• …marks the end of pseudo-desi films

  • Gori Tere Pyaar Mein! is a good, light-hearted, one time watch. It’s breezy and fun for most part.

  • Singh Saab The Great is a film designed to show Sunny Deol histrionics, the way his fans are by now accustomed to seeing him. To his credit Deol does not disappoint in what is expected of him.

  • There is absolute disregard for coming up with anything intelligent in this film which is supposed to be a crime thriller. Amateur writing, tacky sets, indifferent acting, cacophonous background score and anything random goes in Satya 2.
    With such lazy filmmaking being the biggest truth about the Satya 2, wouldn’t you rather re-visit the Ram Gopal Varma’s much more truthful Satya. Honestly!

  • After his brilliant film debut five years ago in Aamir, Rajeev Khandelwal is an actor who perks your interest when you see his name in the film’s credit. After watching this film you wonder did he actually agree to do this film happily? What for and why? Harsh as it may sound but this film could easily be called Boredom Actually.

  • There is so much confusion in this comedy of errors that the film’s characters are mouthing lines such as “yeh kya ho raha hai, mujhe kuch samajh nahin aa raha, it’s getting complicated.” Exactly how you feel while watching Baat Bann Gayi! The end credits roll to say a film by Shuja Ali and team while you are thinking baat kuch bani nahi.

  • There is little thought put into coming up with even a decent screenplay. The dialogue is full of cliches and the acting of the cast is tacky.

    Super Model is a piece of fiction that is too much for anybody to handle. As audience you are left asking: What the hell is happening here?

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