Bauua Singh is a vertically challenged man who is full of charm and wit, with a pinch of arrogance. Born to a wealthy family and raised in an environment of affluence and indulgence, Bauua was never failed by Meerut or its people. But when he meets two women, his experiences with these women take him on a journey to complete his 'incompleteness' and broaden his horizons to find a purpose he never knew he had.Wikipedia
Zero, starring Shah Rukh Khan, Katrina Kaif and Anushka Sharma, fails spectacularly at giving us anything we can believe in, and we go from start to finish, with disbelief growing with each passing frame.
Shah Rukh Khan measures up. The visual effects lack continuity and he looks more like a dwarf in some scenes than others, his deformity occasionally more pronounced while he looks like a spookily smooth tiny-Khan in other sequences. The actor, however, glosses over this with a dominating performance and tremendous energy. Bauaa Singh is a severely flawed character made irresistible by his pluck, and it’s remarkable how much Khan brings to the part. And he remains the best lover in the business.
A Bizarre Story That Leaves You Stumped, And Eventually, Sad...
Zero is a fantasy ride that ends up nowhere. From writing to direction and editing, everything has failed the project. If given a chance between Jab Harry Met Sejal and Zero, I would probably go for the former. Yes, it’s that uninspiring.
Still Zero is far from a misfire. Its cheerfully absurd aspirations are strewn in metaphors laying value to imperfections and SRK's gallery playing showmanship.This time he spreads more than his arms. He finds wings.
Zero, riding on SRK's back, reaches for the stars. But its astral ambitions are thwarted by a lack of imagination and genuine understanding of the minds of people struggling to ward off undeserved ridicule and earn rightful recognition. But whoever expects such niceties from a movie that rarely rises above the level of unalloyed bilge?
At one point, Zero dazzles with moments of colour and vibrancy, but then it also follows up with dull scenes that fail to launch the drama in the zone that it’s supposed to be in. Some of the comedy moments between SRK and Mohammed Zeeshan Ayyub stand out, so does the song Mere Naam Tu with SRK dancing in a storm of colours. While the film has a wealth of references to Bollywood and its stars, these details don’t compensate for a story that starts with a beautiful plot, but takes off on a bizarre ride. At first go, the film makes you light and easy, which is good, but the problem is that it doesn’t really take you on that flight of entertainment, which you set out for.
“Zero” has lofty ambitions but when it comes to delivery, it falls too short.
Zero gets marks for Shah Rukh's experiment into a space less traveled. If you're curious, go ahead, amuse yourelf.
The film takes off for Mars but gets its trajectory terribly wrong...
All said and done, Shah Rukh Khan as Bauua Singh makes sure you leave the cinema halls with a smile on your face. The first half has some of the wittiest dialogues to come out of Bollywood. Watch this one for stellar performances, arresting cinematography & uproarious dialogues.
ZERO has several factors going for it: star presence, winsome performances, energetic soundtrack and of course, it’s timed during the Christmas and New Year vacations. Sadly, the weak, flawed and lacklustre screenwriting is all that you recall after you’ve watched the much-awaited movie. This one’s an epic disappointment!
...the screenplay is too disjointed. It takes you on a flight of fancy for the sheer indulgence of it. It’s like an arrow shot high in the sky. You admire its trajectory but it’s not going to stay afloat forever. To cut it short, you feel like you’re watching two different films as the first half and the second half are vastly dissimilar to each other.
Zero jerkily jostles between heartland, rustic realism, and a far-out romantic fantasy, vaguely along the lines of Shah Rukh Khan's Om Shanti Om. The only take-away is how tough it must've been to pull this off
Zero works . It celebrates incompleteness as no other movie in any language has ever done. Like the film, BauaaSingh isn’t afraid to fail. He has the great immortal Sridevi telling him it’s okay to fail. I couldn’t ask for more. Can you?
If and when you do your next Zero, Mr Rai, do put the screenplay through the same arduous pressure test to which you would subject Tumbbad. Better still, give us more Tumbbads please.
Audience Reviews for Zero
Anand Rai's Zero is a film - with one of the most ridiculous plot for a Hindi film in whole of 2018 - that brings out the worst in all the people involved in it which further emphasizes the fall of mainstream Bollywood. TN.
Zero has its heart in place
Zero, a film by Aanand L Rai, was certainly one of the awaited films of the year. This film has attracted negative feedback from most of the critics, whereas, I felt the film deserved a better viewership and feedback. Any film, especially our Indian film, has its major ingredients in terms of theme, plot, screenplay, dialogues, emotions, music, visuals, direction, mode of story-telling, character sketching of the lead protagonists as well as other characters and most importantly the actors associated with the film and their portrayal of characters. Let me speak first about what does not work in the favour of the film – it is probably the fact that certain aspects of story seem unreal, not so logical and practical. Barring this, there are so many other factors which actually work in favour of the film. First of all, Shahrukh’s energy, magic and charm are incredible. He infuses life into his character Bauvva Singh. Anushka projects her character with utmost sincerity. Katrina’s screen space is less but one cannot deny her character’s contribution to the plot. Zero has its heart in place, emotions play in its real flavour. There is love, betrayal, ambition, heartbreaks, sacrifice, repentance etc. Music and humour in the film also have enough power to engage the audience. So, the film deserves a better viewership and rating.
Bauvva Singh (Shahrukh Khan) is a dwarf – 4.6 feet, who lives his life in Meerut with style. Bauvva is a movie buff and has a crush on the actress Babita (Katrina Kaif). He does not shy away from showering money on his friends Guddu (Mohammed Zeeshan Ayub) and gang when they read out the news of Babita’s breakup. The banter between father Ashok (Tigmanshu) and son generate add lot of humour. He looks up at the sky, counts from 10 to zero to turn stationery stars into shooting ones. Bauvva is now 38 year old bachelor looking for an alliance. Through his matchmaker, he does come across Aafia (Anushka), a NSAR scientist suffering from cerebral palsy. Bauvva is absolutely unsympathetic in his approach towards Aafia, right from the beginning. What happens, when two individuals fall in love, who are not normal as per the norms existing in and around our world? A space scientist falling in love with hardly a 10th grade Buavva and then the triangle with Babita, an alcoholic actress, in the scene – the story unravels beyond this. The film wins here, since the plot does not succumb to any sympathy, the characters don’t fall prey to the victim trap even though they all are misfits in the world as per the norms.
How does the love between Bauvva and Aafia evolve? When and how does Babita’s character get weaved into the plot ? Yes, Bauvva chooses to come back to his love Aafia and then how the story evolves further ? The film has special appearances by Madhavan and Bobby Deol too and how they become part of the story? Watch the film to know all these.
The dialogues have the underlying tone of humour most of the time, yet breaking many set no
A good first half but an equally terrible second half. A new concept but the movie doesn't work for everyone.
a must watch film for all the srk fans