• I’m not sure whether to feel bad for or be critical of Bhansali. But here’s the thing (hello Karni Sena, I am talking to you): your disappointment and disapproval of a film can coexist with the film itself. You can watch a film, and disagree with it, but still not hold a country to ransom. Just a thought.

  • Things start moving only towards the last few minutes in the film, and by then it’s all about Akshay. Bhumi becomes a mere catalyst. This is the biggest issue with Toilet: Ek Prem Katha. Some of you may be able to ignore this in wake of the larger message in the film, but I would have preferred a different film altogether.

  • Bollywood desperately needs films like A Death in the Gunj — one that doesn’t take itself too seriously or isn’t easy to frivolously label, but yet doesn’t insult the intelligence of its viewer. We need to have a middle path between “artsy fartsy parallel cinema” and “mass masala entertainer”, and Konkona Sen Sharma seems to have found a way.

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