In any science fiction movie, it is important that the viewer has faith in the undertaking in the first place, which is justified and explained by, quite literally, by the science behind it. Shree doesn’t quite posses any, nor has any personality or conviction to sail its boat successfully. What it becomes, is an embarrassing debut for its many first-timers.

Watch 3G only for a few cheap thrills.

This is a terrible mishap of a film that doesn’t hold a mirror to society, or the city, but rather stares at it with bloodshot eyes and a dagger in hand.

Films where the hero assumes another identity to win over the girl, and that uphold traditional family values, are part of the contrived clichés club and no longer relevant.

It’s a scary mix that makes for an unbearable mess. Stay safely away.

Aalaap could have been better if it provided some critical evaluation of the situation by first time director Manish Manikpuri, instead of passing judgment on Naxal politics.

As it is, it is a forgetful film laced with vulgar dialogues that pass for humour, worn out production values and acting that will make you cringe.

Percept Pictures’ untitled film, known only as ? opens along the same lines as The Blair Witch Project but, unlike that hauntingly classic footage, this one doesn’t quite live up to its promise.Part of the reason is the director’s decision to deliberately stay away from blood-and-gore, probably to evoke more of a psychological scare than a visual one.The best that can be said for this unimaginatively titled experiment is that it attempts a new genre in an industry devoid of path-breaking technique or content.

Miley Na Miley Hum is a film where nothing works, and nobody benefits (that is, if you don’t count random product-placements).

Though the film shows remarkable restraint in certain scenes, it is over-dramatic in others, which kills the flow. The musical interludes, fairly relevant for once, are too many.