Action Jackson, a surefire Golden Kela contender, could give Humshakals a run for its money. Give it a miss.

It has its shares of flaws and lows, but Bhopal: A Prayer for Rain is still a must-see film for the courage of its conviction, if for nothing else.

Ungli has a few attributes that you will not usually encounter in a Karan Johar production. It has no big stars, no elaborate song and dance set pieces and no major love story.

But when a film is more interesting for what it isn’t than for what it is, giving it a miss might be the most prudent option.

If you expect Happy Ending to get somewhere, you are watching the wrong film.

Do not expect the world from Happy Ending and you might actually find in it enough enjoyable patches to make a trip to the multiplex worth your while.

Watch Kill Dil if you have plenty of time to kill. It is unlikely to deliver much joy to your dil, though.

This film has been in the cans for several years, but given the timelessness of the story it tells and the crucial issues it addresses, it has lost none of its relevance.

Rang Rasiya is as good a film as any you have, or will, see this year. Strongly recommended.

The leading lady of The Shaukeens ditches her boyfriend because, in her words, “he made fun of my creation and called it stupid and obnoxious”.

That is it: those are the very adjectives that would best describe this unfunny, eminently avoidable film.

Super Nani takes upwards of two hours to articulate something that all those weaned on Bollywood potboilers have known for ages. While doing so, it ratchets the decibel levels up to breaking point.

…To put it simply, Super Nani is a super bore.

There is no dearth of gloss in Happy New Year, but everything else in the film, including the content and its treatment, are allowed to go for a toss.

This hackneyed tale of a trio of law-breakers who struggle to keep out of harm’s way only to discover that crime does not pay has no clear sense of place.