… is a fitting tribute to the masterwork. The movie has all the potential to scale dizzy heights of victory and catapult Hrithik Roshan as the newest member of the 100 cr Club, besides providing the Hindi film industry with the first giant Blockbuster of 2012. A definite winner!

SADDA ADDA is a decent attempt, but will have to rely on a strong word of mouth to sustain.

CHAALIS CHAURAASI is inconsistent. It could’ve done with a better script!

It’s a given that hi-voltage action thrillers enthrall and electrify viewers no end. The existing inclination within the industry is to opt for remakes [of South Indian films specifically], though Abbas-Mustan have continuously, in their three decade career, tilted towards western thrillers to be specific. PLAYERS, their latest offering, is the official remake of THE ITALIAN JOB. But it’s not a scene to scene adaptation of the classic that was attempted twice in the West. The core conception remains the same, but the screenplay is amended significantly to suit the Indian sensibilities.

On the whole, DON 2 rides on star power and brand value. The film has a bland first hour, but the second half takes the film to another level. There’s no denying that a cohesive script would’ve made a world of a difference to the film, but the tremendous hype, star power and the lucrative period [Christmas and New Year celebrations] will make its investors reap a harvest.

On the whole, JO HUM CHAHEIN is a decent watch that will require a strong word of mouth to leave a mark.

On the whole, LADIES VS RICKY BAHL is, at best, a decent fare, which appeals in parts. The film starts well, even ends well. It’s the in between that’s plain ordinary. One definitely expected more from the director of the immensely likeable BAND BAAJA BAARAAT. Ideally, the film merits a two-and-a-half star rating, but that extra half star is for Ranveer and Anushka, who steal your heart with truly striking performances.

On the whole, THE DIRTY PICTURE banks heavily on shock-value, sex-value and most importantly, script-value. It’s an exceptional portrayal of an ordinary person’s rise from scratch to extraordinary heights and her subsequent fall. Without doubt, it is one of the most comprehensive scripts to come out of the Hindi film industry in 2011. A film with a universal theme and terrific mass connect, it has remarkable potential to set the cash registers ringing for one more valid reason — entertainment, entertainment and entertainment.

On the whole, DESI BOYZ has an entertaining first half and decent performances as its plusses, but a tedious and least compelling second hour stands out like a sore thumb. Leaves a lot to be desired!

On the whole, SHAKAL PE MAT JA is one of those whacked-out satires that sounds far funnier on paper than on screen.