Filmfare, Times Of India
Reviewing since 2012 · Last review Nov 2025
Films
Scoring fingerprint
163 scored reviews · 0–10
Most given: 6 (45 reviews)51% of reviews not scored
In step with the room
Within a point of the Monk Score on 58% of 157 films
Closest peer
Agrees with Rachit on 91% of 44 shared films
Divergence
From the archive
Chand Mera Dil is actually a reminder that relationships aren't built on love alone. Love fuels passion and dedication, but the true test of any relationship is perseverance and discipline. All said and done, Chand Mera Dil, is not a perfect film. But then, even Rumi and Pablo Neruda will agree that perfection is not really a virtue relevant to love.
Full review ↗TRM 5.1
While the character and the adventure story at hand are totally relatable, the movie Mahaprabhu Jagannath doesn't always do justice to its potential or premise. The 2D animation doesn't always create the big screen scope that a story and direction of this sort require, making the final film feel a little underwhelming. Nevertheless, the story at hand with memorable characters and fantastic voice acting makes this children's animated feature a good, one-time watch.
Full review ↗TRM 6.0
Raja Shivaji is the kind of film that wanted to tell this extraordinary hero's tale with untamed gusto, but the tragedy is that it only ever looks the part. Narratively and emotionally, the scale never truly materialises, and with Chhatrapati Shivaji Maharaj as your subject, adequacy is simply not enough. Chhatrapati Shivaji Maharaj's story deserves cinema that roars as loudly as the man himself did, but Raja Shivaji honours him without yet doing him justice.
Full review ↗TRM 6.2−0.2
Lots of style, very little substance make Awarapan 2.0 a fun but unimpressive single-screen wonder. But, if you decide to bite the bullet, do know you'd need teeth and nerves of steel to chew through the barrage of mediocre writing and hyper-stylised direction.
Full review ↗TRM 5.9−0.9
Baby Do Die Do is a refreshingly unique action thriller comedy that features Huma Qureshi in top form. The film's combination of humour and action genuinely feels fresh. If you like dark humour, witty dialogue and off-the-cuff action, Baby Do Die Do is a must watch.
Full review ↗TRM 6.1+0.9
The Drama is a masterclass in cinematic discomfort, stripping away the glossy veneer of the modern rom-com to reveal a raw, pulsating nerve of human insecurity. Despite its prickly nature, The Drama is one of the most provocative and intelligent films of the year, a thorny exploration of the primordial desire for connection and the equally strong urge for destruction.
Full review ↗TRM 6.1+1.9
Wuthering Heights can be a compelling, engaging watch for those who have the appetite for a 'ever-so-slight-amount' of depravity in their romance. Director Emerald Fennell creates a visual scape that creates images of the characters' feelings, evoking specific reactions and setting the mood for exactly what the characters are feeling.
Full review ↗TRM 5.0+3.0
Disclosure Day is a thought-provoking exploration of human psyche in a sci-fi drama featuring a masterful performance by Emily Blunt. The screenplay is at times unnecessarily slow-paced and overtly exposition heavy, leaving the audience alienated on more than one occasion. Thankfully, the contrived screenplay is the only drawback of this otherwise, massively engaging and unusual film.
Full review ↗TRM 5.8+2.2
Toy Story 5 has all the imagination, craft and heart you'd expect from this franchise. It just spends two hours catching up to a conversation the rest of us already had. For all its insight, the film arrives feeling like a conversation we've already had.
Full review ↗TRM 6.1+0.9
Mortal Kombat 2 gets many things wrong, but the one thing that it gets absolutely bang on is the Fatality sequences. They're murderous, bloody, creatively grimace inducing and it will turn the fans into ancient Roman Colosseum spectators, baying for more kills, more blood. If you've grown up playing the game, this movie will please you to no end.
Full review ↗TRM 5.9+1.1
Welcome To The Jungle is unhinged, relentless slapstick makes good with a stellar star cast delivering comedic dialogue with ease. It's not great cinema, but it does manage to make you smile, laugh and cringe with effortless ease.
Full review ↗TRM 5.5+0.5
What holds Main Vaapas Aaunga back is the screenplay. The dual timelines never quite flow into each other organically and the pacing makes the film feel like a long, slow climb. And yet, for anyone who has ever read Rumi on a sleepless night or found themselves undone by an Amrita Pritam poem, Main Vaapas Aaunga has a soulfulness that quietly gets under your skin and into the rhythm of your heart beats.
Full review ↗TRM 6.7−0.7
Masters Of The Universe is fun, in parts. The problem is that "in parts" isn't good enough for a character who once declared himself the most powerful man in the universe. This reboot has the muscles. It just doesn't always have the power.
Full review ↗TRM 6.1−0.1
Obsession is the absolute, near-perfect example of an Indie horror film getting the sense of surprise, bang on. Inde Navarrette's masterful performance is so good that it literally becomes the force and impact of the film, creating a nerve-wracking fear that will unnerve even the bravest viewers with its gruesome emotions and manic devotion.
Full review ↗TRM 7.2+0.8
Where neither the story nor the central characters are novel, where this teen, college romance comedy works in some parts is its unbridled humour. In the end, Pehla Pyaar Doosri Baar is a serviceable romcom that entertains if you don't take things too seriously.
Full review ↗TRM 6.00.0
It's not the most polished product, but this cute and warm film has all the right lessons and the right trappings to satisfy a young audience. The Great Grand Superhero serves up a decent amount of high-flying action and is just the kind of movie you can enjoy as a family.
Full review ↗TRM 4.5+2.5
The only problem is, in this 2025 revisit of the sex comedy genre, none of the jokes land. The writing tries hard to create situational humour from Whatsapp forwards from 2015, but everything feels a bit too jaded.
Full review ↗TRM 3.2−0.2
It's not the best dramatic story you've ever seen. But the moments that unfold on screen are truly entertaining. There's a whole lot of 'cool' in Coolie, if you know, you know!
Full review ↗TRM 5.6+1.4
A romantic film with great music and terrific performances by the lead pair. That would have been the perfect description for Thandel, had it not been for the inconsistent writing. What really doesn't come together is the Sai's and Chaitanya's romantic chemistry, neither in the first half nor in the second.
Full review ↗TRM 6.0+1.0
Game Changer is director S Shankar and Ram Charan's new take on the angry young man. It's an all-heart story, told in the most earnest manner. Ram Charan fans will enjoy Game Changer's high moments, but that X factor, which we last saw in RRR, is missing here.
Full review ↗TRM 5.5+1.5
Hrithik and Tiger share a mentor-protege relationship in real life as well and it has been perfectly captured in the film. Hrithik is in his element here playing the experienced agent and Tiger adds the naive charm of a newbie to the proceedings. Watch the film for its world-class action and be prepared for the sequels to come down the line...
Full review ↗TRM 5.4+0.6
On the technical front, the CGI left much to be desired and so did the production design. The cinematography and editing were decent enough though. All-in-all, watch the film to savour a path-breaking milestone in India's space exploration history, never mind the scientific inaccuracies...
Full review ↗TRM 5.9+1.1
The movie has flashes of promise but just as many, if not more, moments of amateur execution. There's also a special track called Ali Ali, featuring Akshay Kumar. Thankfully, it plays during the end credits and doesn't really add to plentiful woes of the film.
Full review ↗TRM 4.3+0.7
While 'Kalank' scales up the production in every aspect, at times, the world that it recreates looks a little too plush and away from reality. The film features arresting frames full of grand visuals captured by cinematographer Binod Pradhan, and the music by Pritam has stand out songs like 'Ghar More Pardesiya' and the 'Kalank' title track. At 2 hours and 48 minutes, with a tighter edit the story could have wrapped up much sooner though. 'Kalank' is a true labour of love that tells you a story laced with beautiful moments that will tug at your heartstrings.
Full review ↗TRM 4.6+1.4
The Tashkent Files makes some shocking claims about India's political history, dynasty politics and the citizen's right to know the truth. All its sensational content is relevant and important social issues are highlighted, too. But, the storytelling effort is half-baked and lacks the finesse that such a heavy-duty film requires. It also doesn't help that the final slide of the movie tells the audience that the authenticity of all the facts displayed in the film cannot be verified.
Full review ↗TRM 3.5+1.5
With technical brilliance, intricate writing and thundering performances, Kesari is a loud war cry that evokes strong feelings of patriotism and it also wrenches your heart with its climactic tragedy. The visceral power of its visuals and emotions is staggering.
Full review ↗TRM 5.6+2.4
Director Sujoy Ghosh has made a habit of pulling off complex thrillers like Kahaani and Kahaani 2 with ease, and with the multi-layered narrative of Badla, he seems right at home. The cinematography by Avik Mukhopadhyay, the editing by Monisha R Baldawa and the background score by Clinton Cerejo compliment Ghosh's edge-of-the-seat storytelling. The predictability of the screenplay dampens the thrills occasionally, also the climactic twist requires a healthy dose of suspense of disbelief. But, even the seasoned genre faithfuls will agree that Badla offers a creative and thrilling end to a captivating mystery.
Full review ↗TRM 6.3+0.7
There's a reason the film feels legit and that's down to the fact that real rap artistes worked on this film. The treatment and the visual finesse of the film are at par with anything you've seen from Hollywood or anywhere around the world. The rap battles shown in the film are riveting and an inspired piece of writing. The problem with the film though is it's length, which stretches to two-and-a-half hours, but the emotional deftness and clap-worth dialogues add the right amount of gusto and keep you totally engaged. This is a film that deserves an encore. And in true rap style, let's just say… yeh Gully Boy hard hai bhai!
Full review ↗TRM 7.3+0.7
Writer-director Shelly Chopra Dhar and co-writer Gazal Dhaliwal (who previously wrote Irrfan's 'Qarib Qarib Singlle') manage to spark off some pretty interesting ideas of love. Yes, their film deals with sexuality and seeking acceptance from the older and more-conservative family members, but at the core, 'ELKDTAL' talks about love being a universal feeling, one that cannot be shackled by societal norms and diktats. The writing isn't all top-grade, but this film has its heart in the right place and sometimes that's all that really matters.
Full review ↗TRM 6.1+0.9
Writer and producer Sanjay Raut doesn't distort facts from Bal Thackeray's story. The riled up speeches, the unapologetic candour and the larger-than-life persona is presented without a veil. While the honesty is commendable, it comes across that the lead character's political motivations lack clarity. Perhaps a more seasoned writer could have fleshed out Thackeray's character and eccentricities a lot better. But its Nawaz's nonchalant performance that overshadows the flaws and leaves a lasting impact.
Full review ↗TRM 4.8+1.2
An entertaining but flawed look at the mafia that promotes cheating during college exams.
Full review ↗TRM 4.6+1.4
Director Rob Marshall is the authority on musicals, he's directed movies like Chicago, Nine and Into The Woods. So he's perfectly at home with the song, dance and elaborately detailed choreography of Mary Poppins Returns. The film is a homage to Julie Andrews' original and this 2018 version, with a bizarrely satisfying and unabashedly pastiche approach, is a pure delight for children and adults alike.
Full review ↗TRM 5.5+1.5
At one point, Zero dazzles with moments of colour and vibrancy, but then it also follows up with dull scenes that fail to launch the drama in the zone that it's supposed to be in. Some of the comedy moments between SRK and Mohammed Zeeshan Ayyub stand out, so does the song Mere Naam Tu with SRK dancing in a storm of colours. While the film has a wealth of references to Bollywood and its stars, these details don't compensate for a story that starts with a beautiful plot, but takes off on a bizarre ride. At first go, the film makes you light and easy, which is good, but the problem is that it doesn't really take you on that flight of entertainment, which you set out for.
Full review ↗TRM 4.7+1.3
For a love story, there are no romantic tracks that really hold your attention. Apart from the song Namo Namo, Amit Trivedi's music doesn't create the required mood for a love saga like Kedarnath. Director Abhishek Kapoor's attempt to make a film set against the backdrop of a natural calamity of this proportion is ambitious and sincere.
Full review ↗TRM 4.9+1.1
Apart from the stray funny moments and consistently good visuals (thanks to decent CGI efforts), 'TOH' doesn't really have the punch or the thrill that is required to pull off a film of this scale. At 2 hours and 45 minutes, the film feels a little too long and that's down to the problematic editing. The grand canvas of the film does hold sway in terms of the visual experience, but at the end, this one is all show and no substance. With the mammoth expectations attached to this movie, the end experience just leaves you all at sea.
Full review ↗TRM 4.1+0.9
Baazaar uses plenty of stock market jargon and showcases complex ideas like insider trading and financial manipulation with ease. It's great to see an edgy story unfold in completely new settings in a Hindi film. The movie has a lot of hustle and power play from the world of industrialists, politicians and money brokers, and that makes for a smart investment, especially for movie buffs.
Full review ↗TRM 4.5+2.5
'Namaste England' is shot in some beautiful locations across India and Europe, but the exotic setting is let down by the predictable and uninspired writing.
Full review ↗TRM 3.1+0.9
'Badhaai Ho', much like its subject, puts a fantastic new spin on the usual. In a new-age rom-com, you'd expect Ayushmann and Sanya's love story to take centre stage, but when you see the middle-aged parents blush with romance, the entertainment really becomes novel.
Full review ↗TRM 6.7+1.3
Tumbbad is a moody and atmospheric film. Some viewers may find the film a little too deep and disturbing, but fans of Hollywood horror films will be reminded of memorable movies in the genre like Pan's Labyrinth (2006) and Eraserhead (1977). This one is genuinely scary.
Full review ↗TRM 6.7+1.3
Vishal Bhardwaj, as he always does with his films, has tried to put many quirky spins into this comedy. The music is rustic, but very pleasing. He has also provided an interesting background score. During the second half, as the film briefly explores a psychological reason for the sisters' tendency to fight, the sci-fi sounding background music adds a delightful touch to the proceedings. But for all its wonderful and creative touches, Pataakha still feels like a story that stretches a short concept, for a little too long.
Full review ↗TRM 6.5+0.5
With a tighter runtime and more focus on the crux of the story, this social drama had the potential to shine bright. The cinematography by Anshuman Mahaley manages to capture the beauty of Uttarakhand's hills very well. The movie also has a parallel track of two characters named Vikas and Kalyan, narrating the story, but the metaphor doesn't quite click. BGMC loses power under the load of its heavy-duty screenplay.
Full review ↗TRM 5.0+1.0
This new-age love story with Facebook friend requests and Tinder conversations, also has the charm and depth of an old-school love saga. The motif of twins, peppered right through the film is funny and random but if you dig deep, you will probably find out why. At times, the story might be a little too deep for millennials, but Manmarziyaan is one of the best romantic movies to come out of Bollywood in a long time.
Full review ↗TRM 6.0+2.0
Despite all its flaws and ambiguous ideas, Stree is still an entertaining film. This is an experimental comedy, that creates an eerie atmosphere and it manages to be funny and scary at the same time. Writers Raj and DK (who have directed films like Go Goa Gone, 99 and Shor In The City) bring in their trademark humour. The film has its absurdities, it also has its moments but the final act let's it down.
Full review ↗TRM 6.3−0.3
HPBJ is just as good as HBJ, if not better. It has good music too and for a change, the songs actually add value to the storytelling process. This film takes the ideas of the original and it adds a zany new twist to the proceedings. The goofball humour gets a little over-the-top at times, but that's exactly what works for this madcap comedy.
Full review ↗TRM 5.6+1.4
'SMJ' desperately tries very hard to sell the age-old idea of revenge and righteousness. But the big booming treatment is a little too hard to accept and digest. With John in the film, one can expect good action, but it's gruesome and a little too bloody at times. Truth be told, the story is relevant in today's times, but too many cliches in the story and the style of storytelling will make you want to cop out of this one.
Full review ↗TRM 3.6+1.4
The emotions run high in the film, as a handful of Indians put their personal differences aside to make the country proud. As we witness India winning its first gold as a free nation, you also see the Pakistani players cheer for Indians playing on the field. Moments like this, make 'Gold' a film which is more just a sports drama. This one is surely worth its weight in gold.
Full review ↗TRM 6.0+1.0
Vishwaroop 2 is a classic example of overkill. This multi-lingual film has been shot in both Hindi and Tamil. And despite having some genuinely good moments, the film tries to put forth a little too much, a little too quickly.
Full review ↗TRM 4.0+1.0
While Parshya and Archi's love story in Sairat was made with great honesty, realism and depth, giving us a perspective of the deep rooted prejudices in our society, Dhadak touches upon them too, but it merely skims the surface. Perhaps more attention to detail and delving a little deeper into the subject, would have given the film an edge. The lead up to the climax creates palpable tension, and the ending is hard-hitting, leaving you with enough to think about. With all its strengths and weaknesses, Dhadak attempts to highlight some shocking truths about our society and for that it makes a worthy watch.
Full review ↗TRM 5.4+1.6
...the performances by Josh Brolin and Benicio del Toro are top notch. Brolin plays the clay-cold Graver with ease, while del Toro builds on the legend of his character and his ability to be Mexico's version of Léon: The Professional. While he's not dodging bullets, he can pull off the most outrageous feats with ease. If you enjoy the thrill of gun fights and larger-than-life characters, Sicario 2 can be an engaging experience. Just don't expect it to make too much sense.
Full review ↗TRM 5.6
Presenting a biopic on a man with so many shades and one who's lived a life of such extremes is a no mean feat. Hirani, in his signature style, takes you through Sanju's remarkable journey with the finesse and commitment it needs. In the film, Sanju's wife says that he's the king of bad choices, and Hirani's idea of making a film on his life has certainly paid off. Yes, there's a lot missing, but even then, this is still an incredible story of a man and a movie star who made massive mistakes, walked through fire, survived it and lived one heck of a life.
Full review ↗TRM 6.9+1.1
Race 3 just does not work up the feeling of suspense and intrigue that made the previous masala movies from the franchise a guilty pleasure. This film has a lot of visual appeal but the all style and no substance approach makes this 2 hours 40 minutes film a real drag.
Full review ↗TRM 3.4+1.6
The four leading ladies break the proverbial glass ceiling with their sexy stilettos. We've rarely seen women on screen who are so uninhibited about their life, sexuality and desires. In that respect, 'Veere Di Wedding' is a brave effort indeed. This film will find an appeal with the younger generations who can relate to the discussions and dilemmas of these veeres.
Full review ↗TRM 5.6+1.4
Bhavesh Joshi Superhero needs to be appreciated for what it sets out to do – stirring the common man out of apathy by channelising our anger. It doesn't entirely succeed, but Vikramaditya Motwane's take on the superhero genre is worth a look.
Full review ↗TRM 4.8+2.2
The only minor grouse with this romantic comedy is the fact that it doesn't bring in the gravitas and depth that you'd want to see with such a fantastic line-up of acting legends. The film stays flaky and frivolous. Thankfully, it's very entertaining and the sight of an 80-year-old Jane Fonda, looking like a million bucks throughout, is just a testament to the fact that somethings never get old. Ditto for romantic comedies.
Full review ↗TRM 5.0
What 'Parmanu' lacks in detail and authenticity, it makes up with emotions and a sense of national pride. The narrative isn't explosive but it does have the dramatic moments to keep the viewer engaged. Thrills, suspense, drama, a little bit of humour, as well as a solid comment on India's soldiers – this movie, largely has all the tricks to please even a discerning audience.
Full review ↗TRM 5.2+1.8
The director has not invested much screentime into how Omar plans his complex actions or what drove him to such abhorrence. So while Mehta gets the mood right, and Rajkummar works wonders with his limited material, 'Omerta' fails to stir you emotionally.
Full review ↗TRM 6.1−0.1
Films like '102 Not Out' are best enjoyed with the family. The ease with which the film portrays the bittersweet relationship between its characters is fantastic. Such films are like soft serve ice cream on a sparkly Sunday afternoon. They make you happy. There are parts in the film where emotions run high, but it's never too overbearing. It's just a happy and healthy entertainer that tells you that living in the moment and making the most of everyday of your life is all that matters. And age of course, as they say, is just a number.
Full review ↗TRM 6.2+0.8
Despite the pastiche form, director Brad Peyton still manages to make this mindless-action fiesta a fun ride. His film isn't the smartest movie ever made, but it does serve up some cool fan boys moments. The camaraderie between the gorilla and Dwayne Johnson is cool brings in an element of humour to this otherwise generic end-of-the-world movie. This one's definitely worth a one-time watch.
Full review ↗TRM 5.1+1.9
Prabhudheva as the entity is scary at first. But there are times when his piercing cries get a little too much and are rendered ineffective. The way how the filmmaker has tried to tie-up corporate disasters to the film's story is commendable, but he also tries a lot to simplify the story which gets in the way of the scary parts considering the film only runs for 108 minutes. However, as thrillers go, this is one of the better ones that we have seen this year.
Full review ↗TRM 4.9+1.1
What good is a thriller that's not thrilling? It gets worse when you start laughing at a mystery movie. Any and all prospect of this film is lost in the midst of shoddy filmmaking.
Full review ↗TRM 3.6+0.4
The plot of Blackmail is its hero and it manages to strike a good balance between dark and funny. Characters are bumped off, sometimes in most gory detail and strange events unfold, but the film never loses its vein of easy, black humour. This is one of the most wickedly funny films that we've seen in a long time.
Full review ↗TRM 5.7+2.3
At 2 hours and 25 minutes Baaghi 2 seems a little too long. With better editing and a taut screenplay this one could have packed a stronger punch. Nonetheless, folks who enjoy mindless, stupid and impossible action could watch this film to kill time.
Full review ↗TRM 4.7+0.3
The highlight in this otherwise pedantic slasher fest is a scene near the swimming pool. Luke the brother gets stabbed by the Man in the Mask and the camera does a Michael Mann style intimate capture of the whole scene with splashing water, blood and emotions. Bonnie Tyler's 80s hit number, Total Eclipse of the Heart plays in the background and the sequence just feels surreal. The cinematography and the production design create the right atmosphere for the scares. But for all its technical finesse, this 85-minute film feels a little too long.
Full review ↗TRM 5.1−0.1
Hichki had the potential to be more than just a classroom saga. It does touch upon Naina's personal struggles and her conflicted relationship with her father. But it could've explored these aspects a lot more. For all its shortcomings, the movie still has plenty of freshness, insights and emotional intelligence. It can make you nostalgic about your school days and remind you of your favourite teacher. This one definitely deserves good grades.
Full review ↗TRM 5.7+1.3
7 Days In Entebbe has some interesting moments from the past featuring ex-Israel PM Benjamin Netanyahu and his elder brother Yoni Netanyahu. For those who follow world politics and the Middle-East closely, this film offers compelling insights with strong artistic sensibilities.
Full review ↗TRM 5.4
Director Raj Kumar Gupta handles the film well. The last 10 minutes seem a little fleeting, but that's a minor grouse. The music by Amit Trivedi and Tanishk Bagchi isn't consistent either. But Raid is a film that caters to public sentiment against black money and corruption. All in all, this one's right on the money.
Full review ↗TRM 6.1+0.9
Hate Story 4 serves up a lot of twists and turns but it's all too predictable. Most of the clever story reveals are let down by the fact that there's just too much erotica on offer. Director Pandya presents the movie in a slick package replete with the swanky London setting. The music though doesn't work out at all. The cheap thrills really let down the punch of the story and the women-friendly climax.
Full review ↗TRM 3.2+1.8
Without the policing and the comprises, Padmavati would've been a lot better film. But Padmaavat isn't anything less. This film is rich in detail, still tells a compelling story with grit and gumption. Sure, the verdict over the jauhar bit will always be open, but the build up to that moment is all class. For a film that doesn't have a surprise for its ending, Padmaavat still manages to create a lot of thrill. It's a must watch!
Full review ↗TRM 6.2+0.8
It may look like a Hollywood action thriller, but at its heart, Tiger Zinda Hai is an unabashed masala movie. The excessive use of slow motion shots and the constant fall back to comedy keep reminding you, this film wasn't made in Hollywood.
Full review ↗TRM 6.2+0.8
JHMS is a happy romantic comedy that you can sing and dance along with. Pritam's music is a stand out feature. The performances are really strong. The film's dramatic soul rests in Imtiaz Ali's usual Sufi belief where the story and characters tell you that the universe transpires to make lovers meet. That what you're looking for is looking for you. If romance excites you, this one's got all the right notes.
Full review ↗TRM 4.7+1.3
Indu Sarkar is no satire or subliminal piece on the history of Indian politics. It takes too many cinematic liberties, but thankfully its focus on the strong female lead lends it credibility and keeps the jingoism curbed. The performances are certainly its strength. Thankfully its rights outnumber its wrongs, making it an engaging watch for sure.
Full review ↗TRM 4.7+1.3
But what makes this film more than just a sensational piece of cinema is its reflection into relationships. Four stories get intertwined as the characters keep crossing paths. While the narrative isn't always crystal clear, the emotions are strong and the story of Shab is its strength.
Full review ↗TRM 5.1+0.9
Had the screenplay of Berlin Syndrome not taken so many liberties, it could've been a modern classic. Even though it falls short of greatness, it still is head and shoulders above the average thriller.
Full review ↗TRM 5.8+0.2
Director Alankrita Shrivastava has crafted a bold and beautiful film. It showcases a serious problem with society with the right amount of élan. It takes a heavy subject and presents it with alacrity. This film affirms your faith in girl power. Its a definite must watch.
Full review ↗TRM 6.8+1.2
Chris Nolan's films are also generally apolitical and the fact that he's managed to stay that way with Dunkirk, a World War II saga is spectacular. The underlying critique of war and focus on survival and hope is what makes this film so great. Dunkirk isn't just an old war epic, this is a certified movie watching experience that cannot be missed.
Full review ↗TRM 7.8+1.2
Jagga Jasoos doesn't get its heart in the right place. And that's just disappointing.
Full review ↗TRM 5.5−0.5
Guest Iin London is shot entirely in foreign locations, so there's a bit of a fresh vibe to the setting. While that works in favour of the film, the comedy just isn't good enough. Ajay Devgn makes a brief cameo, but despite all attempts at making this film a masala entertainer, it never manages to rise above a trite script and some lackluster execution. Even if this film had good music, there would've been a silver lining to talk about. But there are no such redeeming qualities at all.
Full review ↗TRM 3.2
The biggest problem with the film is that the second half deviates from the dark and delicious themes of the first, to indulge in the revenge drama track. While the situations in the second half are written with perfect logic, they are bit lofty. The action and the suspense approach distracts from the much more powerful story of mother, daughter and a family slowly nursing itself out of tragedy. But that's how it plays out. The crucial moment in the climax though, makes it all worth the while. Mom is quite literally a thrill-a-minute ride. Its scenes are powerful and the best part is, the effort put in by the actors. Director Ravi Udyawar crafts an intense, taut and gratifying thriller. It's a must watch.
Full review ↗TRM 6.4+0.6
...there's never been a Spider-Man movie quite as good as this one. Tobey Maguire's first film comes close. But then Jon Watts' homecoming serves up a seriously impressive final scene between Tony Stark, Peter Parker, Pepper Potts and Jon Favreau's Happy (Stark's Man Friday). Its action looks way more authentic and intense than any Spidey movie before. The humour and quick witted dialogue of the film are phenomenal. It's a great build up movie to Avengers: Infinity War. And then there's the case of Marisa Tomei. Some things in life just make you go 'bellissima!'
Full review ↗TRM 7.1
At 2.5 hours, Transformers: The Last Knight just feels like a laboured and brash attempt to stage the same story for the fifth time. The battles between Optimus and Megatron aren't epic anymore. Yes, there's a brief battle between Optimus and Bumble Bee, which is possibly the only redeeming factor of the film. But even the novelty of that idea gets lost when the two Autobots engage in some Karan Arjun level bromance. Picture it like the scene between Batman and Superman from Zack Snyder's Batman Vs Superman movie, where the caped heroes bond over the common names of their mothers. Watching two giant robots engage in the same level of emotional revelry just doesn't work out. Transformers 5 is a colossal let down.
Full review ↗TRM 3.7−1.7
Director Kabir Khan peppers Tubelight with many moments, but they're not all convincing. For most parts his film stays glued to the miracle approach. That the simpleton and his faith will prevail. The Gandhian ideologies help out, and we've seen Rajkumar Hirani work wonders with them before, but with Tubelight they just remain as accessories. Khan crafts a beautiful looking film, but its relevance and themes only appear in flickers. This is a sweet little film alright, but the emotional inconsistencies just don't iron out. It's a classic case of what could've been a great film, settles for much less.
Full review ↗TRM 4.7+1.3
Bank Chor and its 'smart comedy' setup, especially in the second half isn't the most intelligent piece of creative writing. Even though the film and its narrative treatment feels like a Delhi Belly, it never quite becomes as detailed and sharp as it should be. But what Bank Chor excels at is creating a hilarious banter between its lead characters. Three guys deliver some excellent punchlines and quirky dialogue to entertain in a breezy two-hour film. Director Bumpy and his team of writers may not have done enough to please the classes, but their spunky little film has enough thrills and laughs to give the massy crowds value for money. Bank Chor is definitely a comedy worth watching.
Full review ↗TRM 3.7+2.3
Behen Hogi Teri is a decent popcorn flick. While it doesn't do anything wrong, except may be make it's lead man a bit too much of a coward, it also doesn't ever break free from the feeling of familiarity. Like countless romantic comedies before, this film just feels like another romantic film made on a template. Perfectly average, nothing special.
Full review ↗TRM 4.8+0.2
Wonder Woman is a deeply gratifying film. The main reason is that it takes all the trappings of the superhero genre and presents them with the deft touch and elegance of a lady. Finally, DC serves up a hero that's not all machismo and dying to be brutes. Finally a hero understands the notion of love, passion and compassion. This film is definitely the best thing to happen to DC in a long, long time. More power to this wonderful woman.
Full review ↗TRM 7.2−0.2
And if you enjoy that sort of no-holds-barred humour Baywatch can be a decent watch. But not all of its gags and jokes are funny. Watch this with no expectations and you could come away with a few chuckles.
Full review ↗TRM 3.9+1.1
Sachin: A Billion Dreams does well when it establishes India's greatest modern hero as a son fueled by the kindness and spirit of his father. This humanization of sorts, of the God of cricket, is a rare event. That's reason enough to watch and relish this remarkable film on a man who's inspired billions in the last 28 years.
Full review ↗TRM 7.1+0.9
This film is warm, fuzzy and yet thought provoking. It's a film every new parent needs to watch. It's definitely one of the best of the year.
Full review ↗TRM 6.5+1.5
Half Girlfriend had the potential to be a real crowd pleaser. The original novel isn't Romeo & Juliet but it did have its charm. Sadly, the film makes a total meal put of original concept. Its not even half as good as the book its based on.
Full review ↗TRM 4.0+1.0
This movie has its moments. Scenes featuring classic numbers like Mere sapno ki rani from Aradhana and Meri pyaari bindu from Padosan are superb. The seamless mix of comedy, romance and drama is fantastic too. At two hours, the film feels like an absolute breeze. Meri Pyaari Bindu hits a lot of ticks on the check boxes. And that is the strength of this refreshing new romance.
Full review ↗TRM 4.9+1.1
Sarkar 3 has the right ideas but it makes a complete mess of its political themes by trying to be quirky for no reason. Had RGV just stuck to intensity and grit, this would've been a thrilling comeback for the maverick filmmaker.
Full review ↗TRM 4.00.0
Baahubali 2 is the pitch perfect follow up to 2015's Baahubali. While it doesn't have the same panoramic adventure of its predecessor, it does make up with grand scale and precise execution. This movie is worth the hype. Its worth wading through the crowds and sitting in a theatre seat for 3 hours. This film deserves the moniker of being India's biggest film. Epics don't come as glossy and detailed as this epic adventure.
Full review ↗TRM 7.1+1.9
For all its flaws, Noor still gets some basic truths bang on. It's themes of love life and not hate it, and its play on kindness and compassion are its big victories. When the film presents the big bad world and its problems from a shallow teenage perspective, it feels wrong. But when it gets intimate and presents Noor as a bundle of contradictions and emotions, Noor just feels like bright summer sunlight. This film has some great ideas. Thankfully the dodgy execution and lack of depth in writing don't spoil it all. For the casual viewer, Noor serves up a refreshing new story. One that has a solid heart of gold.
Full review ↗TRM 5.1+0.9
Despite all the madness and over the top scenarios, F8 is a thoroughly enjoyable film. You have to take it with a pinch of salt, yes. But the heady experience it offers is spectacularly fun. Vin Diesel is invincible, Dwayne Johnson is in Hulk mode, Jason Statham is a merc with a mouth and Charlize Theron has dreadlocks and a badass Darwin philosophy book. Fast & Furious 8 is pure madcap mayhem.
Full review ↗TRM 5.7+1.3
Director Srijit Mukherji talks of a valid concept and the fact that he makes the women look like badass fighters is phenomenal. Had his film's technical departments lived up to the level of his vision, Begum Jaan would've been a resounding story of women empowerment. While the movie does get a lot of things right, it just lacks a little conviction in presenting its powerful ideas.
Full review ↗TRM 5.00.0
Phillauri is truly a fun film. For romance enthusiasts, this movies got everything. For the casual movie goer, it's got the right amount of humour. But for the auteur of love, this film and it's poetic old world charm can weave a spell of magic.
Full review ↗TRM 5.0+3.0
Vikramaditya Motwane could have refrained from the Castaway inspired romantic conflict in the third act. While it doesn't make the film any less effective, the same situation could've been used to convey grittier emotions. But the few inconsequential slip ups aside, Trapped is a film that pulls you into the void of fear and despair with remarkable ease. It's a thriller compels you to think, analyse and pray. This is an intimate affair with the scarier prospects of a lonesome life in a big city. Insightful and effective, Trapped is a must watch for all movie buffs.
Full review ↗TRM 6.5+0.5
Well acted and well conceived, Badrinath Ki Dulhania and its socially relevant ideas rise above the frivolous execution to give you a solid film. The usual tropes of masala movies like the spunky music and the slick clothes etc add no value to this movie. What does make sense is the fact that it takes run of the mill romance and turns it into a quirky and very entertaining experience. This one's a definite must watch.
Full review ↗TRM 5.7+1.3
If you've grown up watching the X-Men movies then Logan is a story that just cannot be missed. The film does have a generous amount of gore and splatter. But the whole blood soaked approach is what makes this movie such a dark and fascinating experience.
Full review ↗TRM 7.6+0.4
A little more attention to the plot would have turned it into a far better product than it is right now. But if the ultimate aim is to showcase your hero as a badass killing machine, should you really care about cohesive narration?
Full review ↗TRM 4.1+0.9
While the actors give it their best shot, Rangoon just isn't able to tell its story with consistency. The movie tries to pack in too many set pieces and ideas in one narrative. Its choice of keeping the love triangle with jealousy and sacrifice isn't the most inspired piece of writing either. Rangoon looks like a beautiful picture but it offers very little soul to support its epic goals.
Full review ↗TRM 6.0−1.0
Movies like Slumdog Millionaire and Life Of Pi have excelled before with their Indian settings. But even those celebrated movies haven't had the pure intimacy of Lion. This one's a gem of a film. One that takes an already spectacular story and turns it into an absolute sublime experience. Those multiple Oscar nominations are much deserved.
Full review ↗TRM 7.5+0.5
The Lego Batman Movie is a thrill a minute ride. It features Batman in a gangster cum superhero mode, where he's respected but not really loved by all. It's the perfect parody to the Batman idea. Perfectly self-deprecating this movie explores the Batman legend with great tongue-in-cheek effect. It also has some iconic moments, like an all-white Batman. It's audacious, brilliant and definitely a super powered comedy.
Full review ↗TRM 6.9+1.1
Running Shaadi could've really been a different comedy. It had the raw potential of a unique and innovative film. But the lackof focussed direction leaves it high and dry.
Full review ↗TRM 4.8+0.2
If you've grown up on a staple diet of action films and you worship the likes of Arnold Schwarzenegger, Sylvester Stallone and Bruce Willis as gods, John Wick 2 is the definite chapter in your murderous holy book. But If you're someone who despises the sight of gory action, this film has enough self aware critique to earn your difficult nod too. In the same vein as the movie's excessive themes, John Wick: Chapter 2 should be called a modern action classic.
Full review ↗TRM 6.8+3.2
Director/writer Subhash Kapoor knows the legal system like an absolute pro. His setup for the actors is authentic but his ideas aren't all that strong. The second half of the film especially tries to pack in too much drama, melodrama and twists. But the actors bring in the requisite restraint and make Jolly LLB 2 an absolute delight.
Full review ↗TRM 6.2+0.8
Both halves put together Kaabil serves up a staple fare of romance, action and drama. There's some peppy music on offer as well. But none of the film's frills match up to the Hrithik Roshan's efforts. He carries this film on his capable shoulders. His perfectly nuanced performance is the reason you'll enjoy the thrills of Kaabil.
Full review ↗TRM 5.9+0.1
. While the story and ideas aren't all new or refreshing, Raees' big play comes from its nostalgic treatment. This is a film for SRK fans and those who've grown up on a staple fare of Hindi pot boilers. Heroes, action, dialogue, romance and music this one has the whole jingbang.
Full review ↗TRM 5.8+0.2
The Founder and it's recreation of the '50s and '60s American culture and capitalism is insightful and enriching. It skips on the McDonalds story on Wall Street completely, but it does do complete justice to the story of Ray Kroc taking over the McDonalds business from the simple and unassuming McDonalds brothers. This film just like the McDonald's service model and burger is quick, clean and leaves you thoroughly satisfied.
Full review ↗TRM 6.5+1.5
This film is insightful and dark, a certified entry into the indie and art cinema stable. If you like your films to be gritty and real, Haraamkhor is a real mean machine.
Full review ↗TRM 5.9+2.1
Dangal has everything that you'd ask from the perfect Hindi film. Its funny, dramatic, dark, serious, emotional all rolled into one seamless cinematic gem. It is the movie of the year. A film that deserves a standing ovation. A story so good that it will make you feel like a proud Indian. This is a truly special film.
Full review ↗TRM 8.0+2.0
All shortcomings of a film can be forgiven if it manages to entertain. But Wajah Tum Ho's just isn't able to cut it on that front. Even the songs Pal pal dilke paas, Mahi ve and Aise na mujhe tum dekho are cheap knock-offs. The movie offers generous helpings of eye candy but little wajah (reason) for recommendation. Perhaps reruns of yesteryear thrillers like Aitraaz, Gupt or Race would be more reasonable entertainment.
Full review ↗TRM 3.3+0.7
Befikre is a minefield of ideas. It has a deep desire to be erotic and funny but for all its progressive ambitions, it tells a jaded story. Modern people struggle to come out of their clichéd Indian-Punjabi moulds and that just foils all the fun.
Full review ↗TRM 5.00.0
...this film has some fantastic moments. Some soul searching philosophy and some heart crushing realities on offer. Dear Zindagi is a feel good film. An experience that will make you feel alive.
Full review ↗TRM 5.6+2.4
All said and done, Force 2 should be watched for its stellar action sequences. They're high on both quality and quantity. If you've grown up enjoying the careers of Arnold Schwarzenegger and Sylvester Stallone, this film can provide a very satisfactory experience.
Full review ↗TRM 5.2+0.8
Tum Bin 2 is Anubhav Sinha's rehash of his first film for the new audience. Millennials who've grown up with romances like The Notebook or the current crop of tweens and teens who enjoy movies like The Fault In Our Stars or Aashiqui 2 will have lots of meat in this light but breezy romantic saga.
Full review ↗TRM 4.6+0.4
Rock On 2 does drag at certain points but the film has all the right ideas. Better still are the performances. Farhan Akhtar and Shraddha Kapoor sing reasonably well but they act to perfection. Farhan's underplayed performance rocks you, there are moments when the tremble in his hands can give you gooseflesh. Shraddha gets the pitch of her fragile character right as well. She looks beautiful and has given one of her best performances ever. Arjun Rampal is impressive in his moments as well. The performances save it from the limitations of its writing and execution. Rock On 2 is nevertheless a bittersweet symphony.
Full review ↗TRM 4.5+1.5
Director Mike Mitchell loads the movie with countless pop culture references that make the story telling both cute and cool. The trolls are small and cute, in a funky disco-flavoured Smurfs sort of way and that works for the visuals of the movie. With a 90 minutes runtime, Trolls is a breeze to sit through. The camerawork complements the 3D content to great effect as well. Colours and glitter keep popping out of the screen all the time. While the sweetness and cutesy nature may seem over-the-top, that's exactly what works for this movie. It's light, bright and a very happy film.
Full review ↗TRM 5.7+0.3
Despite its hits and misses, Ae Dil Hai Mushkil is an experience worth having. Karan Johar peppers this love story with countless movie references, some his own, some of his mentors at Yash Raj and others of his idols from Hindi cinema. His homage driven treatment adds the right kind of spunk to the film. Barring the minor hiccups in the narrative, this film is easily one of the best efforts of his career. It's a film that makes you cry, makes you laugh and makes you fall in love.
Full review ↗TRM 6.1+0.9
With crisper editing and less melodrama, Shivaay could've been the best of the year. But the 'more is less' approach just doesn't work out.
Full review ↗TRM 4.6+0.4
The only redeeming factor of the film is its political stance. The movie genuinely tries to depict the suffering of a community and the death toll that occurred on that fateful day. Anyone watching this film will have to settle for its intentions alone. Everything else in this melodramatic overdose is genuinely embarrassing.
Full review ↗TRM 3.9+0.1
The only time Fuddu engages it's audience is when it critiques the city of Mumbai and its cramped homes. That social relevance of the film makes an impact for a few minutes, but the rest of the 2-odd hours of this feature film are devoted to 15 pedantic days in the life of a young newly we'd couple who just can't get any action. The ennui of the subject and the film leaves the audience with a major downer too.
Full review ↗TRM 4.2
Saat Uchakkey is a real surprise package. This reasonably under sold movie has a lot of endearing goodness and the kind of satirical silly humour that made movies like Jaane Bhi Do Yaro and Kholsa Ka Ghosla such classics. It may not be the most polished product but it is a gem nonetheless, a funny movie with the right amount of weirdness and outrageous ideas. All presented in an honest and crazy manner. This One's sure to con you into having a good time.
Full review ↗TRM 4.5
As you'd expect from a Sunny Leone movie, Beiimaan Love has a lot of onscreen seduction and romance. But all the film's goodness is wasted on a script that's so trite and amateur that at times it gets laughable. This movie is strictly for die-hard Sunny Leone fans only.
Full review ↗TRM 2.9+1.1
Mirzya is not your traditional young romance where college kids will enjoy the frivolity of young love. It is an artistic take on the passion and zeal of love as an overwhelming experience. You need to deal with its overtly artistic nature with a pinch of salt. But if you have the appetite for a tragic and epic love saga, the luscious visual imagery of Mirzya will give you plenty of food for thought.
Full review ↗TRM 4.7+0.3
But the one reason Miss Peregrine's Home for Peculiar Children works wonders is Tim Burton's direction and some well crafted CGI. The monsters in this movie look scary and yet they offer a light-hearted brand of entertainment and comedy. The climax scene where skeletons and monsters battle it out at an amusement park is downright hilarious. This movie and its perfect balance of mystery, gloom and innocence will charm you and leave you with a veritable sense of wonder. This is masterclass filmmaking at its best. Child or adult, this 3D fantasy adventure is a must watch.
Full review ↗TRM 6.1+0.9
Whether you are an adult or a kid, Storks has plenty of comedic punch to delight you. There's the family comes first subliminal message too. While the it's not path-breaking or world changing, it is adequately quirky and effectively mushy. A sort of perfect combination of entertainment and fun.
Full review ↗TRM 6.0+2.0
...is a long film but it does well to both entertain and engage its audience despite its length. While it may not draw on major insights into Dhoni's cricketing career, it does make for a compelling story through his personal life. If you ever wanted to get up close and personal with MS Dhoni the person, this is the film to watch. Its a solid biopic, one that makes a true hero out of its subject.
Full review ↗TRM 6.3−0.3
Wah Taj is an amateur film at best. But It's also an honest and relevant jab at corruption in veil of progress. It's good intentions do salvage some pride, but in the end this is a classic case of an opportunity for good satire laid to waste.
Full review ↗TRM 4.7+0.3
Banjo gets a bit lost in its ambition. This movie aspires to be a marriage of Marathi and Hindi culture, it even tries to tie in International music culture with traditional Indian values. But in its attempt to be so many things all at once, it never manages to focus on one aspect – the core story. The underdog story is a proven winner in cinema, but this movie just misses the right note.
Full review ↗TRM 4.4−0.4
Despite its grim setting and feudal themes, Parched is a film where women rise above the exploitation and the misogyny to live life on their own terms. The erotic nature of their conversations and their ability to retain their spirit through all adversity makes this film a true blue winner.
Full review ↗TRM 6.4−0.4
Raaz Reboot is amateurish and very forgettable. In fact, most of its horror sequences are so random that they evoke laughter instead of fear. That can never be a good proposition for a horror film.
Full review ↗TRM 3.8−1.8
Well acted, well intentioned and inspiringly brave, Pink is the film that can shake up feudal mindsets in India. It is a bit theatrical in its approach, but some causes need to be shouted from the rooftops. So that's what Pink does. It stands tall and it lets out a roar of defiance against gender inequality and women exploitation. More power to girls.
Full review ↗TRM 7.8+0.2
The Shallows is a taut thriller. It also features some stunning cinematography and slow motion surfing sequences. Director Jaume Collet-Serra has steadily improved over the years making action thrillers with Liam Neeson. But with The Shallows he's definitely made the best film of his career.
Full review ↗TRM 6.2−0.2
Baar Baar Dekho has the right ideas. It even gets the tricky part right - the futuristic design of the story telling. But it doesn't show any innovation in its writing. This is an age old love story where being in love is more important than everything in life. You can't sell a 100-year-old idea with futuristic frills. That just doesn't add up.
Full review ↗TRM 4.8−0.8
Even with its slightly convenient climax, Sully makes a strong comment on its subject. Courage, heroism and compassion are virtues that make common people extra ordinary human beings. Best of all, every man and woman is capable of being a hero. All we need to do is try. That Sully successfully puts across the message with sublime effortlessness is the triumph of good cinema.
Full review ↗TRM 6.7−0.7
Apart from its cast, Skiptrace has very little to offer that you can recommend, enjoy or even remember. This Chinese-American goulash with a sprinkling of Mongolian and Russian elements is just all over the place.
Full review ↗TRM 4.3−0.3
Akira is like any other action movie you've seen before, where the hero is framed and has to prove himself right. The difference here is the film's ability to successfully tell that tale with a girl at its centre. It may seem like an exercise in women's rights, but AR Murugadoss' approach to make things entertaining and detailed makes this movie worth a watch. This one's all about girl power.
Full review ↗TRM 5.3+0.7
On the technical side of filmmaking, Island City is just superlative. But fact is, this film is not meant for everyone. You need to have an appetite for Isaac Asimov kind of sci-fi coupled with a taste for fine cinema. Else you'll find yourself a little lost in the detailed and very dystopian world of this film. It's a real mind bender but also not for the average joe.
Full review ↗TRM 6.2−0.2
A Flying Jatt has all the trappings of a masala movie. There's action, comedy, romance and drama. Sadly there's just a big void of logic. If this were a Rajnikanth movie you'd lap it up without prejudice. But the fact is, this is a superhero movie trying to hard sell a "save the planet" narrative. You can't convey such serious messages about environmental issues with such juvenile ideas. If you do, you end up looking like a super powered embarrassment.
Full review ↗TRM 4.3−0.3
The 1959 Ben-Hur was a landmark in Hollywood. It was a film that set a precedent for mythological and historical sagas. The new film is like a cheap Chinese clone. Its slick to look at, but once you experience it first hand; you realize it is in essence a cheap knock-off.
Full review ↗TRM 4.8−0.8
War Dogs is not some serious war movie plotting an expose on world politics. It's a light-hearted comedy that makes good use of classic guy material. There's loads of guns, money, cocaine, weed, fast cars and popular music (background score) on offer here. It's the perfect flavour of Pineapple Express.
Full review ↗TRM 6.00.0
This film may be called UnIndian but its treatment, writing and technique is unmistakably Indian and a little too obsessed with being masala. The only good thing about this frivolous romance is its leading man and his good looks.
Full review ↗TRM 5.0−1.0
With its story and characters crumbling under its cinematic ambition, the only thing that makes Mohenjo Daro a sweeping cinematic experience is its visuals. To see the glorious legends of the Indus Valley Civilisation comes to life is a bargain worth the price of an admission ticket. Hrithik Roshan's charisma adds a nice bonus to the deal. But this historic saga is also peppered with a lot of mumbo jumbo filmmaking antics that steal its thunder. Mohenjo Daro is a well-made film, just not very well thought out.
Full review ↗TRM 4.5+0.5
The movie employs a lot of CGI to recreate an authentic period feel. That coupled with the entertainment value does make Rustom a decent watch. But the fact that the film makes no mention of Nanavati's subsequent trial and conviction by the Bombay High Court is a bit of a grey area. But for all its diversions from authenticity, end of the day, Rustom manages to entertain. That's the film's closing statement.
Full review ↗TRM 5.6+0.4
...does not have the thrills and gimmicks to draw big numbers. But that's exactly what the film deserves. The stupendous storytelling of this film deserves a lot more than 100 crores. Just like it's protagonist in real-life, it needs a fighting chance. To run itself onto glory.
Full review ↗TRM 6.7+2.3
The Legend Of Michael Mishra suffers from some very amateur execution. The film's got decent music, a very talented cast, but it seems the makers were hell bent on making this flick with a surreal and bizarre tone. Looks like they got a little too cheeky.
Full review ↗TRM 2.6−0.6
The climax especially is phenomenally fast and the action is fast and furious. Matt Damon looks a bit wrinkled but his prime physical condition (upper body muscles) just does not give the idea that he's 46 and been missing from the super spy genre for almost a decade. He fits into the Bourne mould like a tailor-stitched glove. His presence makes the movie engaging, director Paul Greengrass' action-blockbuster treatment takes care of the entertainment. It's a win-win situation as long as you don't expect any cerebral arguments. This one's a good, old-fashioned action flick.
Full review ↗TRM 5.5+0.5
The basic requisite of enjoying Dishoom is to not have any heavy duty expectations. This film by director Rohit Dhawan is the same brand of easy entertainment that his dad was known for. The movie starts with a song (Toh dishoom) and it ends with a song (Jaaneman). The new age filmmaker has just added a whole lot of style to the same old substance. And as it did 20 years ago, the gimmick still works out.
Full review ↗TRM 5.5
Mothers from middle class families are the perfect and only target audience for this film. For everyone else there's a better bad movie called Stop Or My Mom Will Shoot!
Full review ↗TRM 5.5
There are certain moments in the first half of Madaari that are both powerful and subtle. Even though the second half barely manages to scrape through, this film on the broad and capable shoulders of Irrfan Khan manages to deliver the right punch. This Madaari will have your dormant nationalism and parental emotions dancing out with thundering effect. The message here is loud and clear.
Full review ↗TRM 5.5+0.5
The set pieces in Ice Age: Collision Course work fine. A giant asteroid is about to destroy planet Earth and the way the mammals manage to avoid the catastrophe is engaging in parts. But the movie's constant effort to be an Ice Age film hard selling family values is tiring and unoriginal. If the storytelling is inconsequential to your movie watching experience, Collision Course works out. But if you are a seasoned movie buff, chances are you'll be bored to death.
Full review ↗TRM 5.1−0.1
Great Grand Masti has all the regular trappings to satisfy the average adult comedy aficionado. But if you expect even the slightest amount of grace and intelligence in your cinema, you'll have to look away. This is pure cheeky fun. Meant only for those who enjoy innuendos.
Full review ↗TRM 2.5
Well-made, well thought out and slickly executed, The Secret Life Of Pets is one of the funniest animated movies in recent years. Pet lovers especially will enjoy this kooky concoction of cute and sass.
Full review ↗TRM 5.9
Bajrangi Bhaijaan set the trend for Salman Khan where he steered clear of the whistles and claps style of entertainment. Sultan is an effort to add to that thought, trying to add grit and realism to Salman's brand of cinema. But unfortunately, Sultan also tries to sneak in larger-than-life heroism and action. It's definitely not a bad effort, that the film talks about sports and athletes in India is good intentions at their best. When it comes to entertainment, Sultan packs a solid punch.
Full review ↗TRM 6.5
Shorgul tries to tell a tale of merit. But the methods it employs to tell its story are so jaded, you just lose your faith in the film. The movie ends with Sanjay Suri, (portraying a CM's role that's a spin-off on Uttar Pradesh head Akhilesh Yadav) taking a dig at democracy. The tone is that the CM was helpless as he could merely sit and watch a tragedy unfold. Oddly, its a sentiment that mirrors the film's audience's experience too.
Full review ↗TRM 3.8
With everything that's wrong with The Legend Of Tarzan, the movie on a whole still works because it all looks so polished and slick. The visuals of the African landscapes are breathtaking, especially in IMAX 3D. The CGI animals though sometimes inconsistent, still make for a marvellous sight. The visual wizardry at work in this film more than makes up for it's dimwit storytelling. So if you like the sight of a larger-than-life action adventure, Tarzan is just the man for you.
Full review ↗TRM 5.1
Whether you like the frills or not, there's no denying that RR2 is a film that haunts you. It has the ability to shock and disturb. It glorifies violence and murderers. And it can only be enjoyed if you can accept misogyny, death and gore as integral parts of reality. Otherwise, this movie can be quite the nerve-wracking experience.
Full review ↗TRM 5.9
If you believe in inspirational Instagram posts and the power of positivity, Dhanak is the film for you. The cynics might find the lack of gritty realism a bit too much, but even the most hardcore realists will agree that this little road movie ticks all the boxes when it comes to ending on a happy note. This is no award winning material, but it is well worth a watch. It proves that the happily ever after notion may be overused and old, but it still gets the job done.
Full review ↗TRM 6.7
Now You See Me 2 is a desperate attempt to pull a franchise out of thin air. But this glitzy Hollywood hoodwink is nothing more than a slavish pull of wool over the audiences eyes.
Full review ↗TRM 4.5
Te3n serves up enough thrills to hook you on. Director Ribhu Dasgupta's second movie is just about as good as taut thrillers can be. There's a directorial control and finesse that make this film engaging and well worth a watch.
Full review ↗TRM 5.8
So are the Turtles boring? Hell no! They're still as cool as ever. It's just that their adventures have become pointless. They're fighting portals spitting hostile aliens, martial arts clans out to change organised crime, stuff that The Avengers and Batman have already done. In IMAX 3D too. Poor Turtles look like they crawled out from under a giant rock.
Full review ↗TRM 5.0
The Angry Birds movie is a must watch for kids. And if you're an accompanying adult, be rest assured, there's plenty of chuckles in it for you too. It's a real egg-citing film.
Full review ↗TRM 4.9
The 3D, the sense of adventure and the striking visuals are all just frills trying to hard sell and underwhelming story. And if that doesn't do it, there's the one last gimmick of Alice Through The Looking Glass being the last film where you can catch the charisma of the late Alan Rickman. It's all part of an elaborate marketing equation that's certain to give plausible results. Ironically, it's attached to a story that urges kids and adults to believe in the impossible.
Full review ↗TRM 5.0
It's not the worst film Ram Gopal Varma has made. Nor is it any close to his best. It's just a middle-of-the-road offering where seeing an actor look like the mirror image of Veerappan catches your fancy for a few fleeting moments. Once the illusion withers away, there's really nothing to hold on to.
Full review ↗TRM 4.6
In the wake of Sarbjit Singh's story and its relevance, all shortcomings of the movie become redundant. But end of the day, this is a commercial film and you can't discount the quality of cinema. On that count, Sarbjit is a definite letdown. Considering the subject matter, this movie should've been a lot better than it turns out.
Full review ↗TRM 5.1
It just doesn't have the resolve or dexterity to sway you with an argument or a stand. The supporting performances by the likes of Mahie Gill and Pallavi Joshi are listless. Even connoisseurs of art cinema will admit that after a point, Buddha just seems all up in the air. The only thing it can provoke in its viewer is ennui. Another one of those well intentioned movies that go absolutely nowhere.
Full review ↗TRM 3.4
The main reason you'd want to watch Money Monster is for Clooney and Roberts, whose performances elevate the film above its script. Together they bring in the chemistry of Ocean's Eleven and make things fun. The film keeps you on your toes at all times, even though the climax does fizzle out a bit. Watch this and you may not be moved but you'll definitely be entertained.
Full review ↗TRM 5.6
Director Tony D'Souza's Azhar is a vanilla look at a story that could've been both riveting and hard hitting. In stead of presenting Mohammed Azharuddin as a man of many contradictions and supreme talent, it portrays him as a victim and stoic person. In a classic example of bad taste, the film also casts moral aspersions on other cricketers but projects Azhar as a righteous hero. It's the oldest trick in the book to gain sympathy. Sadly, it's just not good enough.
Full review ↗TRM 5.0
As for 1920 London, the film's strength is the production design with it's fancy English locations and authentic vintage cars on offer. The usual characteristics of a horror film, like eerie music, make-up, special effects and moody cinematography are all lackluster though. If you like genuine thrills you'd have to look away. This one's just for gags.
Full review ↗TRM 3.2
One Night Stand is a very competent film. It's commercial packaging does create a bit of contrast to its relevantly real themes. But that's not really a bad thing. Even with it's middle of the road approach, this edgy film on sexual flings and intimate relationships has the right ideas. Watch this and you'll be bound to giving it a nod of recognition.
Full review ↗TRM 4.3
Despite it's minor flaws Traffic is a film that deserves attention and an audience. It's a fantastic story of human spirit. It should be able to inspire every individual to think and find the heart to help out others in times of need. It's just the sort of film that makes the world seem like a better place. It's a must watch for sure.
Full review ↗TRM 5.5
Despite a lengthy runtime, Civil War draws you into a world where superheroes are essentially just individuals fighting for their rights. There's no looming sense of evil and doom. Not archaic antagonists or bad guys. The good guys bring in enough grey shades. They're just super powered people fighting for their ideologies. And it all proves the point that; great source material will always result in a great cinematic experience. Do not miss the veritable, action movie of the year.
Full review ↗TRM 7.1
It tells an important story and it does make a meal out of the subject. Ramanujan's tale needs an audience because in terms of achievement his contribution to the world of mathematics was perhaps greater than that of Sachin Tendulkar's to cricket.
Full review ↗TRM 6.3
Mother's Day should've been the film to watch on Mother's Day come May 8th. But it's really hard to recommend a film born out of suburban American formula to an Indian audience. Apart from the pretty faces and the challenges of raising kids, there's nothing really that would connect with any of us.
Full review ↗TRM 4.4
Even if you have nothing else to do this weekend, do yourself a favour and avoid Santa Banta Pvt Ltd. Go fall off a cliff or cross the highway blind folded for thrills. Even those experiences will be a lot less painful than watching two sardars look for their underwear sash and argue over the value of an old metal pot. This movie is an exercise in banality. If you're smart, you'd keep a safe distance.
Full review ↗TRM 2.5
The dialogue is soul stirring in the film. In the big bad world of big ticket releases this little film with a big heart has all the right ideas. The execution of those ideas has been done with utmost honesty and the end result is a film that can move it's audience to tears. Watch this and you will want to give your mother a bear hug. Do not miss this gem.
Full review ↗TRM 7.0
SRK is on top of his game and so is director Maneesh Sharma. Some of his decisions are real aces. The no song-and-dance approach really adds to the film's experience. The background score as well as the cinematography add to the director's vision. Even though the film is two and a half hours in length, it feels breezy. This is definitely a taut film. It takes a fresh concept and adds the right amount of zing to it. You could argue with the formulaic approach, but the usual thrills and spills don't rob the story of its impact. Both the star and the fan have their grey shades. And that's what makes Fan a smart film.
Full review ↗TRM 6.8
The film has a crackling cast on offer. You have Jake Gyllenhaal, Naomi Watts and Chris Cooper leading the performances. Gyllenhaal as the young and brash guy is the perfect complement to Watts' older but confused pothead blonde. They make a fantastic couple, almost like Jim Carrey and Kate Winslet in Eternal Sunshine Of The Spotless Mind. Despite their best efforts, the film does absolutely nothing. The final act, a desperate attempt to make a popcorn happy ending seem poignant is just disappointing. Having watched the film you desperately wonder, what the entire point was. It's definitely not the kind of sentiment you want to end with.
Full review ↗TRM 5.8
In India, The Jungle Book will always be compared to the version that was aired on Doordarshan. In comparison, this movie is every bit as brilliant as it seemed 20 years ago on 21-inch television sets. The 3D and the IMAX goodness add depth not just to the visuals but the impact of the story and the experience. Kids, young adults and adults will all enjoy this thrill-a-minute ride in the jungles of India, where animals can talk and where human beings and their creations are a part of enigma. Do not miss this at any cost.
Full review ↗TRM 7.5
If you've followed the franchise, this movie cannot be missed. If you're new to Po the Panda's goofy charisma you'll have a ball. Either way, this promises to be a high-flying experience.
Full review ↗TRM 6.6
Apart from the writing, there are issues with the editing of Ki And Ka. The gaping holes in quality in these two departments can't be saved, even by the peppy music of Mithoon, Meet Bros. Anjjan and Ilaiyaraaja. Not even by charisma of Amitabh Bachchan and Jaya Bachchan, who play phenomenal cameos in the movie. If only R Balki had built on the idea of having this couple play a more consequential role in the film.
Full review ↗TRM 4.8
Style and stunts play a big role in action movies. But you can't discount other aspects of filmmaking just to make an action film that looks sexy. The biggest mistake Rocky Handsome makes is to give it's lead character an emotional and patriotic back story. It just turns him into another caricature and it never quite justifies his appetite for killing. John Abraham's training in martial arts is evident in the scenes featuring him in hand-to-hand combat. There the effort is 100 per cent. But rest of the way, this is one rocky film trying a little too hard to be handsome.
Full review ↗TRM 4.2
Watching an underdog win International sprints in sepia tone is reminiscent of Bhaag Milkha Bhaag. But this movie has much more emotional depth and deftness than the Indian biopic. If you enjoy films and sports, this is a must watch.
Full review ↗TRM 6.5
If you want to gain a perspective on what went wrong in Armstrong's professional pursuits, this film is worth a watch. But if you have plans of discovering more about the man himself, we'll just have to wait for a more solid reboot.
Full review ↗TRM 5.8
Is it a slick thriller? Yes, but only in its looks. The story it's trying to tell isn't just uninspiring, it's stupid. If the mob has the FBI on its payroll, they wouldn't hire dysfunctional mercenaries to rob a government agency. A whole lot of Triple 9 doesn't make genuine sense. It's just contrived enough to be appreciated for creative twists. And that's definitely not a good thriller. Not a good film, either.
Full review ↗TRM 5.4
Whether you are a child or a parent, there's unlimited fun to be had in Zootopia. It's a crazy ride to a world where imagination fuels an entertainment effort like never before. It's easily one of Disney's best films in recent past, and that's not an exaggeration. It's easily one of the best animated films of your lifetime.
Full review ↗TRM 6.6
13 Hours is not a terrible mess. In fact, it's a film that keeps your attention alive. As the characters struggle to survive and fight back, it makes you believe in the conflict. There's even the occasional gore and splatter. But there's no emotional depth, none that can be taken seriously. It's a gritty package of an action film. There's plenty to cheer about and nothing really to reflect upon or celebrate. Save for the fact that, Bay had good intentions while making this movie based on real events.
Full review ↗TRM 6.0
Underplay and restraint are the strengths of Carol. This is a film that stays clear of dramatisation. It kills you softly. Even in the end, the much-expected and pending Carol's declaration of love to Therese happens in a blink-and-miss moment. The finesse and skill at work in Carol are spellbinding. This is a film you sit back and admire. Its fragile nature is evocative. Its beautiful women are enchanting. Its look at relationships and behaviour is mature and relevant. This is a film to savour.
Full review ↗TRM 6.5
Bollywood Diaries is not a bad film, definitely not on paper. It has the right Ideas, it even tries to bring a little bit of innovation to the storytelling. But even so, it seems to try too hard. And in the process of trying to be too dramatic it makes a meal of its themes. It could've been a lot better. But it's not. It just about manages to be acceptable, mostly thanks to its intentions.
Full review ↗TRM 5.2
End of the day, this film's real victory lies in the fact that it chronicles a pertinent part of modern history and it does so with the right amount of authenticity and deftness. There's no jingoism or sense of sensation. It takes real human emotions and crafts them into the journalism profession. The quality of cinema is beyond measure. This is a must watch.
Full review ↗TRM 7.7
Neerja won't steal your heart or make you hate terrorists. It won't resort to highlighting the inefficiency of Indian and/or Pakistani governments. It doesn't over dramatize the story. It takes an emotional and mature stance about its subject. It makes you believe in the power of human beings. That ordinary people can make a difference if they try. That heroes need not be worshipped, but they need to be thanked. That just a little bit of kindness goes a long way.
Full review ↗TRM 7.6
Fitoor has to be one of the most enchanting films to look at, in a long time. But this great looking film that captures the surreal beauty of Kashmir does not live up to the great expectations attached with it.
Full review ↗TRM 5.0
This is pure brazen and sometimes surreal sexual onslaught meant to satisfy those who enjoy sarcasm and sex in equal measure. For those who'll enjoy this blitzkrieg of madness, this is the film that you watch on every Sunday, every holiday, after every satisfying sex encounter and on boring afternoons. You watch it once and you'll be begging to watch it again.
Full review ↗TRM 6.7
If you've seen your fill of action films over the years you'll really be able to appreciate what Ghayal Once Again serves up in its two-hour runtime. The dramatic bits are inconsistent but even so, the film manages to impress. It's shot nicely, it's fast and it takes the right kind of approach to building on the legend of Sunny Deol and Ghayal.
Full review ↗TRM 4.7
This film is like fast food for teenagers. If you're in college and you have a girlfriend and/or boyfriend you'll sink in your chair and probably shed a tear or two. But even the target audience will agree that the end just stretches on and on. At 2 hours and 40 minutes, the runtime is unnecessarily bloated. The big Hollywood hangover doesn't help either. This film definitely had potential, but it needed better execution and a lot less yawns.
Full review ↗TRM 3.5
It has the right balance of humour, drama and insight. It sheds light on the many fallacies of sports in India but it never gets preachy or boring. It always stays relevant and most importantly it engages you and entertains. This is Bollywood's happier answer to Million Dollar Baby. And to employ the old Mohammad Ali adage, this one floats like a butterfly and stings like a bee.
Full review ↗TRM 5.4
This film is plain embarrassment for those who made it and those who decide to watch it.
Full review ↗TRM 2.3
Even those who can't second guess the outcome, the climax is convenient and inane. The emotional depth and the complex character behaviour that engages you through the first half are slavishly abandoned for action-movie thrills. It's all well done. The production, the sound, the action is all top notch. But the writing is King of the game in a film. The technique is merely a pawn. You can sacrifice the pawns but not the King.
Full review ↗TRM 5.5
Dilwale is the quintessential popcorn flick. It's colorful, bright and entertaining. It smartly keeps its play on the SRK-Kajol chemistry (watch out for the brilliant ending). It has fantastic music. Decent laughs too. Definitely worth a dekho.
Full review ↗TRM 5.1
Bajirao Mastani will also be remembered for its production design and costumes. The level of detailing in the film's visuals is awe-inspiring. The camerawork and SLB's vision for grandeur create a mirage of excellence on screen. SLB's music is not only influential it's emotional and touching. Rarely do Hindi movies look like they belong on a world stage. Bajirao Mastani is definitely a strong contender for that spot. It's definitely one of the year's best.
Full review ↗TRM 6.7
Hate Story 3 is a small-budget thriller that's designed with the specific idea of catering to the needs of its audience. With the right amount of oomph and risqué content, you can laugh all the way to the bank. Perhaps it doesn't matter that those paying money won't be as amused.
Full review ↗TRM 3.8
Imtiaz Ali makes good films. You could even call him the authority on love stories with a sufi flavour. But Tamasha doesn't quite make the cut. Not for Imtiaz, not for Ranbir and not for Deepika. Even the Mohit Chauhan and AR Rahman combination of music seems like a leftover from Rockstar. There was so much potential here. So much the team could've achieved. But in the end, despite some flashes of brilliance here and there, Tamasha turns out to be no show. Ironically, it has a story that tries to ward off mediocrity in everyday life, and yet the film only manages to evoke mixed reactions.
Full review ↗TRM 6.2
Despite its flaws, PRDP manages to entertain you. It's long yes, and most of its story is almost too sentimental. But the it works, especially if you like family dramas with a dash of style and humour. This is definitely worth a watch.
Full review ↗TRM 5.1
Main Aur Charles is worth a watch for Randeep Hooda alone. Couple that with a fabulous performance by Hussain and director Raman's control over his subject make this worth a very strong recommendation.
Full review ↗TRM 5.4
As for Titli the film, the future in a mainstream movie environment looks bleak. If you seek entertainment and/or stories with redemption look elsewhere. But if cynicism and hopelessness excite you, this is the movie for you.
Full review ↗TRM 7.5
Vikas Bahl should've done better with Shaandaar. The biggest mistake he makes is to not trust his actors. In scenes where he opts for animation, he should've just let Pankaj Kapur and Alia Bhatt do the magic. But he doesn't. He chooses to rely on cheap frills. And no matter how much money you spend padding up gimmicks, they don't work like the real thing.
Full review ↗TRM 4.7
PKP2 is definitely worth a watch. The misogyny is present, but it stays in the under current. The story is just fantastic. The film is not just relevant to our times, it is a straight laced portrayal of our lives. The frivolity of modern relationships and the ease with which people deceive themselves are all presented with the right dash of humour. This one is definitely an upgrade on its original. And a very good film for youngsters.
Full review ↗TRM 5.2
Ace cinematographer Binod Pradhan helms the director's chair for Wedding Pullav. No wonders then that the visuals of the film, in the locales of Thailand look spectacular. But the storytelling lacks focus and the execution of the ideas seems trite. Perhaps things would've been different with a better set of lead actors and a more established filmmaker on board. But for now, Wedding Pullav is an undercooked film, lacking the right kind of spice and flavour.
Full review ↗TRM 2.9
Good actors in a not so good film, is a scenario all too common in Hindi cinema. Jazbaa is another addition. Sanjay Gupta has brought in all his trademark moves, the green tinge, the slow motion shots and the jumpy editing. But while the visuals look slick, the story is really all too old and the presentation feels jaded. Watch this if you must for Aishwarya Rai Bachchan who's still in top form. Pity her comeback film doesn't measure up to her efforts.
Full review ↗TRM 5.6
The direction nearly goes haywire. A lot of things don't make sense in this ambitious project about differing timelines. The songs especially pop in without notice or need. The characters behave erratically and the story doesn't make too much sense either. The predictable climax is a real disappointment. A classic case of wasted opportunity.
Full review ↗TRM 3.5
Calendar Girls is more than a decent watch. It's takes a frivolous subject and weaves an engaging story around it.
Full review ↗TRM 3.2
Kis Kisko Pyaar Karoon is the quintessential family film. It's comfortable entertainment with the right amount of popcorn quality. True to the masala formula, there are plenty of songs and exotic locations. There's no action but a generous helping of humour. But all that genre specifics are part of a film that's severely undercooked. Yes it will make you chuckle more than once, but two hours later you won't remember a single thing.
Full review ↗TRM 4.4
Director Nikhil Advani's efforts in making Katti Batti are pretty evident. His film looks top notch with its visuals as well as detailing all on mark. The opening credits done with the stop motion video is a nice touch too. It's just the total turnaround from being a quirky romance to a weepy love saga seems a bit jarred. The humour doesn't work at all. The music is just about okay as well. It could all have been slightly better, but even so, what plays out on screen is largely good enough for fans of the romantic genre.
Full review ↗TRM 4.0
While there's nothing new on offer in terms of story, the fresh new faces and a brisk runtime of 131 minutes make Hero a breezy entertainer.
Full review ↗TRM 3.9
...is like parched land. There are cracks and dusty patches. And in reality there isn't any water to sustain life or even drown into.
Full review ↗TRM 5.0
Phantom is slightly lacking in cinematic intelligence and guile. Especially when you consider Kabir Khan's last offering Bajrangi Bhaijaan. The film's sense of patriotism is kiddish and it tries a little too hard to make a hero out of its protagonist. Even then, it does enough to entertain you and keep you hooked. It would make a decent Sunday watch if not taken too seriously.
Full review ↗TRM 5.2
Not that All Is Well is boring or offensive. It's just so plain vanilla that for two hours you're sitting in a chair waiting for something to shake you up. But that edge of the seat moment, just doesn't arrive. You're plonked firmly in the center and even Sonakshi Sinha's gyrations in an item number do nothing to up your spirits. Miss this and you wouldn't have missed an iota of entertainment.
Full review ↗TRM 3.4
Manjhi's story brings to light an amazing and shocking reflection of Indian society and politics. A man spent 22 years trying to dig through a mountain for a basic civic convenience. The government and the authorities did absolutely naught to aid his efforts. Yes, 30 years ago the media and the public weren't as vocal as today, but things in the interiors of our country still need to be ironed out, just Manjhi's saga. And yet, such a pertinent and relevant subject is doled out in an unconvincing manner. The Mountain man and his legend deserved a lot more.
Full review ↗TRM 5.8
It's a setup that's not meant to evoke a special feeling. But that's exactly what it does. It takes a tedious and technical sport like chess and it humanizes it to the point where a calculated game of probability turns into a game of chance and fate. It's rare to see such transcendence in a film. And that's exactly why this should be watched and cherished by every movie buff out there.
Full review ↗Brothers offers a whole new experience to MMA action. Hindi audiences will enjoy the novelty. But all said and done, this should've been done with a lot more finesse
Full review ↗TRM 4.7
In the end, it all comes down to the twist ending. The story has all the trappings to keep you engaged and then the surprise climax rounds it all up nicely. But these are things not original to Drishyam's Hindi iteration. And yet those are the strengths of this film.
Full review ↗TRM 6.5
Aisa Yeh Jahaan does have the right ideas. It's just sad that the execution lets them down. If you feel the Seven Sisters States don't always get the recognition and status they deserve in India, then you definitely will find moments and themes in Aisa Yeh Jahaan that resonate. Otherwise, this could be a drag.
Full review ↗TRM 3.9
Even though the word 'great' is easily misused while chronicling a person or an achievement, it really can't be employed enough to describe what Masaan feels like. You need to watch this film to realize there's so much hidden meaning to scenes, situations and words. Yes there are no commercial movie gimmicks, no glamour to startle your senses. But there's an abundance of artistic passion and emotion here to keep you thinking about life and death, long after the movie is over. It lingers around, like the memory of a lost loved one. That bittersweet combination of happiness and sadness. A perfect mirror to life.
Full review ↗TRM 7.7
For once, being a Salman Khan fan doesn't matter. Regardless of how you feel about the man, you will fall in love with his performance and his film. It's the best offering of his career. It's a solid entertainer and its emotional depth will sweep you off your feet.
Full review ↗TRM 6.6
I Love New Year is a romantic comedy that's neither too funny nor too alluringly mushy. It's just a posh looking two-hour long feature film. Very forgettable fare.
Full review ↗TRM 3.6
Bahubali is truly an epic experience. Had the story not been so jaded, this would've gone into the history books as an all-time classic. But that's not the case. It has its set of storytelling flaws, but even those are overshadowed by Rajamouli's ideas and execution. This is definitely worthy of being India's most expensive film. It's a definite movie watching experience.
Full review ↗TRM 7.2
There are a few surprise appearances in Second Hand Husband. They add to the experience of the film. But again, most of it seems like a fancy commercial movie gimmick. It actually does nothing for the story. But it does give fan boys a chance to root for the film. If you are a fan of punjabi movies, music and actors Second Hand Husband has the right trappings. Otherwise it's all a bit too pointless.
Full review ↗TRM 4.3
The one reason Guddu Rangeela avoids embarrassment is its performances. The actors really do save this film. Whether it's the comedy by the supporting cast or the dramatic turns of the leads, the acting keeps the spark alive. Needless to say, Subhash Kapoor's film is well-made. But it's also severely flawed. His films are usually noticed for their writing and that's exactly where Guddu Rangeela falls short.
Full review ↗TRM 5.1
Films like Genisys, like its immediate predecessors will be remembered as slick action vehicles. Films that blow shit up with style. But that was never the idea behind the Terminator's greatness.
Full review ↗TRM 4.7
3D films in Hindi cinema are a rarity. Movies focusing entirely on dance are just as niche. Put the two together and you have a solid proposition for a commercial entertainer. Great looking lead pair, dancing their socks off and the visuals are pretty neat too. ABCD 2 is a dance film that makes its viewer feel like dancing. Michael Jackson would approve!
Full review ↗TRM 5.4
The big take away, apart from the large prehistoric action portions, from Jurassic World is that Chris Pratt is the new Harrison Ford. Heck he's even dressed like a cross between Han Solo and Indiana Jones. And he's motorcycling around the jungles of Jurassic World playing hero as if he were in a Jurassic edition of temple run.
Full review ↗TRM 6.1
Love triangles are not terribly original. And bad dialogue never helped any film. HAK is guilty on both counts. The only reason one would get through the two hours of this film is on the efforts of the actors or by praising the idea of themes dealing with love and the fallible nature of people. Not too much on offer for a big ticket movie.
Full review ↗TRM 3.3
Every member of the literally big ensemble cast in DDD, comes together to make it feel like a family. You have a quirky Punjabi clan and their oddball friends dancing and singing to some great music by Shankar-Ehsaan-Loy. They're in good looking locations with fancy clothes and luxurious ambiance. It's an exclusive peek into the lifestyle of the rich and famous. There's a decent well-rounded story as well. It's the perfect exotic weekend getaway.
Full review ↗TRM 6.3
Maggie is a novel idea. In certain places its shot beautifully as well. But the film is too indulgent and deliberate. That it's a departure from the regular Arnie movies is a good thing. But fact is, this film has the ability to zombify its viewers in a slow trance.
Full review ↗TRM 5.6
Welcome To Karachi is a madcap comedy. The likes where nothing makes sense but grown men act like retards and yet save the world. It's hard to write a recommendation for such a brainless romp.
Full review ↗TRM 3.9
TWMR entertains you; it makes you happy, sad and euphoric all at once. It's an intricately designed film and it's well crafted. Easily one of the year's best. Another fine feather in Kangana Ranaut's flourishing hat.
Full review ↗TRM 7.1
Having said that, Anurag Kashyap does manage to make a movie that is up there with Hollywood standards. In its two-hours-thirty-minutes runtime, it manages more than a handful of memorable moments. The romantic formula might've let it down, but the real story of this film is how well it's conceived and presented. A certified visual delight.
Full review ↗TRM 5.5
It takes the most ordinary situations from daily life and churns out the kind of drama that's missing from modern mainstream cinema. There's a deftness to its emotions. There's a purpose to every point in the film. Even though this isn't toilet humour, you have grown adults constantly talking about feces and digestive ailments. It could all put you off. Instead, it draws you in. That's the hallmark of great cinema. It effortlessly speaks to its audience. It creates magical moments with the most unlikely situations. This one's definitely to be watched with your family, especially your parents.
Full review ↗TRM 7.3
In this story's fifth rendition, filming gimmicks and juvenile humour upstage logical writing and character development. The end result is a lackluster and utterly pointless film trying too hard to impress.
Full review ↗TRM 4.8
...is reasonably shot, well-edited and generally put together nicely. But its screenplay hasn't been too well thought out. Smaller films often have this tendency to do a little more. The idea is to give your audience as much value in storytelling and film gimmick as you can. After all you don't have the frills, thrills or spills of big-budget star vehicles. But that's also the easiest way of over-doing drama. The climax and general build up with the border scenes in this film are too middle-of-the-road. The intentions are noble. But the idea of bhaichara and peace on the border is as defunct as some of the laws and amendments in our constitution. More of the same old is never too much fun.
Full review ↗TRM 3.6
Questionable casting aside, the production values on this movie are near abysmal. Most of the film is shot in Delhi. But the choice of locations is poor. The camerawork is no better than rookie documentaries. And the songs are neither pleasant on the ear nor needed in the film. Yet, they're thrust into the most absurd situations. It's a very lackluster attempt at making a commercial film.
Full review ↗TRM 2.9
Films are just another form of art. They benefit from the inspirations and enthusiasm of their creator. Like any other form of art, they can suffer if the vision is skewered or contrived. In his ambitious Hollywood foray, Vidhu Vinod Chopra wanted to prove that Indian filmmakers are better than just song and dance junkies. That we can match Hollywood's game in their playing field. And therein lies the biggest flaw. Imitation might be the sincerest form of flattery. But end of the day, flattery is also described as pleasing self-deception.
Full review ↗TRM 5.2
Watching Detective Byomkesh Bakshy is an exhilirating and engaging experience. With its enriched visuals and edgy music, this film really serves up great thrills. Yes, the ride is a bit bumpy and the average film aficionado might not take kindly to the sudden influx of violence, but those are variables in a larger game. This film is bubbling with nervous energy and it has all the trappings to entertain. Miss it at your own risk. Movies this well-made are hard to come by.
Full review ↗TRM 6.5
The camera work is complementing of its voyeuristic setting. This is one very well conceived movie. If you're sweating at the idea of a sexually charged movie that could offend you with its content, be rest assured that the visuals aren't as graphic, the movie never gets vulgar. In fact, this movie subliminally depicts it's provocative themes in the most tasteful manner. This is a must watch.
Full review ↗TRM 4.7
Performances by Neil Bhoopalam, Darshan Kumar and Deepti Naval are credible. None of them falter, not even a bit in convincing you about their characters. As for the film itself, it does not offer the same conviction. It has the trappings to sway the average Hindi movie buff, some might even see a ggreat leveller in it. But to the Hollywood regular this one's just another release.
Full review ↗TRM 6.8
... there's just one feature of this film that allows the viewer to sit through its agonizing two hours - Nana Patekar. The veteran actor pulls out all stops in action, dialogue delivery and even scenes of sparse comedy. But how long can even the most industrious captain sail a sinking ship? Ab Tak Chappan 2 goes down without a trace. Even Ram Gopal Varma's worst film has more cinematic nuance than this rookie mistake.
Full review ↗TRM 3.4
This film is based in the '90s, it even has a cameo by Kumar Sanu. And that treatment for this story is perfectly novel. A lot of thought and effort has been put into making this film. You'll appreciate the seamless intertwining of humour and drama. And acting performances that are phenomenal.
Full review ↗TRM 6.8
Qissa is a film about broken minds, social dysfunctions and alternate sexuality in pre-partition India. It has all the trappings of a great art film. But it's served with nonchalant experimentation. And that is where this fable falls short.
Full review ↗TRM 7.1
If it weren't for the performances of the two lead actors and the great story by Massimo Carlotto, Badlapur would've been average fare. But it's not. This is one heck of a thriller. The climax, that one final dialogue, where Huma Qureshi's character lays it down for Varun's character changes the entire context of the movie. These are moments that you'd usually associate with noir classics from Hollywood. Badlapur might just be our first little step towards making films that matter.
Full review ↗TRM 6.9
End of the day, this is a commercial Hindi film. It's as masala as it can be. Complete with half a dozen songs that are shot like kitschy and corny music videos. You have A-grade visuals, top notch make-up, a bevy of bad actors playing bad guys and Guruji eradicating evil with consummate ease. It all seems like a surreal Sunny Deol movie with a very obvious religious hangover. There's so much glitz, action and high drama in a movie about men having godlike ability. That's replete with the supernatural skill of being able to produce incandescent beam of light from your hands. The kind we usually associated with the deities. If all that doesn't entertain you, then so help you God.
Full review ↗TRM 1.6
Director Vikramjit Singh's ambitious first film had the potential but end of the day it turns into a tiresome affair. A tad too indulgent and too contrived.
Full review ↗TRM 4.1
Shamitabh is a film unlike any other. Its themes are dark and deep. Its observations are candid and funny. Like any good film, its a mixture of art and mart. Songs like Piddly si baatein and She sha sha mi mi entertain. And then there are wonderful reflections on the film world. In a scene Dhanush conveys to Akshara that the film they're making is too arty and not commercial enough. Same goes for Shamitabh. It's a wonderful idea, straight from the heart. But end of the day its not a crowd pleaser. It is though a moving argument to why we love a phenomenon called Amitabh Bachchan.
Full review ↗TRM 5.7
Decent writing, good performances and an overall well-made film. There's nothing to complain about the camera work or pacing of the film. But the one area where the movie suffers the most is its music. As far as popcorn entertainment goes, it's only about the feel-good quality. And on that note, there's absolutely nothing wrong with Dolly Ki Doli.
Full review ↗TRM 5.2
A comedy is supposed to make you laugh. If it does that in abundance, all other cinema sins can be forgiven. Even though CCF does well in the raising laughs department, its just not consistent enough. There's ample supply of craziness here. If only it were presented in a more aesthetic and artistic manner.
Full review ↗TRM 4.1
Inconsistent execution not withstanding, this funny little film actually serves up a few pleasant surprises.
Full review ↗TRM 4.2
To look for logic in a horror film is really a futile attempt. But when a story has umpteen dysfunctions it really becomes hard to invest any emotion into it. The only reason why Alone will work is for its erotic packaging. Those looking for a genuine scary movie will only get bad rehashes of scenes from The Conjuring and other popular Hollywood fare. But if you like Bipasha Basu, and you think Karan Singh Grover is hot, then this film will definitely not give you nightmares.
Full review ↗TRM 3.6
Tevar is all about the onscreen attitude of its leading man. Arjun's done a decent job, but sadly the director chose the most worn out story in cinema. If it's old and common it can't be too exciting.
Full review ↗TRM 4.6
The underlying sense of peril and the unrelenting tension grips you through a sweat breaking two hours. And when the climax of Ugly arrives you're dealt a killer blow. It's so dark and inconvenient that it'll wrench your gut. And yet, it's so simple that you'll hate yourself for not guessing. More so, you'll hate the characters for being so ignorant and misguided. Ugly is a film that draws the deepest and darkest behavior of men. This is how you make a great film.
Full review ↗TRM 7.2
Anurag Kashyap, his writers, his actors and his technicians have outdone themselves with Ugly. The underlying sense of peril and the unrelenting tension grips you through a sweat breaking two hours. And when the climax of Ugly arrives you're dealt a killer blow. It's so dark and inconvenient that it'll wrench your gut. And yet, it's so simple that you'll hate yourself for not guessing. More so, you'll hate the characters for being so ignorant and misguided. Ugly is a film that draws the deepest and darkest behavior of men. This is how you make a great film.
Full review ↗TRM 5.1
...with dodgy and inconsistent dialogue and repetitive visuals which look too similar to 3 Idiots and Lage Raho Munnabhai, PK doesn't quite match up to the mark. It's certainly not Hirani's best. But it is good enough to engage and entertain the majority of its audience.
Full review ↗TRM 7.4
A thousand likes to Masurkar for deviating from the norm and having the audacity to try something different. But, a story is the heart and soul of a film. And Sulemani Keeda falls short on that aspect by some margin. Clever writing and word play do save the scene. But then it could've been better.
Full review ↗TRM 6.0
Despite all its technical merits, the one most prominent feature of Action Jackson is its incoherence. Most of the film just doesn't make any sense. There are patches of brilliance. But none of that can save this goulash conceived from inconsistency and indecision. Prabhudheva is capable of much better.
Full review ↗TRM 2.6
Rampant use of clichés and skewered logic aside, the one single fact that murders any and all prospects of this film is its campy dialogue. Some of the lines force you to throw your head into your lap. The kitschy nature of these dialogues is beyond belief... End of the day, what could've been a thrilling and defiant movie, turns out to be such a listless affair.
Full review ↗TRM 4.8
Essentially, Happy Ending is a cheeky film with a run-of-the-mill urban romance at its centre. And it's the mediocre love story that spoils the mood.
Full review ↗TRM 5.3
End of the day, this is a classic case of could-have-been. KillDil had the potential. Sadly, the director could find singularity in his vision. It'll be a surprise if anyone remembers this movie in the days to come.
Full review ↗TRM 4.4
Despite all its thrills and brain teasing, Interstellar doesn't seem as exceptional as it tries to be. Last year, Gravity showed us what filmmaking craft can do to a simple tale of survival. Nolan's film is no less in its ambitious execution. But it never quite manages to deal that final blow. It's audacious, it's intriguing but it's also very convenient. Much like theoretical physics, it rationalizes it's subject to the point where it seems like it's real. Perhaps it takes its own assumptions a bit too seriously.
Full review ↗TRM 7.4
Director Kamal Sadanah has done a genuinely remarkable job at shooting this film. The camera work is at par with any big-budget Hollywood film. The cinematography showcases the flora and fauna of the Sundarbans on a grand scale. It also helps elevate the daffy tension in the narrative. The credits scenes show you how the chroma shots were converted into the final visuals. And that really is the big victory for this movie. The special effects are superlative.
Full review ↗TRM 4.0
Director David Ayer gives this motion picture his best shot. He tries to spruce up the action. He even sneaks in one or two great lines. Dialogue like 'Ideals are peaceful, history is violent' muster up enough steam. But all said and done, this authentically styled but not-so-new picture ends up at the mercy of its superstar lead. And if you like watching a film for Brad Pitt, this one's bang bang!
Full review ↗TRM 6.3
This film is shot artistically but it doesn't succeed in the craft of storytelling. It meanders along with fickle dialogue and long silences that just don't make sense. It's a classic case of superlative ambition foiled by bad writing and filmmaking.
Full review ↗TRM 4.5
Even though the nightcrawling is an alien thought to India. The theme of invasion of privacy is a universal truth. Even more relevant is the theme of opportunism. And if you thought crime doesn't pay, you've got another think coming. Nightcrawler is a slick, gritty and hard hitting thriller. Easily the best film in theatres in a long time.
Full review ↗TRM 7.5
A film like Happy New Year makes things easy for its audience. It's just as easy to dismiss it as it's easy to like it. The downright absence of logic and the immature humour could offend anyone. But watching grown men act like bumbling idiots has been a great idea of fun for time immemorial. End of the day, it all boils down to how you watch your film. If you like to have fun and you don't mind entertainment over cerebral arguments, Farah Khan's Happy New Year is worth your time.
Full review ↗TRM 5.4
Getting a ticket to a Jigariyaa show that hasn't been cancelled in a multiplex should be a challenge. And that should be considered a statutory warning.
Full review ↗TRM 4.8
Ekkees Toppon Ki Salaami isn't the worst film ever made. It's got its moments. But when it comes to cinematic quality it has no leg to stand on. It's just too erratic to merit any credibility.
Full review ↗TRM 5.8
Bad execution aside, if you're going to watch Bang Bang! do so with an open mind. And watch it for the most beautiful couple in b-town Hrithik Roshan and Katrina Kaif. The heavenly panoramas of Himachal Pradesh pale in comparison. That alone should be worth the price of an admission ticket.
Full review ↗TRM 4.3
Haider doesn't have an ounce of the commercial thrills and spills that entertain the 100-crore masses. But it does have an undeniable dramatic punch. It is one of the best stories you'll every watch on celluloid. Give this edgy film a chance to entertain you. Because it will do so with aplomb. It's certainly better than the other chutzpah out there.
Full review ↗TRM 7.1
Chaarfutiya Chhokre is a lost cause. It's intentions are pure but it's method is embarrassing and dull. Sad to say but it is a terribly tedious movie.
Full review ↗TRM 3.9
If you plan on watching this lackluster movie, make sure you're either a fan of Shaan or Mika. If not, you might just find yourself staring at empty seats and planning your order in the interval.
Full review ↗TRM 4.5
Even the spicy and spirited performances by Parineeti and Aditya fail to satiate one's appetite for real drama. Even Sajid Wajid's tasteful music goes to sheer waste. This could've been a real seven-course fiesta but the misguided vision and thanda drama reduce this feature film to side dish status. Nothing wrong in it technically. A side dish can be the perfect complement to a good meal. But it can never be a stomach full. No matter how much you stuff yourself with it.
Full review ↗TRM 5.0
It's definitely not as good as the original. But it's perfectly in tune with the times.
Full review ↗TRM 5.5
Do yourself a favour and do not commit the sin of watching this movie at a theatre. Just wait till the DVD release or a legal download near you.
Full review ↗TRM 5.8
If you're in India, do not waste time with other big ticket releases playing in theatres right now. Go watch this wonderfully executed and delightfully funny crime caper comedy. The characters will engage you, the story will surprise you and the dialogue will make you laugh out loud. Go criminally good time.
Full review ↗TRM 5.8
For the average multiplex viewer Mary Kom could be a wry affair. No songs, no action, sparse boxing scenes... but there is the occasional punchy dialogue and PC's heroics. Might not be the bout everyone's looking for. But hats off to MC Mary Kom. If anyone deserved a special place in celluloid it's this awesome champion.
Full review ↗TRM 6.1
You can watch Mardaani for all the wrong reasons and feel underwhelmed. Don't watch it for Rani Mukerji trying to be a Salman Khan. She's not. Don't watch it for true grit or precise realism; this is still a dialogue driven entertainer. Don't watch it for song and dance, there isn't any. Watch it for thrills; watch it with a pro-feminist stance. And you could find the right perspective.
Full review ↗TRM 5.8
Rohit Shetty has latched on to the craft of filmmaking and given us a great entertainer. The climax of the film is never-seen-before. It's good to see a young filmmaker trying to innovate and make films as much with the head as with the heart. For once a film deserves to be a blockbuster.
Full review ↗TRM 5.3
Having the indelible Meryl Streep and the charming Jeff Bridges together in a movie sounds like a casting coup. But even their best talents can't thaw out the deeply refrigerated treatment. The characters, their situations and their emotions are ice cold. You never feel the much required spike of passion. It just flat lines into an open ending. The young and spirited would just say, WTF.
Full review ↗TRM 5.5
If you like a banal story with bad acting, Hercules should be right up your alley. If you have no such kinks, you might find actual entertainment, moving with the times at 22 Jump Street.
Full review ↗TRM 5.1
Good parodies are the ones that make most of their tongue-in-cheek flavour. Add too much slapstick and it only gets more annoying. That's entertainment. It treads a thin line. And in our industry it's a habit to fall off the line, too often, too easy.
Full review ↗TRM 4.0
Wes Anderson continues his tryst with quirky storytelling. If you liked Moonrise Kingdom, you'll love The Grand Budapest Hotel. It's like a slice of Mille fuille (better known as the Napoleon pastry). Elegantly decorated, deliciously crusty and delightfully creamy. Savour every bite.
Full review ↗TRM 7.6
End of the day, all critique becomes redundant when the film manages to entertain you. But it's here that Lucy finds its Achilles' heel. It intrigues you for a while, but then like any illusion you're brain kicks into 10 per cent and looks through the con.
Full review ↗TRM 5.3
Salman's character takes every risk imaginable because he is searching for a kick. An adrenaline rush. Eventually he finds it through a humanitarian cause which adds the proverbial golden-hearted touch to proceedings. The director makes sure he serves everything required to make a Salman Khan fan happy.
Full review ↗TRM 5.5
By the end, Hate Story 2 becomes so random you can hardly make sense of it. Yes art can be ambiguous. But when it's stupid, it's not art at all.
Full review ↗TRM 4.2
Tongue firmly in cheek, Amit Sahni's list makes Mills & Boon seem like Shakespeare. But despite all its clichéd strengths this film got made and even found a few dozen time slots at the popular multiplex near your house. So if you're bored of the 5000th episode of your favourite TV soap. Go give Virr Das a chance. He's trying hard to break the comedian image and find a niche with the romantic crowd. Who knows, perhaps after you spend a thousand rupees watching this film, you might get the joke.
Full review ↗TRM 5.2
If you think Pizza 3D is a run-of-the-mill horror flick, think again. The horror is just the tip of a chilly but surprising ice berg. It's more intelligent than your average Hindi film. The way it pans out and the artful way in which it is presented deserve a standing applause. Finally, the young brigade catch up to Hollywood. James Wan beware. Writer/director Karthik Subbaraj (writer of this film and director of the Tamil original) and director Akshay Akkineni know their horror.
Full review ↗TRM 4.7
Bobby Jasoos is fun-filled entertainment. It suffers a bit with shoddy execution and writing. But it's nothing an expert like Vidya can't handle.
Full review ↗TRM 5.3
Juvenile humour and racist remarks aside (which Humshakals has plentiful) this film assumes watching mentally unstable people and their loony behavior is entertainment. If it were, mental asylums would charge a price of admission. But Sajid Khan chooses to ignore any such argument. Because everything's possible in slapstick.
Full review ↗TRM 2.5
For the uninitiated, the term Fugly was born online. It's a witty of the f word and ugly. Put together they denote something more than just not-pretty, something that is repulsive. But the word has a zestful pun. It's almost always used with a fun connotation. To use it to describe real scenarios and life-altering themes is to perhaps employ mix metaphors.
Full review ↗TRM 3.4
It's seldom that we make introspective films laced with dark humour. It's great to find such superlative effort from first time filmmaker. We need to invest in such cinema as it's important that young filmmakers shouldn't lose faith in their vision. Go watch the film to understand the futility of Partition and to laugh at our obsession with cinema. And yes, to support good filmmaking as well...
Full review ↗TRM 7.2
Like most Indian masala movies, Holiday tastes best with a generous few pinches of salt. Akshay Kumar's face looks too old to be a young army captain. But the way he jumps over cars and navigates down building faces is a feat even the fittest 20-year-olds can only dream of. He is the soul of this film. He makes it fun. He gives you your money's worth. End of the day, that's all that matters.
Full review ↗TRM 5.1
It's a barren canvas of Mumbai's underbelly and poverty and corruption. Things we've seen a thousand times before. Only this time they're show in softer focus, more artful lighting. That's the thing about lights. They can create a wonderful optical illusion. But it only lasts till you get up close and realise there's nothing there.
Full review ↗TRM 6.8
You have the enviable cast, the powerful premise and yet the end result isn't as spectacular as it should've been. You can't have everything.
Full review ↗TRM 6.6
The Xposé has exposed a sad truth from our film industry. We have the ability to make really bad movies.
Full review ↗TRM 3.9
You've got a film about a giant mutated lizard walking on twos and supposedly this biped super reptilian is to fight EMP firing monsters to save the day for humanity. A film with that story can't take itself so seriously.
Full review ↗TRM 6.4
All said and done, Hawaa Hawaai is a feature film. It isn't the tautest piece of artistic cinema ever made. In fact, at times, its emotion heavy scenes seem a little too scripted. But you can't deny the fact that this film has a solid heart of gold.
Full review ↗TRM 6.7
The direction, editing and production values are all dismal. And the less you talk about the performances the better. The only thing worth mention is young Yoshika Verma's porcelain looks. And if so little is the saving grace of a movie, then this is a certified lost cause. Don't be a bakra. Save your time and money, and go get yourself some mutton and biryani.
Full review ↗TRM 5.0
There's a brief period in the second half where Vir Das is getting married on the loop to different women and it's truly hilarious. Pity then that the rest of the film is so bipolar in nature. Had Sai Kabir maintained the same vein of rhetoric throughout the film, this would've been a memorable adult, action comedy. Ironically it isn't.
Full review ↗TRM 5.6
At two hours and twenty minutes, Kaanchi feels like a gruelling cinematic ride. You're teased with A-list shot taking and composition and but served an amateur narrative and story. It just doesn't have the magic of a Subhash Ghai film. Legends don't make average fare.
Full review ↗TRM 4.1
Don't mistake Fandry for a commercial film. Yes it has its moments of crowd pleasing appeal when a family desperately chases pigs around the village. But you know the comedy is going to give way to a much darker end. This is art cinema at its best. There's a visceral punch right at the end. And long after you leave the movie theatre, it compels you to think of the irony. And the more you think, the more you feel troubled at the grim conclusion of a fantasy tale. This is easily one of the best films of 2014.
Full review ↗TRM 7.6
Watch Bhoothnath Returns for the masterful performances by Parth, Boman Irani and Amitabh Bachchan. Mr Bachchan particularly shows you why he is still leagues ahead of any contemporary star, actor or performer. And then there are sprightly cameos by Shah Rukh Khan and Ranbir Kapoor to further add to experience. Despite all its imperfections Bhoothnath Returns is a film worth cheering for. It definitely deserves your vote.
Full review ↗TRM 5.8
The reason a lot of people will watch Ragini MMS 2 is thanks to the still growing popularity of the songs, Baby Doll and Chaar botal vodka. The total package – the songs, Sunny Leone erotica and the in-your-face scares – is good for an average horror flick. But there's absolutely no sense to story or treatment. This is what you call a certified Hollywood knock off.
Full review ↗TRM 4.4
Us Indians put too much emphasis on religion and social stigma. And in doing so, we all let go of a certain spirit required to uplift life. That's what Raje Bhauji does in Aankhon Dekhi. He breaks free. The detachment makes him look like an odd ball, but it also gives him the happy-go-lucky nature, the sense of impulse that is needed to spice one's life.
Full review ↗TRM 6.7
Had the same film been made with lesser actors, it would've been another forgettable rom com. But Farhan and Vidya save this film from mediocrity. There's no catchy music, there's very little to hold your interest in terms of story and/or creative concept. There is some meaty dialogue though. And that helps supporting actors like Ram Kapoor, Ila Arun and Vir Das help bring home the bacon.
Full review ↗TRM 5.6
At 20, it's surprising how Alia has got so many deft nuances right. It's as if the actor has grown with the character. She is truly one of the most promising new actors in Hindi films. All said and done, films like Highway aren't just watched they are felt.
Full review ↗TRM 6.3
Gunday is an action film. Naturally it has a certain element of frivolity. But it could've been more. The scenes needed more gravitas. The telling of the tale needed more spirit. When Bala's and Bikram's worlds collide the proceedings become dramatic. But the drama is all mechanical and not emotional enough. It needed to stop and allow the audience to empathise with the protagonists.
Full review ↗TRM 4.9+0.1
There are a few saving graces like Sameer Arya's camera work and Shankar Ehsan Loy's compositions in numbers like Khushfehmiyan and Kaboom. But there's no way the story or its dismal execution is going to impress anyone. Forget one by two; you wouldn't digest a sip of this amateur concoction.
Full review ↗TRM 3.5
...quite a colourful montage of cinematic gems. Dedh Ishqiya is a taut film. It's a worthy comeback for Madhuri Dixit Nene. It's a great start to the movie calendar year.
Full review ↗TRM 7.4
Aamir though manages to instil some faith in even this empty vessel. Had this been any other Khan or B-town heartthrob you could accept Dhoom 3 as a run-of-the-mill entertainer. But we're talking here about an actor, filmmaker and genius who sets the benchmark for perfection. Sadly Dhoom 3's lack of depth is a bonafide disappointment.
Full review ↗TRM 6.0
Inspired by real-life events. That statement creates a certain blanket effect for a film. Saving it from its own loop holes, because the viewers' mind keeps harking back to the thought that 'this really happened'. Special 26 benefits from that statement immensely. On the strength of its actors' performances and filmmaking technique this film rises above its many narrative loop holes to give you a fairly entertaining experience.
Full review ↗TRM 6.7
Films like GTPM are best enjoyed without the expectation of cinematic excellence. Nine out of ten developments in the narrative bypass logic. There are songs nineteen to the dozen. Great actors like Anupam Kher feature in run-of-the-mill funny bad guy roles. You might even be cheeky and say this movie is a frivolous little romance with the idea of filmmaking. But the bottom line is that it works. And you don't need reasons to smile.
Full review ↗TRM 4.7
...is an illogical love tale dressed up in opulence. A classic case of looks can be deceptive.
Full review ↗TRM 6.4
It's a hint at alternate couple partnerships like live-ins. Of how the youth just doesn't want to conform to wedding, settling down etc. And that's why SDR works. It plays out part fantasy and part reality. And it does so with the right amount of repartee.
Full review ↗TRM 6.2−0.2
Any attempt to intellectualise Chennai Express is futile. This film is unabashedly juvenile in its sense of humour and entertainment. Shah Rukh Khan is in full-on self deprecation mode. Deepika Padukone speaks in a caricature-ish Tamil accent. More than half the film's dialogue is in Tamil. The story arc is so simple that you can fit it in a single tweet. Despite all its shortcomings, this is still a funny film. Rohit Shetty makes chettinad-style masala movies. And that's the perfect description of this film.
Full review ↗TRM 5.3
. It's brutally honest in telling a great sporting story. Watch this film to realise greatness doesn't lie in winning but in picking up the gauntlet. Taking a challenge. Working hard. That is true inspiration.
Full review ↗TRM 6.6+1.4
Lootera is a must watch. It's cinematic art. We should make more movies like this.
Full review ↗TRM 7.1+0.9
But all said and done, if the climax of Raanjhanaa doesn't sway your emotions you haven't been in love. Grab a ticket, clutch the hand of your loved one and go fall in love. This time with great cinema.
Full review ↗TRM 6.5+1.5
It's not so much the idea of Fukrey that impresses. Instead it's all that goes into executing that thought that works magic. It adds a nice tadka with its Punjabi slang. And as the Punjabis would say chak de phatte!
Full review ↗TRM 5.7+2.3
The plot developments in YPD2 are as wonky and hare-brained as you've seen in any recent run-of-the-mill comedy. You're better off disassociating any hope of logic. Just believe that movies were never meant to have legitimate reason in the story.
Full review ↗TRM 4.4−0.4
YJHD is a well-packaged 'okay' film and it becomes a 'good' film thanks to the acting efforts of Kalki Koechlin, Aditya Roy Kapur, Deepika and of course, Ranbir.
Full review ↗TRM 5.9+2.1
SBAGR focuses on the obsessions and passions of the Royal families in UP. And it does a fantastic job of capturing the essence of that vanity of that overt machismo.
Full review ↗TRM 6.5+1.5
Bombay Talkies plays out dreams in four separate films. Each film is a mirror to a different reality of Mumbai. Each film is a reflection of different memories of Bombay.
Full review ↗TRM 6.7−0.7
Sadly, Aurangzeb isn't the bad movie that's so bad it becomes good. It's an average gangster movie that packs low on action ammunition and high on predictable double crosses and character developments.
Full review ↗TRM 5.5+0.5
This coming-of-age teen comedy is the cutest film you'll watch this year. You'd want to do pinch the cheeks of the person sitting next to you.
Full review ↗TRM 5.5+0.5
What saves the film's cause is stellar art direction that captures the parched and hostile environs of rural India to the T. And then there are the actors. They are pillars of Jha's storytelling effort. Manoj Bajpayee is able in his role. So are Esha Gupta, Om Puri and Anjali Patil. But the show belongs to Arjun Rampal and Abhay Deol. Abhay fits into his eccentric and edgy character with ease. And even though Arjun looks a little too polished to play a hard boiled cop he manages a restrained and commendable performance.
Full review ↗TRM 6.0+2.0
At a gracious 3 hours runtime, JTHJ feels like an epic love story. And it is just that. JTHJ is the perfect adieu to a hallmark career. It is the best romantic film made in this generation.
Full review ↗TRM 6.5+1.5
So it all boils down to the final word. Do you watch it or not? Of course you do. Just make sure silliness in films doesn't offend you. If you like parodies and light-hearted romances Ajab Gazabb Love has all the trappings to make you feel happy.
Full review ↗TRM 4.2−0.2
But of course like the film you have to keep going back to Paresh Rawal. It is his performance that drives this film. The dialogue by Bhavesh Mandalia and Umesh Shukla acts as an able side kick. But it's Rawal's Kanji bhai who is the superhero of not just the film but of the many Indians who feel an incorrigible need to vent their frustrations of social and religious dysfunction plaguing our country.
Full review ↗TRM 5.9+2.1
Barfi! is that rare film that can make you smile and make you cry in the same scene. Its technical brilliance is only outdone by its emotional complexity and depth. Pritam's music adds a nice silent-era charm to this already fantastic story, making it an occasion when words simply aren't enough.
Full review ↗TRM 7.0+1.0
