Like WoIff, if you as intrigued by incongruity and inconsistencies in people’s behaviour, you will love this wonderfully made thriller, that unfolds like an enchanting fictional puzzle.

Beiimaan Love is a master-class in anger management. You sit through it and the world will be at your feet.
I thought Great Grand Masti was the worst film this year. What a great competition it has in Beiimaan Love!

This 135-minute Shakespearean drama is visually impressive, but lacks the essence of a heart wrenching love-story. It’s a period drama trying hard to be a musical. And music? Probably the best in last couple of years.

Our heroes are generally virtuous, but a biopic also needs objectivity. The director has silver-wrapped the facts that are mostly known.
But, you have to give to Pandey to keep it intriguing enough for you to get hooked throughout the three hours. Unquestionably entertaining. Also, it’s the role of a lifetime for Sushant, and he has aced it.

It’s a film by someone who can see Mumbai with indigenous eyes. Scratch the filters and it’s as raw as it always was.
Show patience in the second half, and it may work for you. There’s a lot to like in Banjo.

Raaz Reboot is a tough watch for close to 140 minutes. Great songs, but not enough to pull it out of the spirit’s grip.

Pink shows what meticulous planning can do to a film. And, of course, Amitabh Bachchan’s enigmatic persona will guide you through the darkness. Not to be missed at all.

Baar Baar Dekho is hardly even a bird’s eye view of the new generation’s choices and desires. Its philosophy lacks strength and gloss takes the centre stage right from the beginning.
But, if you stop taking it seriously then it may provide you some happy moments in exchange. After all, who doesn’t like a big, fat Punjabi wedding!

Island City is well paced, nuanced and to the point. Watch it for the sake of good cinema.

Akira isn’t an out and out action film. In fact, the makers are too concerned about making it look like a family drama. Lacklustre supporting cast and depthless writing make it even duller.
Despite some shots of acid attack survivors and specially-abled children, Akira fails to evoke any solid emotion.