TAARE ZAMEEN PAR is an outstanding work of cinema. To miss it would be sacrilege. It has everything it takes to win awards and box-office rewards!

Do yourselves a favor. Watch TAARE ZAMEEN PAR with your child. It will change your world. It will also change the way you look at your kids!

Cut the crap, cut the gyan-baazi, cut the will-it-won’t-it work naatak. Shah Rukh Khan and Farah Khan’s OM SHANTI OM is a true-blue masala entertainer. If MAIN HOON NA was a chauka, this one hits a sixer!

JAB WE MET is one of the finest [romantic] films to come out of Bollywood in 2007. At the box-office, it has the merits to work big time. Strongly recommended… Go with your family!

On the whole, SHOOTOUT AT WADALA is a fire-brand, paisa vasool entertainer. Brutal and electrifying, it is one of those theatre-going experiences that has a plot, is packaged well and has content [drama, action, dialogue, songs, performances] that works big time with the avid moviegoer. Sanjay Gupta delivers a solid punch!

Cut the crap’ Cut the gyan’ Let’s come to the point straightway: Is DHOOM 2 as big as its hype? Does it meet the monumental expectations? Or is it a gas balloon with a leak? Yes, DHOOM 2 works big time.

Karan Johar takes colossal strides as a storyteller. Films like K.K.H.H. and K.K.K.G. were the tip of the iceberg. Karan’s take on relationships and marriages is refreshingly different because there’s tremendous identification with the characters. You see it happening all around you these days. Technically too, this is Karan’s finest work to date; he balances style and substance beautifully.

Paheli is one of the finest films produced in the recent times. A film like this proves yet again that we don’t need to seek inspiration from outsiders [read Hollywood], when the Indian literature is rich enough to provide us with captivating stories.

Director Aditya Chopra is at his best when he is handling the two stars. The goings-on don’t get overdramatic even once in those scenes. Even the transition of the love stories in the initial reels is captivating. But Aditya should’ve realised the importance of the length ? what can be conveyed in two-and-a-half hours need not be stretched to three hours and thirty-six minutes. This kind of a length was just not required!