7−0.7
So the verdict. Does Rajinikant rock it in Kabali? Yes! Though the motions of his iconization have now altered somewhat.
Full review ↗TRM 5.5+2.5
'Madaari' is an absolute treat both for cine-goers and every citizen of India, who is concerned about his country.
Full review ↗TRM 5.5+3.5
Overall, as Ragini mentions, "Masti ka maza, zabardasti mein nahina" but the film at times does go overboard, especially during the climax.
Full review ↗TRM 2.5+2.5
Visually the 3D effects and the computer generated animated images are marvellous. The animals are perfectly anthropomorphized. And the engaging voices of the ace-star cast resonate with the right blend of emotions. The Secret Life of Pets is an attractive film that would appeal to pet lovers.
Full review ↗TRM 5.9+0.1
Overall, this film would appeal to only those who are fond of witnessing crass and crude humour.
Full review ↗TRM 4.3
"The Legend of Tarzan" is a poorly paced film that is light on adventure and far from becoming legendary.
Full review ↗TRM 5.1−1.1
Considering the subject had tremendous potential if well-handled, "Shorgul" makes noise, which all hear, but no one listens to.
Full review ↗TRM 3.8+0.2
Technically, the film is astutely crafted. Barry Peterson's camera work is noteworthy and his visuals are accompanied by Ludwig Goransson and Theodore Shapiro's music, which is seamlessly layered by Michael L.Sale's efficient editing. Overall Central Intelligence is a fun film only if you park your intelligence for a while.
Full review ↗TRM 5.7+0.3
"Finding Dory" is a fairly entertaining. It is worth a watch, only if you have not seen "Finding Nemo" or if you suffer from short-term memory loss.
Full review ↗TRM 6.3−1.3
TRM 6.7+0.3
Director Chu keeps the narrative moving at a smooth pace with Stan Salfas' editing which layers the visuals churned out by cinematographer Peter Deming's widescreen lensing and Brian Tyler's otherwise overstated score. But overall, this film does not succeed to wow.
Full review ↗TRM 4.5−0.5
Overall, "The Conjuring 2" is a well made film, but lacks the scare factor.
Full review ↗TRM 5.7−0.7
Overall, 'Do Lafzon Ki Kahani' is a sentimental film that will woo any romantic.
Full review ↗TRM 3.8+1.2
Overall, Warcraft does not match real-life expectations, but would definitely appeal to its fans.
Full review ↗TRM 5.3
TRM 4.6+0.4
Overall, despite a great hook, the film is just a popcorn thriller, that never really packs the emotional punch it promised.
Full review ↗TRM 5.6−0.6
Overall, 'Captain America: Civil War' is a purposeless fantasy battle, punctuated with humour, that may appeal only to its fans.
Full review ↗TRM 7.1
Overall, the film has sleek production values and, though frothy, it is a decent adult film.
Full review ↗TRM 3.7+1.3
Overall, "Kung Fu Panda 3" will appeal more to those who have not seen the earlier editions.
Full review ↗TRM 6.6−1.6
Overall, this superhero film is a mediocre fare, which disappoints and will neither appeal to kids, nor adults.
Full review ↗TRM 5.3−1.3
"Norm of the North" is just a cuddly bear that fails to entertain you beyond a point.
Full review ↗TRM 4.3−0.3
The screen is filled with a colourful palette. The 2D animation though a bit backward given today's advance digital technology, is visually exciting. Though amateurish, the film is an exciting escapade for its young audience.
Full review ↗TRM 5.2
Visually, the film is compelling with Johnny Breedt's production designs, Mickey Kirsten's special effects and cinematographer Haris Zambarloukos's camera work, which include the spy camera footage which are put together by Megan Gill's razor-sharp edits. Overall, the film, though tense, has a notably playful flavour.
Full review ↗TRM 7.0−1.0
The visuals, along with the well-synchronised sound design, is what keeps you hooked to the two and a half hour plus duration span.
Full review ↗TRM 6.0
The film is aimed to create a sensory experience, which it does. If taken at face value, its linear structure could be deemed meaningless. However, if you approach it in a more metaphorical sense then the film works on a whole other level of, 'the reborn'. It's about nature communicating with man.
Full review ↗TRM 7.1−0.1
"Loveshudda", which begins with a promise, finishes off on a rather flat note.
Full review ↗TRM 4.0+1.0
'Neerja' is definitely a white-knuckle ride, take it if you have the courage for it.
Full review ↗TRM 7.6−1.6
This film will appeal to Deadpool fans and those who like to see mindless action which is coupled with bawdy dialogues to humour their sensibilities, this Valentine.
Full review ↗TRM 6.7−2.7
...may be about love but disappoints greatly and is not going to appeal to lovers this Valentine's Day, owing to its amateurish treatment and weak plot.
Full review ↗TRM 3.7+0.3
Perhaps it is the last fifteen minutes of the film, which drags a bit and given the few cinematic liberties that the directors have taken, becomes a little mawkish. Else, theirs is a love story that will touch your heart without a doubt.
Full review ↗TRM 3.5+2.5
...despite its appeal and lovability, the film misses to add depth and gravitas to a full-on Asterix Adventure.
Full review ↗TRM 5.3
Overall, with blatant product placements which include boosting Pattaya tourism, poor humour and garish treatment, the film fails to leave an impress.
Full review ↗TRM 2.3−0.3
TRM 6.0−1.0
As a whole, the film is very well put together with every Tarantino trick, but unfortunately it lacks the magnetism to draw.
Full review ↗TRM 6.5−0.5
TRM 6.0
Don't miss the trials and tribulations of these seamen. This film is definitely worth a watch.
Full review ↗TRM 6.4+0.6
Hate Story pushes the envelope so hard, all the contents spill out in a torrential tumble of tantalising power-play set within the world of corporate battles and gender conflicts. This is a most riveting and aesthetic saga of a woman's revenge against the man who's wronged her since RK Nayyar's Inteqaam - except for the fact that Paoli does things Sadhana in Nayyar's film could have never imagined.
Full review ↗TRM 3.8+3.2
... is a dazzling film, but it lacks the lustre and adrenaline rush of a 007 film from the bygone Cold War Era. The chutzpah and the aura are missing.
Full review ↗TRM 6.1−0.1
Aurangzeb has an epic sweep to its storytelling. But it's also an intimate portrait of family values gone to waste. It is really the sound of stifled sobs that we carry home of characters who thought they knew it all only to realize at the end that they somewhere lost track of their inner self in pursuit of distant dreams.
Full review ↗TRM 5.5+2.5
The real hero of this film is the writing. Rajat Arora's dialogues flow from the storytelling in a smooth flow of poetry and street wisdom. Aseem Mishra's sharply -evocative cinematography gives to this rugged-and-razorsharp look at Mumbai's mythic mating with crime, an urgency that simply can't be ignored.
Full review ↗TRM 5.6
The screenplay is padded up with oft-seen images and scenes in films of this genre, making this film bland. Endless close-ups of artisanal plates of food fussily prepared, frenetic kitchen scenes in which orders are shouted and pans sizzle. And, of course, frequent dish-smashing tantrums and tirades by the master chefs.
Full review ↗TRM 4.9−0.9
The script, written by directed by Nitin Chandra, is well-researched and mounted with passion and attempts to erase the "Bimaru" stigma (an acronym for – Bihar, Madhya Pradesh, Rajasthan and Uttar Pradesh), which denotes sick in Hindi. Padded with many misgivings about Bihar, the exposition is verbose which at times sounds too preachy for ones' liking. Also not being singularly focused and with a few plot-holes, the story seems superficial, convoluted and manufactured. Overall, "Once Upon A Time In Bihar" will appeal only to Biharphiles.
Full review ↗TRM 4.8
Overall, director Rob Letterman's "Goosebumps", with some fine nuggets of direction, is a contrived tale, targeting the family audience this Halloween weekend. It is not too scary for children, but not too tame for the adults either.
Full review ↗TRM 5.7−0.7
Overall, "Main Aur Charles" is a well-made intriguing film with realistic performances.
Full review ↗TRM 5.4+1.6
Hanks, who teams up with Spielberg for the fourth time, brings his adept everyman quality to the role of Donovan, sniffling his way through snow-blown Berlin trying to secure "a happy ending for everyone." The film has the classic Spielberg stamp imprinted all over.
Full review ↗TRM 6.9+1.1
Humour is forced and the dialogues are shallow, frivolous and lacks class. The classification of the families too, seem grossly mismatched making the entire Pullav hackneyed and difficult to digest.
Full review ↗TRM 2.9+1.1
These computer-generated images along with that of the fine smoky textures of ghosts in 3D effect, merge with Dan Lausten's cinematography seamlessly, giving the film an aesthetic feel. But overall, the film does not tug at you emotionally.
Full review ↗TRM 6.3−0.3
While the first half of the film is interesting, the second half of the narration drags. It is the verbose exposition coupled with; the never ending battles scenes, numerous characters with odd sounding names and poorly synchronised dubbing, that weighs the film down. Overall, the film gives a fair insight into this historical biopic.
Full review ↗TRM 5.5+0.5
...keeps you on the edge during its show-stopping sequence, which is worth a watch.
Full review ↗TRM 6.8+1.2
Puli' has its moments but they're short-lived -- like the wonderful stretch where Vijay embarks on an Indiana Jones kind of adventure. It's a great idea that goes haywire in the execution. Chimbu Deven is a creative filmmaker, one with good ideas, but doesn't quite succeed in translating them on to the screen in a way it will appeal to everybody.
Full review ↗TRM 4.1−1.1
TRM 7.2−2.2
TRM 6.2−0.2
Overall, Scott Cooper's direction results in a well-made and absorbing film, inundated with appropriate menace, but lacks the emotional core and sociological angle. Black Mass thus seems like more of a documented procedural routine.
Full review ↗TRM 6.3−1.3
The computer generated images of the animals like; the bull, the elephants, pythons and water buffaloes are a tad tacky. This along with the gaudy graphics, flashy effects and verbal assurances, I am sure would sway the gullible audiences. Overall this is a highly avoidable film.
Full review ↗TRM 2.0−1.0
What makes this film mediocre is Jones and Meaghan Oppenheimer's writing. Taken from a story by executive producer Richard Silverman, the characters are half baked and one-dimensional and the plot surrenders to formula instead of subverting it.
Full review ↗TRM 4.0−1.0
Wrapped with personal issues that include romance, the film is the story of Oorvazi. It is her quest in understanding and deciphering her religion. It speaks about; the dwindling race - who are "The last of the first believers of the single god", their idiosyncrasies in preserving their purity and gives a solution to their problems. Overall, the film is path breaking in its own way and worth a watch.
Full review ↗TRM 5.3
With average production values, the film is not appealing aesthetically either.
Full review ↗TRM 4.0
With decent production values captured by Declan Quinn's dynamic cinematography, the film is worth a watch.
Full review ↗TRM 5.4−0.4
Overall, this one's not an exciting superhero adventure film, but will appeal to Miles Teller fans.
Full review ↗TRM 4.0+1.0
In their directorial debut, writer-directors Jonathan Goldstein and John Francis Daley substitute coarseness for genuine humour and intelligence. Their writing caters to the unintelligent and crass lot. They indulge in topics like; human waste, pubic hair, vomiting, cow cannibalism and outrageous sexual acts. Unfortunately, none of these gags, most of which veers towards dark comedy, work, as they fail to amuse. They fall flat due to their absurdity and mean-spirited violent nature.
Full review ↗TRM 4.5−1.5
Overall, this film will literally appeal to the whole family. While the children will giggle and enjoy the antics, the adult audiences will be awestruck by the finer nuances of the characters and the homage paid to some older films. A definite holiday weekend treat for the younger ones!
Full review ↗TRM 6.6−0.6
As a director, Ananth Mahadevan is sincere in his approach. He portrays the subject with complete honesty. And it is this uprightness that makes the film a powerful and appealing saga.
Full review ↗TRM 5.5+0.5
The performances are perfunctory and the characters do not touch you emotionally. You don't connect with them at all. With moderate production quality, the found footage technique is acceptable. While the conclusion of the film isn't original by any stretch of the imagination, for a film of this genre, this twist is intriguing and elevates the end on an allegorical note.
Full review ↗TRM 4.0−1.0
The plot, written by Tim Herlihy and Timothy Dowling, is clumsily structured. It is perfunctory, weak and mediocre with sexist gags and childish buffoonery. The story lacks logic, motivation and conviction. The characters too, are cardboard thin and unbearably annoying.
Full review ↗TRM 3.9−1.9
What makes this film brilliant is the complex and layered narrative, which has three stories that unravel simultaneously. Jeffery Hatcher's screenplay shuttles between the past and present seamlessly making the entire viewing a delightful experience. Overall "Mr. Holmes" is a must see for all Sherlock Holmes aficionados.
Full review ↗TRM 6.3+0.7
With simple, natural characters and an uncomplicated, yet spirited plot line, "Ant-Man" is a visually engaging and entertaining film. An unlikely hero getting convinced and trained to become a super-hero is the premise of the film which woos the audience.
Full review ↗TRM 6.2
"Papanasam" is the best and the most faithful remake of the original. It shows what Kamal Haasan is capable of doing when he's at his best.
Full review ↗TRM 7.5+0.5
The plot meanders aimlessly with frivolous loud scenes and the direction often seems staged as there is no chemistry between the characters. Watch this if you have nothing better to do.
Full review ↗TRM 3.4
Overall, directors Pierre Coffin and Kyle Balda, have ensured that Minions have all the elements and star power to be a great family entertainer.
Full review ↗TRM 5.7+1.3
Overall, it is a highly engrossing and sensitively told documentary of a life wasted.
Full review ↗TRM 7.3−1.3
Mounted on an epic scale with visuals in neon blue and golden hued frames with cool CCI images incorporated, the film is glossy and mind-boggling. Director Alan Taylor's pace of the narration is racy and he is technically savvy to deliver a well-synchronised action film, on par with the last four editions.
Full review ↗TRM 4.7+0.3
What started off as the lovable underdog story on television in 2004, has now blown into a big screen tale of sycophancy that is repulsive to a certain extent. While the plot reveals how the foursome are entrenched in the most glamorous and superficial elements of the industry, after a point the novelty factor of their lifestyle begins to wear off. And, like their lives, there is no substance in the happenings in this film that documents their exploits.
Full review ↗TRM 5.0+1.0
Melissa McCarthy, who had earlier teamed up with director Paul Feig in "Bridesmaid" and "The Heat", once again shines with an author-backed role. She displays her comic personality with aplomb. Her transition from an object of ridicule to a vulnerable but effective heroine, with a mouthful of diatribe and uninhibited aggression, makes her simply hilarious.
Full review ↗TRM 6.6
Ironically, at the end of this film, one of the characters perfectly summarises, "We are all ridiculous and nothing matters". So, just watch this film for its entertaining quotient.
Full review ↗TRM 5.8
The twists in the plotline, impressive performances by the cast along with Adaline's anxiety and the outcome of her decision, are what keep you hooked to the screen. Blake Lively as Adaline is remarkable. She looks sophisticated and genuine with her clipped diction and gait.
Full review ↗TRM 5.3+1.7
Unlike other films that speak about dystopian societies, "Tomorrowland" has a very positive and optimistic approach. Visually, the film is bright and cheerful thanks to cinematographer Claudio Miranda's brilliant camera work, production designer Scott Chambliss's fine production output and music composer Michael Giacchino's elevating background score. The only issue is that though the film ends on a very upbeat note, it does not offer any solutions to the issues it raised.
Full review ↗TRM 6.1−0.1
Director Anand L.Rai's plot is punctuated with moments of family tension and spiced with great rustic colloquial one-liners that sparkle. The dialogues keep you in splits. His screenplay is frothy and he takes a lazy approach in certain scenes. Though scene after scene you roll with laughter, they falter at times with forced humour.
Full review ↗TRM 7.1−1.1
Considering this to be a children's film, the plot is a bit complex and a torture to keep track of. The humour too is not focussed; it oscillates from catering to the adults and children. Ultimately, with the chaotic excitement of the adventure, the little life's lessons for the kids are lost in the narration. Nevertheless, kids will enjoy the film.
Full review ↗TRM 6.3
With less of action between the protagonists and more of discerning analysis of the emotion, "love", the script only surfs through the subject. Romance, "an adventurous risk", is tackled theoretically and thus, loses its focus occasionally. Also, the climax ends on a weak note, hence the film does not create or leave an impact on the viewers.
Full review ↗TRM 4.6
'Lingaa' gives Rajinikanth a ticket to entertain his fans and he doesn't let them down.
Full review ↗TRM 5.8+0.2
Visually, the film is stunning with visual effects and computer generated images, but again it shares the same palette of all its previous editions. The only exception here being, set in winter; the action on frozen ice adds drama and freshness to the otherwise staid output.
Full review ↗TRM 6.1−2.1
With overall good production values, cinematography and action, which includes an unexpected car chase, "Horrible Bosses 2″, with a potential for a truly dark comedy is, in turn just an ordinarily, good-natured comedy sans the bosses. It clearly lacks the zing.
Full review ↗TRM 4.7+0.3
Mockingjay - Part 1" lacks the zing of an adventure film. During its entire run time, it just concentrates on creating a setting for the next part. Overall, the film is well-made and drab. It is not in the least entertaining or satisfying. Yet it lures you to look forward to the concluding edition
Full review ↗TRM 5.2−2.2
Zed Plus is that precious work of art where every actor and technician gets into the correct mood without caring about who's watching.Tongue wedged firmly in cheek, Chandraprakash Dwivedi delivers a trenchant and ticklish comment on present-day politics where individuals get sucked into exploitative politics more by will than force.
Full review ↗TRM 5.9+2.1
The film does infuse a semblance of satirical spark in the spook saga. There are some portions where the spirits rise to an endearing level. If only the narration was able to make us believe that ghosts can be fun even when they are on the verge of losing their homes. Without the advantage of a credulous script, these other-worldly characters don`t stand a ghost of a chance.
Full review ↗TRM 3.6+2.4
To watch `Battle of the Damned` is like rotting in hell with zombies, killer robots, obtuse-damned survivors and an overdose of innate absurdity that is prevalent in the film. Overall "Battle of the Damned" can be strictly avoided, as it seems like a long drawn trailer of a hackneyed zombie film with no flesh!
Full review ↗TRM 3.6
McConaughey plays Ron Woodroof with deep sincerity. The physical as well as the emotional evolution of the character through the film is incredibly and spectacularly real. He shines as the despicable, selfish, racist, homophobic and equally excels as a caring and a likeable person.
Full review ↗TRM 7.2−0.2
A warm, funny, thought-provoking take on the man-woman equation, director Saket Chaudhary gets it bang on. The chemistry between Farhan and Vidya crackles and hisses with tantalising tension. Brittle and yet supple, the lead pair's chemistry irons out the film's uneven edges. I wish the peripheral characters were written and played better.
Full review ↗TRM 5.6+2.4
The script by Janet Scott Batchler, Lee Batchler and Michael Robert Johnson, is crisp and focused. The tension is carefully and precisely mounted to construct the doomsday effect. Though the event is predictable, the look and feel of Glen MacPherson's visuals in 3D is enchanting. They beautifully merge with computer generated special effects of the volcanic eruption, the tsunami and the submerging of the land. The film is worth a watch for being a grand visual spectacle.
Full review ↗TRM 5.0+2.0
...wears its social message on the perils of unguarded intimacy lightly. It is thought-provoking but not preachy, emphatic but not screechy. It makes a whole lot of sense in that disarmingly artless style we saw in the director's "I Am Kalam".
Full review ↗TRM 4.2+3.8
The issue is; every action sequence after a while seems staged like a long drawn video game. The fights are filmed in a monotonous manner, thereby tending to be ineffective and boring. And, honestly, over a period of time the entire experience sedates you, forcing your mind to switch off.
Full review ↗TRM 3.9+0.1
Today, De Niro is 70 and Stallone 67 - both fit and agile. They seem to be banking on their past laurels and hence have not put in much effort to emote. Considering their pervious performance as boxers, this one does not even qualify for Oscar nominations, but nevertheless they are persuasive and convincing.
Full review ↗TRM 4.9+0.1
Unfortunately, this strong narrative lacks the charm to touch you emotionally. One can`t put a pulse on what is wrong with Carl Rinsch`s directorial venture. Probably it`s the blend of fantasy along with high-tech images and treatment of the story, that has robbed the viewer of an emotional quotient. Nevertheless, "47 Ronin" is a better than an average film that would appeal to lovers of period drama.
Full review ↗TRM 4.5+1.5
Ben Stiller is perfect as Mitty. His charismatic performance is appealing and offers a pleasant break from his usual slapstick roles. He has done a great job as a director, but unfortunately the script by Steve Conrad is not perfect enough to make "The Secret Life of Walter Mitty" an exceptionally good film.
Full review ↗TRM 5.6+0.4
The Indian audience would be disappointed with some abrupt edits and jump cuts. These cuts were imposed by the censors. Overall, 'The Wolf of Wall Street', like DiCaprio`s previous film, 'The Great Gatsby' is an over-egged pudding that`s worth a watch.
Full review ↗TRM 7.1−0.1
...this is a pleasant enough film, which features its share of standout moments and is a welcome change especially for those who care about the kind of music it honours.
Full review ↗TRM 7.1−1.1
The narration meanders from a clever sophisticatedly created sci-fi setting to a frivolously inconsequential "Jurassic Park" caricature which further converges into an exciting "Avatar" style nature versus machines battle. Overall, with a generic villain and robot henchmen and world domination goals, "Cloudy With a Chance of Meatballs 2" is a children-centric film that lacks the punch.
Full review ↗TRM 5.1−0.1
It really can't get any better than this, can it? The year has just begun and we have one of the finest, most vibrant and fulfilling coming-of-age films in living memory.
Full review ↗TRM 7.4+0.6
Like a true classic fairytale, "Frozen" has elements of sunshine, fun, romance and tragedy. Being a musical, every element is connected with a number of songs, each better than the other. "Do you want to build a snowman," is infectious. And your heart does go out to Princess Anna when she sings, "For the first time, in forever" or "Love is an open door".
Full review ↗TRM 6.9−0.9
While the Indian audience has seen "Vicky Donor", which was inspired by Ken Scott's French-Canadian production called "Starbuck", "Delivery Man" is a blatantly brazen Hollywood version of the same film by the same director. After a stage, the narrative gets predictable. This is very evident when David plays guardian angel to his grown up children. Also, there are no major dramatic moments in the plot. Hence, the inciting moments just slip by as ordinary and ineffective.
Full review ↗TRM 4.8−0.8
...a satisfying film that has a feel good factor. So just sit back and enjoy the great charming actors at work. None of them disappoint. Director Jon Turteltaub has managed to deliver a superfluous yet engaging entertainer that is easy to charm.
Full review ↗TRM 5.2+0.8
...is a big letdown by director James Wan, who had previously given us Insidious in 2011 and The Conjuring in July. While the earlier films were well-crafted, this one is a far cry from the earlier ones.
Full review ↗TRM 4.8−1.8
Compared to the novel, Writer Director Gavin Hood's narration starts off on a tad tedious note, making it difficult to figure out the plot during the first act. The story settles in the second half and rushes forth with lots of action, emotional turmoil and thrill. The ending has a good, but not entirely satisfying twist to it. The film plateaus at the climax and somehow lacks the "wow" factor.
Full review ↗TRM 5.4−1.4
Not for a while have we seen a film so steeped in despair, so swathed in anxiety, so audaciously draped in despair and yet it engages our senses without miring the plot in morbidity.
Full review ↗TRM 4.2+1.8
"Satygraha" conveys the uncontrollable anger and energy of a nation on the brink. For telling it like it is and for creating a compelling film out of the raw material of present-day corruption, the film deserves a standing ovation.
Full review ↗TRM 5.2+2.8
The first half of the film drags a bit with high-school subplots, crabby teen disagreements, street fights and shock value that consist of foul language, explosive and sadistic diarrhea and bloody fights. But it is the action-packed second half with the costumed final battle that salvages the film from being a mediocre dish out.
Full review ↗TRM 5.1−0.1
The good news first. "Chennai Express" is a pleasant and likable film in parts. The bad news is, it does nothing for Shah Rukh Khan's imdomitable star power except to tell us he can still play a 40-year Rahul without faltering. That we already know.
Full review ↗TRM 5.3
Director David Soren, in his first animated feature, manages to keep things moving faster than a speeding TURBO. The script manages to create a very entertaining ride with the 3D element. Kids are bound to love this film, as for the adults they would find "Turbo" a bit trivial.
Full review ↗TRM 5.8
In spite of its massive flaws, including the cheesy dialogues, Ganesan's stylish shocker of a thriller manages to stay constantly one step ahead of the audience. A coolly crafted cat-and-mouse game Shortcut Romeo finds Neil giving grit to the gripping goings-on. The last half-hour is a knock-out. But the overall product could have been far less retrogradatory in tone. Nonetheless enjoyable while it lasts.
Full review ↗TRM 4.2+1.8
The film is gripping even in its humourless tone and persistently noisy destructive aesthetics. It connects with its audience on the emotional front. `Man Of Steel` is definitely a recommended watch.
Full review ↗TRM 5.8+0.2
This is is a far cleverer, wiser and relevant film than most of what we get to see these days. At a time when Bollywood is raining bubbles, this sobering clenched disturbing medical thriller comes as an invigorating cloudburst.
Full review ↗TRM 5.2+2.8
'Epic' is stunning and well intentioned. It will surely appeal to kids and allure adults too, a must-see to have a refreshed view of a beautiful world.
Full review ↗TRM 6.4
A shiver-giver set in the shimmering waters of Fiji, this is a well-structured though unevenly paced scare-fest that leads us into a terrifying climax.
Full review ↗TRM 4.4+1.6
"Mai..." often leaves us teary-eyed with its portrayal of a generation that doesn't know how to value its elders. The treatment of the theme is stiff and prosaic at times. But Ashaji melts all our misgivings. Her innate warmth connects well with the audience.
Full review ↗TRM 5.6
With first-rate performances by both Nushrat and Kartik, this is one love story you can't afford to miss.
Full review ↗TRM 5.8+2.2
The screenplay and story offer no originality. Visually the film is colourful, but the editing, oh yes, the editing with the usage of graphics and computerised effects makes the movie look like an amateurish attempt in filmmaking.
Full review ↗TRM 3.2−0.2
Murder 2 is not a pleasant film to view. The psychopath's killings are done in graphic detail. The storytelling offers no respite from the brutality. Most of the time we are looking at happenings that we would rather not see. But see, we must.
Full review ↗TRM 5.1+0.9
Unwittingly thus, "Bheja Fry 2" becomes a metaphor for what is wrong with popular Indian comedy today, unlike the comedies of the 1960s and 1970s: lack of fresh ideas and creative talents with the sense and timing enough to execute it.
Full review ↗TRM 3.8+2.2
If you are having a boring weekend with nothing better to do and if 'Ajab Gazabb Love' is your only option, then only go for it.
Full review ↗TRM 4.2−1.2
'Jalpari' is a little gem, with a message on female foeticide that is so critical, and a heart so large that the narration could easily have been submerged in the social statement.
Full review ↗TRM 5.7
With the state-sponsored Operation Green Hunt taking lives on both sides of the divide, this insensitive film seems like a terrible nightmare one hoped one had not seen. It's an insult to each - civilians, soldiers and tribal killed in the conflict zone.
Full review ↗TRM 3.6
