Loyalists won’t be disappointed for sure, and the series may even inspire some new members.

Epic contains all the familiar trappings, but is nonetheless immensely striking to watch. It may not be ground-breaking as far as the use animation is concerned, but packs a solid punch. The meticulous efforts invested by the makers must be honored by booking a seat in the multiplex for this epic ride.

Rangrezz is a powerful social drama that brims with the urgency of the young and the audacious. Its ideology may be deeply flawed but perhaps that’s the point the film is trying to make: being clueless; and often misguided while being young is probably the right way towards self-discovery.

Table No. 21 should be watched for the reactive social commentary that it is, and should not be misconceived as a vigilante film.

Makkhi could have been a far more engaging product had it eliminated the last 20 minutes which just stretch out the film. A suitable closure could have been achieved earlier.

What makes Bubblegum an entertaining watch is the absolutely realistic & mature treatment to adolescent issues generally discarded as frivolous.

Terrifyingly real, and immensely watchable for the cold fright it inspires. She must be lauded for relying on fresh young actors, and believing in the risky attempt of largely untouched storytelling.

It makes for an engaging, fun, and an enthusiastic outing. Easily forgettable, momentarily enjoyable, youthfully relevant, relishing such cinema once in a while is not a crime after all.

Shor In The City is a classic instance of one of the finest screenplays written with phenomenal editing (Ashmith Kunder), all this shot crisply — the attention of the camera zooming at certain instances leave you captivated, too overwhelmed to react, because this film, dear spectators, is made to kick you off-guard.

An ambitious sophomore story of scholastically dim students coursing an almost impossible journey to prove their worth, enrolling for once in FALTU, might not be a faltu idea after all.