यह मूवी एक पुराने योधा की कहानी है
जिसमे महिलायों एवम बचो की रक्षा करने के लिये एलियंस से लडता है!

The 105-minute Traffic plays out like a thriller, with each second that elapses invoking the ticking of a real clock.
Traffic is made doubly riveting by an eclectic bunch of fine actors led by Manoj Bajpayee in the role of Ramdas Godbole, a traffic constable suspended from service for accepting a bribe.

Madaari That ‘brashtachaar’ is ingrained in every pore of our ‘system’ is a theme so often explored in the movies that unless it is done with some amount of verve, the word tends to sink into the woodwork. Madaari presents Irrfan in a role that he aces with such ease that it’s hard to see he’s ‘acting’. But he’s placed at the centre of a film which is so patchy and contrived that even he cannot rescue it.

The source material does all the magic. This film is adapted from the writing of Massimo Carlotto. He’s considered to be one of the darkest crime novelists in the world. His ideas make Badlapur one grim tale. The basic story, the very crux of the idea is the most superlative feature of this film

Dabangg—-one as an out-and-out masala thriller, with the old-as-hills formula of estranged family, bonds of blood and bloody revenge, helmed by a crowd-puller who is one of the few remaining in Bollywood who has the physical presence to be a larger-than-life action hero

Prem Ratan Dhan Payo’, also heavily colour-coded via the Ramayan, draws heavily from Barjatya’s previous work , with one glaring cosmetic difference : he sets it not in homes that people like you and me live in, or relate to, but in a grand palace.

Agneepath is a story set in a village called Mandwa in the year, 1977, where a simple school teacher, Master Dinanath Chauhan, tries to bring about change among its people who treat him with the kind of respect reserved for deities and Gods.

Good story. This film brought various new ideas to the audience. Watchworthy. Giving 8 for the whole plot, characterization, and performence.