There are parties, indoors and outdoors, lots of dancing, and plenty of gyrating bodies. How much you come away knowing about the music that is moving those people is another matter.

It is a film where the most delicately handled is 47’s suit, that he hangs up carefully at the end of every blood-splattered day.

Wilson is repetitive and tiresome, Poots grossly inadequate, Hahn again underused, the dialogues flat and the punch-lines absent.

The problem is that Cavill and Hammer don’t light any sparks, together or apart, good as they look in the sharp suits.

When Fantastic 4 becomes Fant4stic, you do know the reboot you are getting. Yes, they are younger, right out of school.

The funniest part doesn’t involve any body part though but a broken heart. By the end of it, you may even find yourself cheering for the Griswolds. However, in this case the journey may not be worth the destination.

There is an intrinsic problem with this film about creatures who exist just to serve. When it actually gets going, Minions finds it hard to hold down a thought, let alone a relationship.

Actor Elizabeth Banks’s directorial debut hopes to cruise on the surprise success of Pitch Perfect, but a completely random script, held together by a few scenes of actual delight, lets down her effort. If the singing is few and far between, drama is virtually non-existent with any such scenarios either wished or laughed away.

…runs virtually on the same lines as the first Terminator…

Larsen confesses he has never ever seen any of the films he has funded. We of course have no such luck.