Mohar Basu
Top Rated Films
Mohar Basu's Film Reviews
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Smeared in color, vibrancy and sensuality, Rang Rasiya revels in its operatic beauty and narrates a liberating tale of love, passion and freedom of vision. Ketan Mehta brings out the best from its actors Randeep and Nandana; especially the latter who unleashes on screen much beyond her sublime beauty, the vulnerability of her character. The inspirational story tells an uninhibited tale of a man who will always remain eternal through his art.
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Fireflies beautifully sums up the concept of coming around in life and its Cecilia Ahern-ish tone of optimistic view of tackling unrequited love is what works as the film’s USP. The brilliant performances of Arjun and Rahul reigns but in the end the flawed beauty of the film has an uncompromising flow in it. It is not a brilliant movie but is definitely worth a watch for its tone and pitch.
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Haider is an unforgettable film that never fumbles, never stumbles, and is so sure of itself that it cannot go wrong. From Shahid to Tabu to Kay Kay to the powerful cameo of Irrfan, everything in the film works. It’s a Guztaq film that audaciously breaks every rule in the book, everything that you could have expected from it and ends up being that edgy watch which you’ll savor, while you watch it from the edge of seats. Haider is Chutzpah and inkeeping with the same vein, I will rate this film the highest I have ever gone with a movie.
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Khoobsurat isn’t for people who don’t have the appetite for romantic comedies or who aren’t fairytale believers. They will go with incorrect expectations and come back disappointed on grounds of it being unrealistic primarily. I did not mind the lack of novelty because it was afterall a well executed film. Fawad Khan as Prince Charming is the show stealer here and he makes his chemistry with Sonam look fantastic! Bubbling with energy, breezy and beautiful, this film is a good enough, passably enjoyable one time watch.
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Finding Fanny isn’t much about quirk as much as it is about discoveries and revelations. Despite the ending being on the disappointing side and the threadbare plot, it is the magnificent Performances that creates a certain kinship with its audiences. It doesn’t play on the stereotype and is neither some path breaking film but I came out with a good experiences, a few well intended laughs and some wonderful Performances. Don’t miss this. If you have the patience to unravel a treasure, Finding Fanny has one in hold for you.
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I am quite proud to say that the roaring lady rules the show in Mardaani and with aplomb. Despite the film unraveling with as much wit and creativity as was expected of it, the movie is an attempt to alter the fare of commercial cinema, giving it a more real tinge. It might not be a brilliant film but it is a film that is better than good and must govern your attention for the theme it raises. It is a powerful film that seldom goes wrong and leaves by a message that must be heard. A big shout out to Team Mardaani.
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The film is exceedingly well shot, kept tight and flows lucidly. Even if the problems playing might seem alien to you, the film draws your attention and engages you with its intelligent workings. Given that Deepti and Fahad have spent a good deal of time working on the film, the scale on which they were able to mount the film was spectacular. The violent shots of angry mobs were all possible because of the same.
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Kick isn’t a pile-on, on Salman’s harebrained repertoire. Luckily, it has the thrill in its action parts and the fuzziness in its romantic ones. Salman sinks his teeth in a character that is a blend of his best roles, delivering a film that is a welcome change from his regular formulaic potboilers. Nawazuddin’s performance upped the bar of mainstream villain by manifolds and Jacqueline’s chemistry with Khan is sexy. Kick is no Ek Tha Tiger but it is an effectively enjoyable film that crackles enough to gives us bang for our buck! I am going with a generous 3/5. Kick isn’t kickass but gives a delicious rush.
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Bobby Jasoos could have been a crisp, lucid and marvelous film but the overwrought emotional factor got the better out of the story. Plagued by an underwhelming second hour, sloppy editing and a conveniently done hurried climax, the film counts well only for Vidya’s ability to carry a film solely on her shoulders. Her cutesy chemistry wit Ali scores too. But know that a detective story hasn’t done well when you crack the story before the detective himself.
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…engrosses its audiences with its visual gimmicks and high octave action sequences. With a bunch of brilliant moments, the movie is all about action overdose and feeble storyline. It’s like junk food that satiates the greed but has no nutritional value. Awake the fanboy in you and go have a good time!