Where Moana consistently hits the mark is the expanse it allows its heroine — the length and breadth of an ocean — with the film and the future of the world almost entirely resting on her shoulders.

There is so much potential in this Naomi Watts film, but it’s incomprehensible…

Arrival’s most acute observation is how common language isn’t the only key to keep communication going, but the film appears to not notice it.

With Eddie Redmayne’s deliciously shy Newt Scamander, the delightful sister duo of Tina and Queenie and no-maj Jacob, JK Rowling has done it again.

Rock On 2 was all about a generation, about love, about growing up, even chasing dreams. But this time round, Farhan Akhtar, Shraddha Kapoor, Arjun Rampal and Purab Kohli film has other plans in place.

Everything is forgotten in the brilliant Inception-like reimagining of cities, streets and buildings that the film deploys, as The Ancient One and her pupils battle out Kaecilius and his lynchpins in different dimensions.

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Tom Cruise’s Jack Reacher should have taken his own advice and “never gone back” down this well-trodden path.

Director O’Connor has factored in mathematics too to give us a hero who multiplies numbers as fast as he eliminates people, who beats himself literally to sleep while gazing upon a Pollack fixed on the ceiling.

Emily Blunt brings such a raw, pained, mortified portrait of an alcoholic to live that it’s a shame that the filmmakers fail to recognise this as essentially her story.