…screams to Bollywood to do away with its ridiculous trend of Dobaara films simply coz this time the Dobaara was painful on its audience. I am going with a generous 2/5 for its novel concept which was built flimsily. I was left flabbergasted at how audaciously the film spends so much energy flaunting nothing that they give its real theme a miss! It is hard to point out whom to blame, but the bottom line doesn’t change – you can easily miss this one and save yourself a headache.

Chennai Express is another average fare which stars King Khan. He will make you laugh with his flawless comic timing, romance with Deepika with a flattering charm and Rohit Shetty helps him absorb some superhero powers as well by which he beats to pulp a man twice his size. Yes, the last part doesn’t quite make sense but then Chennai Express comes with an unwritten statutory warning – it isn’t supposed to embody logic but it is, nevertheless, quite fun! I am going with a 3/5. Go with your family and have a good time!

Chor Chor Super Chor is not a bad film but it shocks you with being dull and less promising as compared to what the trailer had promised. This is an interesting idea that is slayed due to a lack of zestful execution. I am going with 2/5. Watch it for Deepak Dobriyal alone! And if sanity and you are friends, avoid it!

Rabba Main Kya Karoon is aptly titled as it echoes the sentiments of those who might end up watching it. I wonder what were the filmmaker trying to make. Because this film neither entertains nor amuses and is unabashed in its ridiculousness. I am going with a generous 1.5/5. Be loyal to yourself and spare yourself the horrifying-face of relationships this film tries to bring out.

Nasha is misleading as it gives you a wrong impression of being an erotica. It is the chronicles of a lust stricken puppy faced teenager. I don’t usually get this impish but Nasha epitomizes cinematic crap with such outrageous confidence that you’ll be appalled. I am going with 1/5 and an advise that Poonam Pandey should retire off already and spare us any further disasters!

Issaq is a tedious film which retells the story of amateur love. A flaky plot and wavering narrative makes Issaq a novel concept that is compromised at the altar of the director’s need to prove his artistic bent. I am going with a 2/5 for this one. Those precious 2 hours of my life are never returning! What a tragedy – for me!

Bajatey Raho is uninteresting and illogical with an overdose of forceful laughs. On a loosely woven narrative, the comic value is dampened by a slack pace. It is shame that such wonderful actors were so ruthlessly wasted. I am settling for a benevolent 2/5. I went in expecting wit and came out feeling bewildered. Bajatey Raho will Bajao you and hence it is better to refrain than to complain.

Anand Gandhi’s Ship Of Theseus is a bold and challenging film, which presents to you an indulgent story with engaging characters using the art of symbolism. Spread out on the grand vision of experimental cinema, this is a film that will grow on you. Watch it if you have the appetite for Indie cinema. This is perhaps one of recent times’ most eloquent films that have come out of India!

With its chilling action scenes and thrilling emotional quotient, D-Day is perhaps one of recent times’ most rivetingly told stories. With Bollywood celebrating Dawood mostly, here’s a filmmaker who has made a daunting movie which effortlessly gives the character its correct hue.

Ramaiya Vastavaiya is strictly a mediocre entertainer that despite its loud and garish ways manages to hold well. Its childish and regular formulaic affair works if have the appetite for standard entertainer. I am going with 2.5/5. If you lock up your logic, this one will do for you!