The story appears cobbled together without much logic or realism. As far as performances go, it’s Kishori Shahane and Krutika Gaikwad who stand out with their sincerity. Aditya Pancholi appears a little awkward at first and then gets into his own stride mouthing Marathi invectives in his effort to redefine mean. The only real reason then, to bear with this opportunistic exercise are the clutch of hit classic numbers