• Bang Bang is one such film, where the lead actor looks engrossed and too careful about creating a brand image. He believes whatever he is doing is going to be applauded by the audience.

    It’s also like that biscuit ad where everybody is running after a truck. The actors look perplexed but the brand somehow remains in the memory. The postcard images and toned physiques may help the audience in brand recall, but without any value.

  • Daawat-e-ishq is not a film to miss this weekend. For me, Aditya Roy Kapoor is the show-stealer in DEI. A delicious watch.

  • Watch Creature 3D only if you can’t sleep without watching a monster movie. Creature 3D gets one for the film, and 0.5 extra for the VFX.

  • …is made for whistles and some quick money…Everything said and done, it’s good to see a mainstream Hindi film with a protagonist from the North-East, that too a woman, a champion though.

  • Mardaani’s philosophy and message are conveyed to some extent. It may be liked due to its women oriented theme, but I don’t think it would give any impetus to the process of women empowerment. Watch it if you have been a Rani fan, but don’t look for any depth in the story.

  • Trust me, it’s just fine if you don’t understand it, but don’t even think of skipping this film which has acquired the cult status even without hitting the screens ever. Kamal Swaroop can be anything from a wayward wanderer to a genius, but he has made ‘Om Dar B Dar’ an altogether distinct ‘experience’. You are not allowed to miss this film.

  • The film lacks a strong conflict line. The whole racial thing in Australia emerges as the most touching part of ‘Yaariyan’.

  • ‘Chor Chor Super Chor’ is an intelligent film which has all the ingredients of a sleeper hit. It’s a fantastic watch this weekend for its quirky narrative. You can pick ‘Chor Chor Super Chor’ for its jovial moments.

  • A song in the film goes like, ‘Munna stud hai, aisi smile hai, jhappi dene ka public ka karta mood hai.’ Well, not exactly.

  • Overall, ‘Aurangzeb’ is a fun thriller with a racy first half and a dragged climax. It’s not devoid of any essential ingredient of a ‘masala’ film and you can watch it for depicting the dark underbelly of the illegal land deals.

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