October is about love, of course. But more than that, it’s about the inevitable grief that love leads to.

Goes cuckoo after a crafty, confident start…Irrfan Khan, of course, is the king of sardonic humour, with snarky lines delivered straight-faced.

Baaghi 2’s plot is simple. It’s also a copy. And yet three writers were required to collaborate on its screenplay.

Hichki mainstreams and normalises a condition — a mechanical locha, so to speak — in a way I haven’t seen done often.

Lacerating sanctimony of the honest babu…Raid wants to repair and energise our faith in the Indian sarkar and its attendant babus.

A stylised, witchy tale about the power of love…

The film’s casting is intelligent, and it was a pleasure to watch Alok Nath chug whiskey and throw some gandi gaalis.

Aiyya-re aiyya! Ye kya kiya re?…Pretty boy Sidharth Malhotra is good in family dramas, but terrible in other films.

Akshay Kumar’s well-padded ego trip…Problem is that Akshay Kumar is too obviously driven by the later — egoistic, self-promotion instinct.

Padmaavat is offensively chauvinistic, blatantly right-wing, and quite unabashedly anti-Muslim.