Shanghai is consistently watchable despite these lapses. I’m going with three-and-a-half out of five for Dibakar Banerjee’s ‘Shanghai’. It’s a good film from one of Hindi cinema’s most exciting filmmakers, just not great.

The premise is a familiar one: a small-time crook, Shiva (Akshay Kumar), feels obliged to step into the shoes of his doppelganger, a lookalike cop named Vikram Rathore, when the fearless officer dies trying to rescue a village from its despotic gang-lord.

The film is not without its weaknesses – some characters, like that of the scheming Shakuni mama, are too caricaturish and could have done with a more subtle touch, while the Pandavas’ exile portion feels overly stretched and dull. For the most part, the movie works when it concentrates on its protagonist and his evil cousin Duryodhan.

Just shy of two hours and thirty minutes, ‘Department’ is tedious and boring and doesn’t have any of the originality of ‘Satya’ and ‘Company’, or even the occasional tension of ‘Sarkar’. Dutt delivers his lines like he’s reading out the phone book, and Bachchan hams it up no end as the gangster-turned-minister. It’s only Rana Dagubatti who approaches the film with any earnestness whatsoever.

‘Ishaqzaade’ benefits considerably from Amit Trivedi’s excellent soundtrack and Hemant Chaturvedi’s sharp cinematography. Faisal creates a believable world with charming characters, and his leads have crackling chemistry. I’m going with two-and-a-half out of five for director Habib Faisal’s ‘Ishaqzaade’. It’s far from perfect, but you won’t be bored.

Ambitious but seriously flawed, the film smacks of laziness in virtually all departments, and even Karisma Kapoor’s earnest performance can’t save the day. I’m going with one-and-a-half out of five for director Vikram Bhatt’s ‘Dangerous Ishq’. Plodding on for close to two hours and thirty minutes, this film will make you wish you’d knocked back a stiff one before taking your seat.

In the end, Fatso never exploits its full potential, and opts for a far-too-convenient resolution. I’m going with two out of five for director Rajat Kapoor’s Fatso. Enjoyable only in bits.

Jannat 2 isn’t all bad; in fact there are portions that are eminently watchable. Hashmi and Hooda play off nicely against each other, and their scenes together are particularly strong, occasionally laced with humor. The film also has at least two thrilling foot chase scenes, including one in the first half between two sets of cops and criminals that’s almost comical. The second chase, filmed in the crowded lanes of a dargah has an urgent breathless feel to it.

If Wasseypur II has one fatal flaw, it’s the indulgence of its director, so in love with his baby that he doesn’t stop introducing pointless subplots and characters until the very end. Where the earlier film benefitted from the delicious machinations of its players and an overall sense of intrigue, the sequel never goes beyond a typical vendetta story.

Bolstered by its riveting performances and its thrilling plot dynamics, this is a gripping film that seizes your full attention. I’m going with three-and-a-half out of five for Anurag Kashyap’s Gangs of Wasseypur. Despite its occasionally indulgent narrative, this bullet-ridden saga is worthy of a repeat viewing, if only to catch all its nuances. Don’t miss it.