Lust Stories is the sequel to 2013 movie Bombay Talkies presenting four short films by four of India's biggest directors exploring love, sex and relationships in modern India.Wikipedia
Lust Stories Reviews
Lust Stories is out on Netflix, and I applaud these four distinct filmmakers for exploring this anthological format and still maintaining their originality of vision. Your mileage may vary on which film you like best, but it is heartening to watch these creators decode the idea of lust and never attempt to titillate. That would be too obvious. Carnality, after all, is only part of the equation. The headiness of lust lies also in the exhalation, the smile, the laugh. Kabhi Khushi Kabhie Come.
My advice would be to watch all four films as a whole and in the order the filmmakers intended. It’s more enriching.
Go for Lust Stories as it explores the less charted plane of female desires and the acceptance of lust, from filmmakers of an industry which relies more on romance and love, in every form. Mind you, the film will make you question the intermingling realms of love and lust, maybe not in the most flattering way, but in an attention-grabbing way, for sure.
After a few misses, Netflix, known for its edgy content, scores by picking up these tales which document the set ways of society as well as the changing dynamics, that’s not confined to under the bedsheets. These are fun, poignant and introspective tales that attempt to unravel the mysteries of women’s heart.
Through four short films, directed by four of the country’s most prominent Hindi filmmakers, it presents the sort of unusual stories that feel fresh, yet familiar. It’s almost like a sampling platter that you might find at a fancy restaurant, an unexpected marriage of contrasting styles and sensibilities, tones and textures that highlights the best (and worse) of what we have to offer.
Given the talent involved, its feeble male presence and failure to look beyond heterosexual framework is disappointing. But it is also definitely worth a watch for exactly the same reason.
In Lust Stories, the directors have a huge field to play around in and they make the most of it. They prove that lust, after all, is yet another expression of love.
It’s remarkable though how four shorts, on the face of it, about something as perfunctory as lust at first night, packed neatly into two hours, delves so seamlessly into seemingly uncomfortable but potent subjects as romance, commitment, desire, class, and sex, of course.
Lust Stories is a step in the right direction. This is the main reason I'm going to refrain from stating my favourite short, because I feel it'll be a premature opinion. One must watch Lust Stories, dreamily, a couple of more times to fully soak it in. The stories may not have worked as longer features, because that would reveal the risk of over-analysing and forcing a story to fit within the three-act structure. Lust Stories is stitched together beautifully, like starkly different pieces of the same fabric. It is evocative, beautiful, visceral and alluring.
Audience Reviews for Lust Stories
There comes a film every once in a while that tries too hard to convey a message but falls flat on its own face mostly due to a lack of substantial content and heavy doses of embellishments. Netflix's Lust Stories is one such anthology film with four 30-minute stories that aspire to break taboos associated with women's sexuality but are, in fact, purveyors of nonsense. Except for Karan Johar and Anurag Kashyap hitting one or two right chords with their stories about vaginal pleasure and emotional attachment respectively, Lust Stories gasps for freshness and logic. While Johar's young housewife (Kiara Advani) is dissatisfied with her husband's performance on bed and so looks for external stimuli in a righteous way, Kashyap's teacher (Radhika Apte) is obsessed with a youngster who she had a poontang with despite telling him herself to not take it to the heart. Zoya Akhtar comes in third with her excellently acted trash about a housemaid (Bhumi Pednekar) taken for granted by her bachelor employer after they engage in some nasty sex. There's not even a sprinkle of inference you can gather from the story other than the subtle performance by the cast which also include Neil Bhoopalam. Dibakar Banerjee certainly did not get the memo as his story looks like a nonsensical excerpt from an awful book. Manisha Koirala takes cues from Banerjee to take marital decisions for her character while enjoying the mess she has made the lives of two men and vice versa. (I mean it, don't tell me otherwise.) The music and overall cast performance is good and high-energy, thanks to Netflix, but the content seems like it was concocted just to frame it with the word 'feminism' and then sent for human consumption. I get it when Johar tries to highlight the importance of women's sexuality but it does not have to be forced, just like the little humor that Lust Stories overall boasts of. Don't waste your time unless you want to have a look at how the actors look when they act 'it'. TN.