• Force 2 offers nothing that you have not seen before, yet entertains you. It is an ideal watch for John and Sonakshi fans.

  • The two brief end-credits teasers give us a taste of things to come. And, overall, Doctor Strange will appeal only to Marvel fans, for others it would be a rather outlandish entertainment.

  • By the time ADHM gets into a full-on Devdas mode, we are in no mood for tragedy. But what to do? Karan Johar won’t let his characters enjoy their self-inflicted pain without a pay-off. These people love the good life and must pay a price for it.

  • Technically, with good production values, the film is well-mounted and would appeal to Tom Cruise’s fans, as it desperately attempts to replicate a franchise.

  • The Girl on the Train may not be at par with the October 2014 released thriller Gone Girl, in terms of an enthralling experience, but is nevertheless exciting.

  • Saat Uchakkey, with its profusion of profanities and an abundance of audacity, hits all the right notes for most of its playing time. Cinematographer John Jacob Payapalli shoots old Delhi with a keen eye for decadence and debauchery in conflict with a world of techno-driven instant gratification that has seeped into the crumbling walls of havelis that have seen better times.

  • Overall, when at the very end, you hear “If you loved humanity or this planet, you’d do anything to solve it”, you feel let down with all the hype of the Inferno.

  • Overall, when at the very end, you hear “If you loved humanity or this planet, you’d do anything to solve it”, you feel let down with all the hype of the Inferno.

  • Overall, the film leaves you with a mixed feeling of wanting to like the film and its characters, but yet there is something that holds you back from accepting them wholeheartedly.

  • …the film, rich in cultural texture is skilfully and sensitively handled.

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