Going back in time is never an easy task in cinema. Many have failed to court periodicity convincingly. Hawaizaada gets away with its flight into the mind of the man who dared to fly. This miniature masterpiece leaves us exhilarated and exultant. Thank God for the dreamers, past and present.

Baby is one helluva roller coaster. Miss at your own risk.

More brilliant than the film is Vikram’s multi-personality performance which holds the film together, loopholes and all.Vikramembraces the grotesque as possessively as the glorious.It doesn’t matter which language you speak or think in. Just go for I.It speaks the language of cinema.

The film takes on the theme of greed and covetousness and turns it into a pleasant satire. A saucy comedy about a commoner’s brush with the ‘D’ gang, this is an original smile-inducing romp into the realm of comedy where errors define the mood ,and the characters are not as interesting as the situations that the script tries to create for them.

This is certainly funnier film than any other comedy this week.

This is a love story where most of the playing-time is devoted to the protagonists locked in a scuffle of the most physical and violent kind. And yet, there is a core of tenderness in the film manifested in Sonakshi Sinha’s melting pleading eyes as she makes a run away from the city’s arch-goon Gajender Singh (Manoj Bajpai, bang-on ) who has taken a shine to her.

This is a thriller which leaves us with a sense of utter futility about the quality of life that we lead. Anurag Kashyap’s most incisive exploration of human relationships Ugly boasts of some of the most skilled performances in recent times, so skilled that they do not seem to be performances at all. These are actors who must be seen more often. Or their souls would be broken beyond repair… just like the characters that they play so well they don’t seem to be playing them at all.

Even though PK left me underwhelmed at times, there is no denying its utter sincerity of purpose.That feeling when you’re effortlessly floating in the air….In PK director Raj Kumar Hirani makes us feel good about life. And that, in these troubled times , is not short of a miracle.

Badlapur Boys mixes the newly-revived thrill of the game of kabbaddi with an old fashioned melodramatic plot. The authentic locations and a deep affinity with the grassroot level add to the rugged sporting spirit.

Eccentric in its own write–and that is not a typo–Dulal and Mainak, as played with unconditional fluency by Naveen Kasturia and MayankTiwari ,are what Jai and Veeru would have been if Sholay had been a film about Salim and Javed search for success in blunder-land. In Sulemani Keeda , debutant director Amit Masurkar is so easy-going in his storytelling you fear what success would do to him.

…leaves us with feeling of a deep longing for the victims of the Bhopal gas tragedy, and for the victims of imperialism anywhere at any time. Come to think of it, while the victims of the tragedy in Bhopal await justice, the only good thing to come out of the tragedy is this haunting dramatic film. Not to be missed.