Nothing makes sense after the mugging as the script goes haywire and performances wayward. The end, too does not match the mood of the beginning. It is just too confusing.

That’s the tragedy when people take their proximity to the industry as something like ‘baap ka raaj’. I’m a choreographer, so now I will act. Or, I’m a singer, what stops me from playing the lead? This seems to be the thinking of those firmly entrenched in the industry.

Nana Patekar is at his blistering best, even though he is shown ageing in the sequel. He is still sharp and agile, putting his younger teammates to shame.

For his fans, this is a must watch.

There’s an urgency in RAHASYA that’s hard to define or comprehend. Manish Gupta, the director, seems to be batting like an out-of-form Yusuf Pathan in a T-20 match, trying to hit everything out of the boundary line, missing every delivery.

So much of money wasted in trying to tell a simple tale which required temerity not timidity.

CRAZY CUKKAD FAMILY could have been the proverbial rib-tickler if only the focus was on making us laugh!

If only he, director Bhushan Patel, had put in as much enthusiasm in the horror portion as he put in the lip-locks, maybe, this would have been a horror film.

But then again, someone falling in love with a conjoined twin just does not add up.

The movie lacks imagination just like its name! The only bright spot in this ‘oily’ film is Zayed Khan’s performance. The guy restricts himself well to play this ‘much-in-love’ boyfriend, who is sort of hen-pecked.

TEVAR is your average Bollywood masala movie which lacks imagination. The film runs on a thin plot on an accidental rivalry between Mathura ka goonda and Agra ka launda.

To hell with commitment or appointment; this one is pure punishment.