Raanjhanaa is a film which is all of a piece in its engaging first half, and a good Bollywood launchpad for Dhanush. Makes me want to see what he will do in his second pass.

This could have been a hoot, but the execution lets down the premise, and the film remains one of those that could have been edgier and funnier.

Suffice it to say, I wasn’t feeling very smart when I left the theatre after two and a half hours of this drivel.

This may be a new film, but it is certainly not madly novel. Delhi Belly had the same idea with the addition of some excrement and expletives, minus one fukra.

The film intends to be part hospital procedural, part courtroom drama, with a dash of chase-and-hunt thriller, all very Robin Cook-ish. But it never really gets there.

A plot that should shame a wafer by its thinness. Random characters popping in and out. And the only thing one can say in its favour is that it is not as terrible as the first.

It’s been a few minutes since I stepped out of Yeh Jawaani Hai Deewani, and I’m finding it hard to remember what I’ve just seen. It is a been-here, seen-this, much-too-long glossy creature, and not much else.

Sadly, Ishkq In Paris comes off mostly derivative, and wholly predictable.

Somewhere in the too-complicated strands of Aurangzeb is a film struggling to cohere. This is what we have: too many subplots with threads hanging, criss-crossing a main plot that is over baked and undercooked.

Fittingly, Bollywood’s first zom com (zombie comedy) borrows broad brushstrokes from this very Hollywood genre, not the least of which are the zombies, with their blank eyes, staggering walk, and blood-spattered teeth. That the setting is Goa, whose beaches are over-run with unwashed, stringy-haired, glassy-eyed foreigners, helps. – See more at: http://www.indianexpress.com/news/movie-review-go-goa-gone/1114060/#sthash.J71eWKVK.dpuf