Kumari 21F is not the usual run of the mil movie which is designed to entertain audience. Watching it with such an intent can be disappointing. Also labelling it as a Sukumar film will heighten the expectation. Instead watch the movie for its different depiction and muse over some of the questions that the movie poses. All in all, Kumari 21F is a mixed bag. Its not an interesting film. But its sincere and largely piece of cinema about unconditional love in present day relations.

…a total waste of time, energy, money and is excruciatingly drilling. You can go on and on about the films flaws but then can this feign be called a movie in the first place? Lets Film maker decide that first.

Kanche is another film where the plot is challenging and paper work is good but falls short in execution. Acting in most parts is acceptable but the film never tries to captivate its audience through its narration. The story progresses on predictable lines and things become boring, after a while. In short, it can be safely said that Kanche is Krish’s weakest work so far in his career (Only after his Bollywood film Gabbar). But it’s quite normal that you tend to forget the flaws and appreciate the best things about Kanche, due to its underlying honesty. It may not be there among the best, but the hard work that has gone into its making needs a dab.

Breathtaking in scope and action and surprisingly precise characterizations despite whatever ethnically dubious casting choices. Gunaa’s expertise in the machinery of the genre reaches its pinnacle. The Rudhramadevi – Gonna Ganna Reddy final scene is stroke of genius. On the whole, Rudhramadevi is another epic from master Guaa, very enjoyable.

is a perfectly packaged film for the family audience. It may defy logic at times but is a laugh riot that is genuinely entertaining. To sum things up, at a time when fatuous masalas are the order of the day, a movie like “Bhale Bhale Mogadivoi” provides a whiff of fresh air. The movie is simple, straightforward and entertaining. Three cheers to the whole team for making a clean and a good entertainer. Wish more BBM’s happen in Telugu Cinema.

The film has its moments but falters badly with its plot.

Mukunda has its moments in its initial scenes, but gets very boring post-intermission. The drama between the leads never builds up, nor does the story agrees to step ahead, resulting in a below average film, thanks to few songs! Watch it, if you really have to.

Rough gives a weird sense of disappointment, the kind that you get even when you weren’t expecting anything to begin with.

The major letdown in remake comes mainly from the script work and the direction. The script with more tongue-tied anxiety than sense, fails to capture the nature of the original and G Nageswara Reddy spineless guiding comes across as more concerned with perceived commercial viability rather than pure story-telling craft.

OLK actually has some obliging situations and interesting pair but regrettably the screenplay and treatment have no idea what to do with them. First half of the film is flat, whereas the drama in the second half doesn’t hold. The outcome is yet another case of “had potential couldn’t deliver”, a syndrome that Telugu cinema is blight with for quite some time now. To cut the long story short, “Oka Laila Kosam” starts promisingly, bringing on some grins, but those grins vanish faster than it takes to “say cheese”.