It’s an unusual thriller – the body count is high, and the kills are straight from a video game – and has its fair share of flaws, but it’s far more compelling than it possibly had any right to be with its mixed bag of number crunching and bone crunching.

Murder. Infidelity. Copious amounts of alcohol. Unreliable narrators. Just good old-fashioned tawdry entertainment. What’s not to like?

For a thriller, it doesn’t really offer much of a thrill. It’s a perfunctory follow up to a formula that saw success 10 years ago but maybe it’s time to toss the baby out with the bath water.

It’s not the best animation movie this year, but Storks does make for a decent distraction.

While it doesn’t answer the question of where babies come from, viewers of all ages should be able to enjoy it.

It’s a romp in parts, a little too obvious and boring in others, but I still have no doubt that some segments of audiences are going to love it. It is still good old-fashioned entertainment.

After 12 years, Bridget Jones is back, and she’s as brilliant as ever. It’s such a fun and worthy sequel – laugh out loud funny and emotionally engaging throughout its runtime.

It’s almost as if this was made for five-years-olds by five-year-olds.
This is strictly only for the kids.

Your breath will be hitched for the most part. I’m not saying that The Shallows is as good as Jaws – the Steven Spielberg film was a masterpiece and it doesn’t seem likely that it will ever be toppled from its No.1 position.

Clint Eastwood’s Sully is not a perfect film, but it comes close to being a great one.

Your nerves will be ridiculously frayed by the end of this terrifying movie experience. But since that’s the very goal of any horror/thriller movie, you’ll walk away satisfied, reminding yourself that it’s okay to breathe again.