Saheb Biwi Aur Gangster draws you in at the very start, keeps you hooked throughout, and ends on a high. In other words, you have very little reason to miss the film. Don’t.

TGIYB, in the end, is a middling effort that has its share of highs, but leaves you unmoved and slightly disappointed.

Simple as Shabri is, director Marathe makes the film a gritty watch that keeps you fairly engaged. At around 95 minutes, that’s not so bad.

It’s a bit like a pocket dynamite – small, but effective. Give it a shot.

I Am Kalam is a gripping watch that leaves you feeling uplifted and positive. Try not to miss it.

Shaitan may or may not be the best thing to happen to Hindi cinema, and reactions to the film will probably differ. But whether you hate, love or are left indifferent by it, give it a shot. Mainly because it’s made by a filmmaker with a unique voice. Most don’t have any.

Watch Stanley Ka Dabba as soon as you can. It’ll probably be the best film you’ll be watching for a long time to come.

Funny, dark and engrossing, Shor In The City is the kind of reassuring film you yearn to watch amid, well, what ‘Bollywood’ has to offer every week. Also, it articulates something you have only probably thought before – ‘Karma IS a bitch.’

Watch it nonetheless. The heady cocktail of sex, drugs and dialoguebaazi that Dum Maaro Dum presents you with is hard to come by.

For a film that you don’t expect much from, FALTU over-delivers. Watch it if you are looking for some mindless fun.