Khalid Mohamed
Top Rated Films
Khalid Mohamed's Film Reviews
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The kind of feel-nice summer movie I haven’t chanced upon in many suns. Occasionally cheesy, yes. Foreseeable, a gigantic YES. Yet it had me engrossed, smiling and guffawing.
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Ponderous enough to encourage a snooze but also with its rewarding side-effects. Needless to emphasise, Veera lingers on in the memory. And Alia Bhatt’s performance is nothing short of extraordinary, especially her solo stanzas of dialogue, executed in long takes.
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The cinematography, the minimalist music score, costumes and set décor are in sync with the dramaturgy, consistently, Thedore’s shirts and jackets being thoroughly retro-chic. Don’t think twice, Her is the ticket of the week.
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All said and watched, with all its highs and lows, ‘Hasee Toh Phasee’ is a mirth-see for its strongest factor: Ms Chopra.
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All said and endured, here’s the sort of average product which is immune to criticism. Say anything you honestly feel, down the decades it has been huffed – so what? That doesn’t make a jot of a difference. Correct. However, that doesn’t mean you can’t express your take. You may be in a minority of one or two, but you can’t help feeling that Salman Khan, like most of his peers, could do with immediate re-invention. Repetition and excess can sell. Unpleasant question: but for how long?
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‘Miss Lovely’ is just a load of xxx-cess. Skip!
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Replete with florid dialogue and competent performances, too, the sequel to Ishqiya (2010) is good to put it plainly, but not quite in the class of the outstanding first edition which was free of, for want of a better word, snafus. Moreover, the earlier femme fatale played by fierce fervour by Vidya Balan, is sorely missed.
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…isn’t likely to catch any sane viewer’s fancy. It’s best deleted as two hours misspent.
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Frankly, it’s irresistible. Whether you love or loathe Hollywood’s downpour of science fiction extravaganzas, this take on the shape of things to come possesses that George Orwellian kind of undertow.
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Tigmanshu Dhulia is best when he opts for content drawn for reality instead of flying off into an absurd land where everyone detests one another with a vengeance. Thodasa control kijiye, brother! Make cinema, not bullets.