While the first half is breezy and super fun, the second half could have been a tad shorter; we spend too much time on the foreplay to the climax. All-in-all Dhawan’s ‘Main Tera Hero’ manages to deliver on the entertainment quotient.

Vikas Bahl deserves applause for steering clear of melodrama and sparing us long monologues. I guess he was right to be satisfied with this film; there is really no need to change a single frame.

The complete lack of conviction translates on screen as a story that is half-baked and tepid at best.

It breaks your heart when you hear the sound of the gun pierce the tranquil and peace of the surrounding. You almost hear a silent tear roll down as we watch with bated breath.

This Imtiaz Ali film deserves not just loud applause but a standing ovation.

Despite its flaws, the various elements in ‘Gunday’ somehow come together and bring you a watchable film.

The screenplay could have been tighter and the film could have easily been 30 minutes shorter. It’s not an unusual love story, it is the quirky Meeta and some beautiful moments that make ‘Hasee Toh Phasee’ work.

Abhishek Chaubey’s ‘Dedh Ishqiya’ is entertaining, intriguing and humourous. He sure knows how to tell a gripping story peppered with generous doses of wit.

‘Dhoom 3’ is big on style and completely delivers on the entertainment quotient. The fact that it comes at a cost of suspension of logic at times, I guess is a given. What rankles is that a film with Aamir Khan is expected to have some kind of coherence to rationale.

…not completely unwatchable but we have come to expect a certain class from Tigmanshu Dhulia and it is sad to see him sacrifice that in a bid to make a commercially viable film.

…is visually spectacular but the love story makes little impression.