Overall, though entertaining, Padman is like a long-drawn public-service film that’s worth your ticket money.

Phantom Thread” is a subtly layered romantic melodrama that would appeal to a few.

My Birthday Song struts its polished demeanour like a badge of honour. It has its slack passages. But most of the time we are absorbed in the goings-on waiting to see how Sanjay Suri gets out of the mess. The narrative gives him elbow room to seek an exit. Then pulls the rug from under his feet, leaving us with a feeling that the scriptwriter wanted us on the edge right till the end.

Gary Oldman delivers one of the finest performances of his career in director Joe Wright’s technically brilliant but narratively flawed companion piece to Christopher Nolan’s Dunkirk.

Do stay for the end credits to hear Rekha Bhardwaj and Ustad Rashid Khan crooning “Sakhi ri”. It’s a sobering send-off to a suspenseful and original journey.

Downsizing is a complex masterpiece which is convincing but not unfamiliar.

This is the Director’s most sensitive film to date. It hits a hard punch. And not just in the boxing ring.

Visually, every frame is like an intricate-scaled diorama, a work of art built up from thousands of tiny, thoughtful details that would enthral you over several viewings.

Overall, the film is an ingeniously crafted, tension filled, kidnapping drama that won’t disappoint you.

Overall, The Greatest Showman, is remarkably rousing and entertaining.