With a bit of truth, a bit of lies, part spoof, part-real, Saurabh Shukla spins this romcom with witty one-liners, few hilarious scenes, good comic timing, a lot energy (sometimes excessive).

This is no epic love tale, but it’s worth a watch for those who like their cinema as buttered as their bun maska.

Dive into this adventure, you’ll find mermaids and much more.

There are scenes where he triggers good performances, but with the inclusion of too many facts, figures and case files, it loses entertainment value. And gradually the plot fades into dark gullies of our big, bad Maximum city.

To put it simply, this story is – Boy meets girl. Period. Boy meets girl. Period. And boy meets girl. Period…

It’s gut-wrenching, it’s ‘Made in India’, unadulterated, 100% desi maal. Hardly sasta, but tikau. Nothing imported. The story pulsates in the heartland of India. Rising from the bed of desi politics, stained with the blood of hatred, guilt and treachery.

A traditional Goan woman in her late forties finds herself preggers, breaking cosmetic barriers; and dealing with a hubby whose ambitious business idea can spice up your sex life.

If you’ve watched animated films like ‘Bal Krishna’, ‘Ghatothkach’, ‘Hanuman Returns’, this one’s a far ‘sketch’, on a different canvas altogether. Directed (by Arnab Chaudhari) using 2G animation, the look is classic and superior by usual standards in Indian animation. Even though it’s laced with dialogues that are heavy-weight (like adharm, kartavya, kuruvansh ka sarvanash), the narration of the multi-layered complex saga, laden with countless characters, is easy to comprehend. This journey of a superhero is more for adults than kids on their summer holiday.Of all the amateurish animation films we’ve seen, this one’s a ‘God-sent’.

It’s the war of the roses. And it’s as (t)horny as it can get. Splattered with bandooks and badmaashi, goondas and gaalis – starts this ajab prem kahani. Firebrands Parma (Arjun Kapoor) and Zoya (Parineeti Chopra) are childhood hate-mates, born into politically warring families who’ve avowed to hate unto death.

This one’s a gang bang. Sorry, make that a gang bang-bang; because that’s how this story explodes – with bullets, blasts and bust-ups. Throw in gallons of blood, body-counts and ‘boom-boom’, true Bihari ishtyle. It doesn’t need coal to fuel this revenge drama. It fires on Anurag Kashyap’s penchant for the dark, dubious, deadly and daring. Starting in 1941, in the dusk of colonial India, in Wasseypur (Dhanbad), the land of coal and scrap trade, simmers an age-old hatred between Muslims and Muslims (Qureshis V/S Pathans). And the bloodbaths, power struggles, family feuds and gang wars rage over three generations.