Joker unfolds briskly and predictably. Alas, just as you’re confronted with an unpredictable twist in the tale, the film comes to a screeching halt. Once again, an opportunity wasted.

It’s a good thing the film’s merits far outnumber its flaws. Beneath its cheeky wit and some of those slapstick gags, Shirin Farhad subtly touches upon issues like pride in one’s profession, embracing one’s physicality, and no expiry date on love. Bela steers clear of caricaturing the Parsi community, at best allowing Parsi characters themselves to take affectionate jibes at each others’ tics.

Despite its obvious flaws, ‘Ek Tha Tiger’ is far from unwatchable. It’s a welcome change from the harebrained films we’ve seen Salman Khan in lately, and for what it’s worth he’s playing a character and not himself for a change. The question you have to ask is – Is that enough?

Unlike the earlier Jism that Pooja Bhatt produced but didn’t direct, this sequel has little of consequence to say about relationships based on lust. The previous film was a well-acted, adult thriller that had rare sexual frankness. In comparison, Jism 2 feels hollow and exploitative…a film in search of a story. Despite some terrific music and Pooja Bhatt’s neat production design, it’s let down by laughable dialogue and a pace slower than my 90-year-old grandmother on a race track.

Unfortunately these are only a few shining moments in what is otherwise a crass, unfunny film. The comedy here is puerile, and likely to be enjoyed strictly by teenagers who’ve never watched ‘American Pie’.
I’m going with one-and-a-half out of five for ‘Kyaa Super Kool Hain Hum’. It’s not that the humor’s adult that is the issue here, it’s that it doesn’t make you laugh!

With the right ingredients in the right proportions, this might have made for a smooth concoction. But Cocktail is a mostly flat romance; one that could’ve done with more heart.

Bol Bachchan offers a few genuine laughs, but it’s too long and too labored to describe as a pleasing film. Shetty, who came up with some clever comic sketches particularly in his first and third Golmaal films, appears to be cashing in on past glory with this dull rehash of his successful work.

The film is a blur of plans being hatched, accomplices switching sides, and information being compromised. But it’s hard to stay awake when it’s all unfolding so slowly… Many bullets are showered in the film’s climatic confrontation at a railway bridge, but by then you’re counting down to the end credits.

Teri Meri Kahaani doesn’t work despite potential in the premise. It feels soulless and superficial, and is unlikely to find many fans.

Like the Munnabhai movies and 3 Idiots with which it shares its DNA, Ferrari Ki Sawaari is a well-intentioned film with its heart positioned firmly in the right place. And yet, this simple-minded tale about an ordinary family chasing an extraordinary dream never quite soars.I’m going with two-and-a-half out of five for director Rajesh Mapuskar’s Ferrari Ki Sawaari. A little shorter, a little more subtle, this one could’ve zoomed.