• What ‘Parmanu’ lacks in detail and authenticity, it makes up with emotions and a sense of national pride. The narrative isn’t explosive but it does have the dramatic moments to keep the viewer engaged. Thrills, suspense, drama, a little bit of humour, as well as a solid comment on India’s soldiers – this movie, largely has all the tricks to please even a discerning audience.

  • Films like ‘102 Not Out’ are best enjoyed with the family. The ease with which the film portrays the bittersweet relationship between its characters is fantastic. Such films are like soft serve ice cream on a sparkly Sunday afternoon. They make you happy. There are parts in the film where emotions run high, but it’s never too overbearing. It’s just a happy and healthy entertainer that tells you that living in the moment and making the most of everyday of your life is all that matters. And age of course, as they say, is just a number.

  • The director has not invested much screentime into how Omar plans his complex actions or what drove him to such abhorrence. So while Mehta gets the mood right, and Rajkummar works wonders with his limited material, ‘Omerta’ fails to stir you emotionally.

  • Prabhudheva as the entity is scary at first. But there are times when his piercing cries get a little too much and are rendered ineffective. The way how the filmmaker has tried to tie-up corporate disasters to the film’s story is commendable, but he also tries a lot to simplify the story which gets in the way of the scary parts considering the film only runs for 108 minutes. However, as thrillers go, this is one of the better ones that we have seen this year.

  • Despite the pastiche form, director Brad Peyton still manages to make this mindless-action fiesta a fun ride. His film isn’t the smartest movie ever made, but it does serve up some cool fan boys moments. The camaraderie between the gorilla and Dwayne Johnson is cool brings in an element of humour to this otherwise generic end-of-the-world movie. This one’s definitely worth a one-time watch.

  • The plot of Blackmail is its hero and it manages to strike a good balance between dark and funny. Characters are bumped off, sometimes in most gory detail and strange events unfold, but the film never loses its vein of easy, black humour. This is one of the most wickedly funny films that we’ve seen in a long time.

  • Hichki had the potential to be more than just a classroom saga. It does touch upon Naina’s personal struggles and her conflicted relationship with her father. But it could’ve explored these aspects a lot more. For all its shortcomings, the movie still has plenty of freshness, insights and emotional intelligence. It can make you nostalgic about your school days and remind you of your favourite teacher. This one definitely deserves good grades.

  • Director Raj Kumar Gupta handles the film well. The last 10 minutes seem a little fleeting, but that’s a minor grouse. The music by Amit Trivedi and Tanishk Bagchi isn’t consistent either. But Raid is a film that caters to public sentiment against black money and corruption. All in all, this one’s right on the money.

  • 7 Days In Entebbe has some interesting moments from the past featuring ex-Israel PM Benjamin Netanyahu and his elder brother Yoni Netanyahu. For those who follow world politics and the Middle-East closely, this film offers compelling insights with strong artistic sensibilities.

  • Without the policing and the comprises, Padmavati would’ve been a lot better film. But Padmaavat isn’t anything less. This film is rich in detail, still tells a compelling story with grit and gumption. Sure, the verdict over the jauhar bit will always be open, but the build up to that moment is all class. For a film that doesn’t have a surprise for its ending, Padmaavat still manages to create a lot of thrill. It’s a must watch!

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