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KP

Kirubhakar Purushothaman

Indian Express·India Today·News18·TheFederal

29Reviews
5.5Avg from 25 scored
4Publications

Most Divergent Takes

I'm Game

I'm Game

2026 · TheFederal

The plot of I'm Game, in which a transplanted hand with a mind of its own uses the protagonist to seek revenge, is reminiscent of the Tamil film Maaveeran and Japanese anime Parasyte, but lacks both...

Michael

Michael

2026 · Indian Express

Ranjit Jeyakodi's Michael has brilliant frames and music, which fail to save the wafer-thin story.

4.0
TRM 5.3
Full review ↗
Idhayam Murali

Idhayam Murali

2026 · TheFederal

The Atharvaa, Kayadu Lohar, Preity Mukhundhan-starrer is frivolous and proud of it; a Gautham Menon-flavoured romance that trades depth for charm and heart

Game Changer

Game Changer

2025 · News18

Shankar keeps betting on his usual socio-political conscience to work wonders like it did with Mudhalvan and Anniyan. However, Ram Charan's Game Changer doesn't live up to its name. That said, Game Changer, at the end of the day, is a dated film that would have probably been fresh a decade back.

5.0
TRM 5.4
Full review ↗
Kannappa

Kannappa

2025 · News18

While the core story of Kannappa occupies only about one-third of the film's runtime, the war and the romance take up the rest, and the film loses out on novelty by echoing Baahubali. Though the production design and technical brilliance work in its favour, Kannappa could have relied more on visuals and trimmed down the long monologues that feel like straight lifts from past iterations of the story.

5.0
TRM 5.2
Full review ↗
Identity

Identity

2025 · News18

Identity is neither a film about an eccentric personality solving cases, nor purely about identifying a serial rapist, nor about a person with face blindness solving a murder—it keeps turning into a different film every 20 minutes, giving it an identity crisis. While the engaging screenplay and strong performances keep one invested, the film suffers from contrivance and the underexploration of its many compelling ideas.

6.0
TRM 5.2
Full review ↗
Maharaja

Maharaja

2024 · Indian Express

The overarching problem with Maharaja is its 'wannabe' nature to come across as a gritty, dark, and emotional rollercoaster. It is more concerned about how it wants to come across than what it really is. Maharaja has been engineered with contrived twists and turns that make it more of a visual puzzle than an engaging film.

4.0
TRM 5.2
Full review ↗
Captain Miller

Captain Miller

2024 · Indian Express

Dhanush's Captain Miller is a brilliant political drama in the guise of an actioner. There's not even a single moment in the entire 160 minutes of runtime where Arun Matheshwaran's script meanders.

7.7
TRM 6.2
Full review ↗
Rathnam

Rathnam

2024 · Indian Express

Director Hari's recent release Rathnam invokes a feeling of watching the rehash of his old blockbusters. As far as filmmaking goes, Hari has tried to be fresh and inventive, but the soul of the film is dated. One can argue that Hari is old school, but there's a difference between being a prized antique and obsolete.

3.0
TRM 5.1
Full review ↗
Star

Star

2024 · Indian Express

Star only twinkles and fails to shine bright–it's more about the parts and less about the whole. The film wallows in the suffering of its lead character, who misses success by a whisker, with a protagonist who often comes across as selfish and at times unworthy of empathy.

5.0
TRM 5.4
Full review ↗
Jigarthanda DoubleX

Jigarthanda DoubleX

2023 · Indian Express

Karthik Subbaraj's film tries to be a lot of things at once. It's Jack of all and King of one -- deliciously entertaining meta cinema.

7.0
TRM 5.7
Full review ↗
Pathu Thala

Pathu Thala

2023 · Indian Express

Silambarasan is the only redeeming feature of the film, directed by Obeli N Krishna.

5.0
TRM 5.4
Full review ↗
Por Thozhil

Por Thozhil

2023 · Indian Express

Despite following all the tropes of a buddy cop movie, debutant Vignesh Raja has come up with an enjoyable genre film that manages to hold your attention throughout.

7.0
TRM 5.7
Full review ↗
Pichaikkaran 2

Pichaikkaran 2

2023 · Indian Express

Vijay Antony fails to pull off a silly and dated Shankar film. For some time now even Ajith and Vijay have been steering clear of these one-man-saves-all films, and there was a respite from the nonsense. The break is over with Pichaikkaran 2.

2.0
TRM 4.8
Full review ↗
Kara

Kara

2026 · TheFederal · Apr 2026

A heist film with lot of heart, 'Kara' has more thought than thrill and that's probably why it's worth watching; yet it's not a film that will stay with you.

With Love

With Love

2026 · TheFederal · Feb 2026

The film attempts to swap macho heroism for a vulnerable 'green flag' hero, but lack of depth and low stakes storytelling make it a forgettable experience.

3BHK

3BHK

2025 · News18 · Jul 2025

3BHK lacks that. We needed to get a bit of Vasudevan's good moments to feel for the bad ones, which is basically the whole movie. Instead, what we get is a series of failures. It is not suffering that makes life bearable, but happiness, even if it is infinitesimal and sporadic.

5.0
TRM 5.4
Full review ↗
Kuberaa

Kuberaa

2025 · News18 · Jun 2025

Kuberaa is a predictable but engaging tale that, despite its familiar scenarios and lack of nuance, succeeds through solid craftsmanship and performances. While it carefully steers away from generic commercial entertainment, the film's shallow treatment of poverty and underwhelming climax undermine its desire to be unique.

6.0
TRM 6.2
Full review ↗
Ponman

Ponman

2025 · News18 · Jan 2025

Ponman, written by GR Indugopan and Justin Mathew, is yet another story about everyday people in the port city of Kollam. The story, the conflict, and the stake of Ponman are small. But the film leaves one pondering about big things of human resilience, grit, and ethics–typical of good Malayalam cinema.

8.0
TRM 6.4
Full review ↗
Kaala

Kaala

2018 · India Today · Jun 2018

Pa Ranjith keeps talking of ideologies. Kaala seems to be the personification of his ideas. The dialogue "Ellarum Kaala thaan (Everyone is Kaala)," which comes at the tail end of the film, sums up the entire film. And it takes some serious guts to make an ambiguous and abstract climax like this one in a Rajinikanth film.

8.0
TRM 5.8
Full review ↗
24

24

2016 · India Today · May 2016

Making a film about time travel (or anything on sci-fi, for that matter) is like attempting a question in an interview which you don't know the answer to. The more you blabber, the more you get yourself into trouble. It is better to keep it low, and that's exactly what Vikram Kumar has done with 24

7.0
TRM 6.3
Full review ↗
Oopiri

Oopiri

2016 · India Today · Apr 2016

With the right cast and the perfect team, Vamsi has pulled off a decent drama, which retains the soul of the original.

7.0
TRM 6.9
Full review ↗
Kanithan

Kanithan

2016 · India Today · Feb 2016

TN Santhosh's Kanithan resembles his mentor AR Murugadoss's Thuppakki in a lot of ways. The heroes and the villains of both the movies keep playing mind-games. They don't confront each other till the climax. The pub songs - etc., etc. - look similar. But Atharvaa's film is not as grippy as Thuppaki due to the badly-written screenplay.

5.0
TRM 4.9
Full review ↗
Miruthan

Miruthan

2016 · India Today · Feb 2016

A potential script and actors are wasted because of an indifferent treatment in Miruthan.

5.0
TRM 5.3
Full review ↗
Bangalore Naatkal

Bangalore Naatkal

2016 · India Today · Feb 2016

After watching Bangalore Naatkal, the first question that pecks the mind is that what is the need for remaking films like Bangalore Days and Premam?

4.0
TRM 5.2
Full review ↗
Thoongavanam

Thoongavanam

2015 · India Today · Nov 2015

Thoongaavanam, which should have been done and dusted in 90 minutes, is dragged to fit the conventional time-expectations of the Indian audience. The French film's script doesn't stick with the three-part film grammar, which is prevalent here. The interval block becomes fatal to the flow of the film.

5.0
TRM 6.0
Full review ↗
Rudhramadevi

Rudhramadevi

2015 · India Today · Oct 2015

The problem with making a film based on history is the amount of liberty the filmmaker can afford to take, in order to tweak the history so that the film appeals to a wider audience. If the story and the characterisation breach a certain boundary, and if the infused fictional elements overshadow the facts, then the film fails to do justice to the genre. Rudhramadevi seems to have bumped into a similar problem.

5.0
TRM 5.5
Full review ↗
Thani Oruvan

Thani Oruvan

2015 · India Today · Sep 2015

If you are ready to overlook the logical blunders, the fat-less movie is sure to entertain.

6.0
TRM 6.3
Full review ↗