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Badlapur backdrop

Badlapur

20 February 2015Hindi2h 15m
out of 10
Recommendedmost critics liked it
Monk Score · 32 scored reviews · 10 not rated

Dark revenge thriller, elevated by Nawazuddin and Varun Dhawan.

Verdict tier Recommended, most critics liked it, on a scale of Unfavorable, Mixed, Recommended, Exceptional.

  • Praised: Nawazuddin and Varun Dhawan performances
  • Criticised: Uneven pace and misogynistic treatment

Audience

User score 7.4 out of 10 from 49 ratings, Recommended
Read 13 audience reviews ↓

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Critic consensus

What 38 critics are saying

Badlapur received broadly positive notices, with critics praising it as a compelling and uncommonly dark entry in the Bollywood revenge thriller genre. The performances of Nawazuddin Siddiqui and Varun Dhawan were near-universally singled out for acclaim, and director Sriram Raghavan was widely credited for a return to form after Agent Vinod. The most common criticisms centred on an uneven pace — particularly a sagging second half — plot contrivances, and what several critics identified as a misogynistic treatment of female characters. A minority of reviewers felt the film did not fully deliver on its thematic ambitions around forgiveness and the nature of revenge.

How the 32 scores spread

10 not-rated reviews aren't plotted

Positive / mixed / negative reviews

Positive = 6.5/10 and up · negative = below 5/10

AI-generated summary of 38 critic reviews · may contain errors

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From the papers

Critic reviews (42)

Top critics first, then by score · not-rated last · updated

  1. Top critic

    Rediff

    Film review ·

    As the curtain falls on Badlapur, any argument on rightness feels both moot and muddy. This is a noir world, its aftertaste like chocolate with 85% cocoa, and the answer is deceptively simple: Who gets right of way? The one in a greater hurry.
  2. Top critic

    Hindustan Times

    Film review ·

    The supporting players — from Huma to Kumud Mishra — are terrific. But ultimately, Badlapur rests on the towering talent of Nawazuddin.
  3. Top critic

    IBNLive

    Film review ·

    Despite all its strengths, 'Badlapur' isn't a perfect film. The pace slackens post-intermission, plot contrivances are many, and you might say the film is misogynistic in its treatment of women. These are relatively small problems in the larger picture, though. For the most part, the film keeps you on your toes, curious to see where its twists and turns will lead.
  4. Top critic

    NDTV

    Film review ·

    Badlapur might not be in the Ek Hasina Thi and Johnny Gaddar league, but it is a happy sign that Sriram Raghavan has left Agent Vinod behind.
  5. Top critic

    Indian Express

    Film review ·

    'Badlapur' takes a stab at an underlying theme which runs parallel to the revenge motif: can forgiveness, even for the most heinous of crimes, come with time; and, as a corollary, what, after all, is revenge? But the film doesn't explore these fundamental questions with the kind of depth it could have. What is left is a bunch of jugular-grabbing explosive scenes, which make you sigh for the film this could have been. It should have left us scorched; it doesn't​. For me, 'Johnny Gaddar' is still the film Raghavan has to scale.
  6. Top critic

    Firstpost

    Film review ·

    The question of comparison to Ek Haseena Thi and Johnny Gaddaar is irrelevant. Badlapur is the kind of film we need more of, and also the kind of film that you need to see. It's in theaters now, so if you want to see a change in the quality of Bollywood products, buy a ticket or two.
  7. Yahoo

    Film review ·

    Watch Badlapur. Yes, it is disturbing, but it is by far the best revenge saga I have seen in a long time.
  8. Gulf News

    Film review ·

    ...this is no mindless gore-fest, as the director and actors do a good job of drawing you into their heads — no matter how warped or twisted.
  9. India Glitz

    Film review ·

    'Badlapur' is Raghavan's classic modern revenge noir triggered by a career redefining breakthrough performances by Varun Dhawan and Nawaz's class act. A must for the patrons of noir, dark, gritty and quality cinema.
  10. Mid-Day

    Film review ·

    What you mainly take away from this movie is its core; a story that tells us that most often the situation is the villain. And, perhaps, each of us is capable of turning a criminal when faced with an extreme situation.
  11. Sify

    Film review ·

    The film is mainly recommended for Nawazuddin Siddiqui's class act as the impudent criminal. Other than that, the film has some solid, immersing moments and an equal number that are misogynistic and repulsive.
  12. The Navhind Times

    Film review ·

    From the director who made Johnny Gaddar (2007) one of the greatest thrillers ever in the history of cinema, Badlapur is a return to form for Sriram Raghavan, after the disappointing Agent Vinod. Raghvan's forte is engaging the audience with the proceedings, the way he has crafted the characters and added twists and turns to the story, it could easily go on for another couple of hours and you would still be engrossed with his story telling.
  13. Times Of India

    Film review ·

    Brisk and absorbing, concluding differently than expected, Badlapur is an inspired film that dangerously attempts to change the landscape of the thriller genre in Bollywood.
  14. APotpourriOfVestiges

    Film review ·

    Badlapur is part psychological thriller, part character study that entertains while simultaneously making the viewer think. While the movie has several spine-chilling sequences (some harking back to the works of Alfred Hitchcock), there are also some light moments that provide some respite from the ever brewing tension.
  15. Bollyspice

    Film review ·

    Badlapur is a must-watch film, one of the first films in 2015 that managed to live up to expectations. Good performances in an intense story directed by an accomplished director.
  16. Bollywood Hungama

    Film review ·

    BADLAPUR offers you cinematic excellence with a rider that there's violence and gore, which may not be everyone's cup of bitter coffee. You shall be treated to truly unforgettable performances by Nawazuddin and Varun Dhawan. It is a film that will find patrons amidst the multiplex crowd. And yes, it is a film that will continue to live-on in the minds of cinema lovers for a long time to come.
  17. Bollywood Life

    Film review ·

    It is not an everyday occurrence when a film manages to be witty, bold and classy at the same time. If you enjoy intense dark flicks, Badlapur is for you. Even if dark films are not your cup of tea, watch it for Nawazuddin Siddiqui and Varun Dhawan, who are the heart and soul of the film.
  18. Deccan Chronicle

    Film review ·

    As the film progresses the lines between the perpetrator and victim begin to fade. Sriram Raghavan turns the genre of revenge on its head. It's as thrilling as it is introspective. There's no good, bad or ugly. You see how ugly good can get, how bad can have some good too. No sides taken. Go figure.
  19. DNA India

    Film review ·

    Badlapur has some solid moments, terrific performances and a riveting storyline Watch it if violence and revenge turn you on!

From our readers

Audience reviews (13)

49 ratings · user score 7.4

  1. 5/10

    बदलाPur, Sriram Raghavan's movie, a story of revenge. Its tagline says – "Don't miss the beginning", but I think, it should have been – "Don't miss the end", since last five minutes make the movie different from the usual revenge dramas. Definitely the style of presentation of Badlapur has been done in a different manner altogether. The movie has its own moments of darkness, grief, sadness etc. Kudos to the Nawazuddin iddiqui and Varun Dhawan for their performances. Yes, there are moments, when one gets in touch with Varun's sadness, grief and inner turmoil. Also, there are moments when one gets to love as well as hate Nawazuddin. The movie begins with Misha (Yami Gautam) and her son becoming the target of unfortunate circumstances which occurred during a bank robbery. Liak (Nawajuddin) and Harman (Vinay Pathak) did the robbery together and threatened Misha and used her vehicle to flee. Misha's resistance resulted in two deaths – hers as well as her son. Broken and grief stricken Raghav aka Raghu, Misha's husband (Varun Dhawan - a successful ad professional), finds it really difficult to cope up with the unfortunate incidents. Liak asks Harman to run away with the money. Liak is nabbed but he doesn't open his mouth about the partner's name and whereabouts. Raghu himself goes to meet him, but is not successful in extracting the information from him. Liak appears to be harmless, but puts the blame of the murder on his accomplice without actually disclosing the name. Then, he chooses to go to Jhumli (Huma Quershi -Liak's girl friend) and exploit her to get the information, but all efforts in vain. Finally Liak is convicted for the bank robbery and gets punishment for 20 years in prison. Frustrated Raghu, in his failure to understand the real culprit of his family's murder, shifts to a place called Badlapur. And then the wait starts. The movie moves further to explore what happens to these characters after 15 years. Is Raghu able to understand, who is the real culprit? Does he take his revenge or he is able to forgive the culprit along with the passage of time? How does Liak move forward? What happens to Harman, Liak's partner-in-crime? Does Liak get back his money from Harman and also Jhumli in his life? Watch the movie to explore the unfolding of this revenge saga. Plus Points: Superb performances by Nawazuddin Siddiqui and Varun Dhawan. Varun has experimented with a different genre and he has excelled in it. Nawazuddin is simply brilliant, what a body language. Huma is also very good. Radhika Apte as Koko (Harman's wife) and Divya Dutta are also good. Violence erupts only intermittently in spite of the fact that the name of movie is Badlapur. The song Jeena Jeena by Atif Aslam is too good. The last few frames are also very good. Minus Points: Lot of scenes are inserted without any specific logic viz. Raghu establishing physical relationship with Jhumli and Shobha.बदलाPur, a revenge saga with a difference. Watch it for Nawazuddin, Varun.

  2. NafeesFeb 2015
    8/10

    "To err is human,to not forgive is Badlapur." If John le Carré would have born in India and asked to write a revenge thriller-drama, definitely he would have written something like 'Badlapur'. Like John le Carré's espionage novels, which had unheroic, morally ambiguous characters having undercurrent of psychological tone, Badlapur is the character study of psychology of two common men,who are conned by their luck. Unlike many revenge drama saga, Sriram Raghavan constructs the story devoid of all cliches, not falling into the conventional traps of exaggerated melodrama and over the top thrilling scene. As the strange tag line of the film suggested,"Don't miss the beginning", film opens on the busy road with camera held static, and two guys getting inside the bank to rob it. Momentary loss of sanity and calmness by one of the robbers, Laik(played by Nawazuddin) during carjacking leads to accidental death of Pune based Ad agency professional Raghav's wife and kid. Raghav looks for revenge but he is not sure how to get it, as man in the question is imprisoned for same period as Gabbar Singh (throwback shown in the scene where jail inmates are watching Sholay). Later movie descends into inhuman psyche of both the lead character which blurs the line between revenge and losing control of their own conscience. It doesn't show clash between good and evil,rather it deals with the malevolent characteristic possessed by both the leads. Badlapur takes its own sweet time to develop, and which predominantly helps in character buildup from flashback.First half may not go down well with casual viewers, but it is here what movie develops and gives a motif for brutal second half. In one flashback particular scene, Misha is shown reading Daphne DuMaurier's Don't Look Now which deals with psychology of grief over loss of daughter ,employing similar technique of flashback as in Badlapur, is it coincidence ?Naah. It gives enough time to imbibe the grief of Raghu's loss whenever he visits his home, while on other hand Laik tries futile attempt to break the prison. After Laik is set free from the prison, film changes its gear from slow burning drama and sets itself into motion of thrilling witty battle that reminiscences of one of Srirams's film noir thriller Ek hasina thi. Surprisingly film dwells into black humor that is naturally woven in drama and mostly mouthed by Nawazuddin siddiqui, like he begs his girlfriend to talk dirty or cunning swagger look whenever someone questions him. Writing and direction is another brilliant aspect of the film, it does have its own share of flaws but isn't that praise worthy when you do not see Nawaz smoking ganja in entire film but it gives you feel that he is high all the time. Speaking of the performances, every character did what it expected from them to do in a well made movie, but Varun Dhawan surprises everyone with his cold,grief striken but intense performance that shows his range as an actor. Not so surprisingly, Nawazuddin siddiqui majestically plays Laik as unflinching, reckless character with so much of passion that it is worth watching Badlapur again solely for him. Badlapur is slow noir revenge thriller that is primarily character study of two people whose life changes after an accident, than usual revenge potboiler.

  3. Rahul RDApr 2015
    9/10

    This film will definitely shake your morality values. WATCH it.

  4. Tejas NairApr 2015
    7/10

    The first five minutes will grasp you into the demanding screenplay, coming straight to the point of a detestable, unnecessary crime; no wonder the tag-line goes "Don't Miss The Beginning." Misha (Gautam in a blink-and-you-miss role) and her son are the victims during a robbery attempt by Liak (Siddiqui) and his accomplice Harman (Pathak). As a result, her spouse Raghu (Dhawan) seeks revenge. While the story is the best example of a perfect cliché, one should not get carried away with the constructed outline, for there lies more real entertainment in the following story arcs, that are equally brilliant as the opening sequence. The story is an elaborate narration of the aftermath of a crime. Like they say - in wake of a death, the living suffer the most - it is true, and in here, Raghu spirals into a state of devastation. Addressing issues of letting-go and life ethics, the plot leaves the questions to its audience. However, its audacious definition of what is right and what is wrong is what makes Badlapur a massively entertaining and thought-provoking film. The prime issue of self-righteousness is blasted into our senses as the anti-hero protagonist sets out on a vengeance. And, vengeance stories are always worth watching. The institution of incarceration and its effects are also thrown light into, which partially forms the base of the concluding half. Although most of the film is brisk and unadulterated, it does have its share of downs. Firstly, the way the film is narrated slightly causes to lose its overall sheen as a single moralistic story. The emotions at the beginning are confusingly abnormal, sex scenes (sorry CBFC) are funny, and the villain is fairly dumb, which cannot be overlooked even if it was intentional. Siddiqui plays a shameless rogue but is not as smart (as the character) as his characterization frames him to be. Plus, the passably long running time further dwindles the overall effect. But, one will feel one's heart in one's mouth only when the screenplay takes you on an unpleasant trip to the final fifty minutes. After that, the tiring frames will not allow you to succumb to tiredness. And that is the single effect why I am ready to forgo these bad patches. And I am happy with the references to classics like John Sturges's The Great Escape (1963) & Vince Gilligan's Breaking Bad (2008). Dhawan is unnatural at the beginning, but quickly picks up his role, mainly during the transition. His non-comic role, thus, impresses, along with Pathak's. Dutta and Apte put up a good show, and so does Qureshi. Siddiqui is typecast, and honestly, I am bored. And, let Gautam play the smart, Shakespeare-quoting wife here, I will always associate her with the bleach-y Fair & Lovely beauty cream. Overall, the cast performance is commendable. BOTTOM LINE: All said and done, Badlapur is a very brave attempt by an inventive filmmaker. Of course, it defines a new-wave genre in Bollywood, which if watered properly, will lead to future masterpieces

  5. sophia ajazMay 2015
    6/10

    Well, well. Until now, 2015 has delivered only duds. But BADLAPUR is a diamond that shines amidst a slew of usual slush. The credit for it partially goes to director Sriram Raghavan(Ek Hasina Thi 2004, Johnny Gaddaar 2007, Agent Vinod 2012) for a taut thriller, that occasionally gives in for lack of story and narrative. But still the thriller genre that it is, it does have its moments and the yawning public gets their dose of rushing adrenaline. It could have been better, no doubt but at least there is something that keeps you awake and interested instead of the usual boring movies. Badlapur is actually a town and nagar panchayat in Jaunpur district, MP. But the town has no connection to the movie's namesake place. The name is for the sole reason of revenge. And violent revenge saga it is. This is the first time after a long time, I want to write this story. Raghu(Varun Dhawan, 27), an advertising executive has a beautiful life with wife Misha(Yami Gautam, 26) and son Robin. But a spanner is put in it when an unexpected fatal bank robbery leaves his wife and son dead. Raghu himself never comes to terms with his life. He is dead. What keeps him alive is REVENGE with a capital R. One of the robbers Liak(Nawazuddin Siddiqui, 40) is caught while escaping. He confesses to inspector(Govind Mishra) and puts the blame on his partner Harman(Vinay Pathak, 46) for the killings and escaping with the booty. Liak is sent to 20 years in jail. Inspector(Govind Mishra) cannot do much. But Raghu consumed by rage hires a private detective Joshi(Ashwini Kalsekar, 45), who finds Liak's girlfriend and sex worker Jhimli/Shabnam(Huma Qureshi, 28). 15 years pass. Liak is diagnosed with cancer. An NGO worker / prisoner counselor Shobha(Divya Dutta, 37) tells Raghu to let bygones be bygones. Liak's mother(Pratima Kazmi) tells Raghu about Harman, who now runs a successful seafood restaurant Konkan Queen. Raghu befriends Harman's simple wife Koko(Radhika Apte, 29), who is unaware of her husband's past. Raghu brutally ends koko and Harman's life. Liak comes to collect his share of the loot and faces Raghu. Liak admits to killing Raghu's wife. Liak has a change of heart and takes the onus of Harman / Koko's killings on his own head. Liak dies. But Raghu lives minus the rage and any motive in his life. The movie is a male triangle with Varun, Nawaz and Vinay. Varun does a fine job but the angst and simmering rage that should emanate from him is missing. The depth and maturity that is required to deal with Raghu's character, isn't there. This could be put to his lack of experience and inadequate guidance. Considering the number and type of movies he has done until now, this movie is a refreshing change. He has taken a risk to attempt this movie and if guided well, Varn will develop into a fine actor. That leaves the field open for Nawaz, who continues with his KICK role. His kinky, maniacal and care-a-damn attitude is a revelation again. While in jail, he doesn't mind needling dangerous inmate Guru(Murali Sharma). Although Vinay hasn't been given much publicity, it is good to see him back. He is a foil to Nawaz. Although the movie is a male show, if we look on the other side, it is the women, who hold the show. Yami and Radhika play the simple housewives, who get involved in ploys of someone else's making. Why did they die? Why did fate deal a cruel blow to Raghu's happy life? All the characters live half lives. Huma leaves when Liak dies. Varun has no life sans family and finally his rage is quietened with the two robbers' deaths. But does rage and revenge give him peace? The women are actually the backbone of this movie, who silently piece together the movie. Both Varun and Yami have a long way to go. With time, both will mature. They make a fine pair. Pakistani singer Atif Aslam was missing from the singing scene. He returns with a bang with Jeena Jeena song. It is simply superb. Jee Karda and Judaai are other hummable numbers that will stay with us for a long time. To keep up with the theme of revenge, there is Badla Badla. Finally, the message is loud and clear - Crime never pays. As an audience, you will not be disappointed with the show. It fills in the lacuna left behind by the other lackadaisical shows. Go for it. And "Don't Miss The Beginning."

  6. Srinivas RowdurSept 2015
    10/10

    I think everything about the movie is perfect except for the beginning. I would recommend editing the first few minutes of the film and watching it from the time Varun makes his presentation. The reason why i think that would make a better film is because it allows us to go into the mind of the protagonist and view the world from his point of view. He has lost his wife, he is desperate to know who the killer is and doubts arise in his mind when Nawaz keeps denying his role and the police cannot find out the second person in the car. This is the perfect setting for the second half, it also justifies his actions and makes a great climax when Nawaz finally confesses.

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