To sum up, Bullett Raja is Tigmanshu Dhulia’s Dabangg.

Ankur Arora Murder Case is a film that will scare you and make you squirm in your seats. It makes a significant statement that no life is less significant!

Like a joker, the film makes a complete fool of itself. However it fails to make you laugh. The circus clown is funnier!

Ek Tha Tiger, by far, is Salman Khan’s most entertaining and accomplished works in recent times. Hope he takes the correct cues from this film and stays away from mediocrity henceforth.

Kyaa Super Kool Hai Hum might not be the best sex-comedy ever. But then how many of the rare species do we have in Bollywood? So support the cause and enjoy as long as it lasts.

In the end, the idealistic Amar Joshi does get manipulated by the big bad world of Bollywood and thrives in mediocrity. We just hope the audience doesn’t fall for such tackiness!

So the story is about a compulsive flirt Gautam (Saif Ali Khan) who gets into a no-strings-attached relationship with the hot-n-happening Veronica (Deepika Padukone). Girl-next-door Meera (Diana Penty) is literally the girl Gautam takes home to his mother (Dimple Kapadia) to cover-up his live-in with Veronica. Until by interval point his heart starts fluttering for Meera. And the rest as they say is ‘history’.

The basic narrative of Bol Bachchan, more or less, follows that of the 1979 Golmaal and thereby Rohit Shetty’s film has a defined flow, which saves it from wandering aimlessly. Bettering the original would be an impractical idea that, perhaps, even Shetty is aware of. So he simply attempts to stay true to the original and keeps the cult scenes and characters untouched. So Archana Puran Singh reprises Dina Pathak’s role and poses as the mother (and also her twin sister) and makes the same backdoor entry when the scene demands it.

Rajesh Mapuskar does succeed in extracting decent performances from the entire cast. Sharman Joshi, as an uncertain and shy guy with a constant smirk on his face that tries to hide his inner sorrows, skillfully underplays his part. Occasionally he seems too passive but is still likeable.

Rowdy Rathore lives up to its name in creating too much noise for no reason. It also marks the end of a sensibility called Sanjay Leela Bhansali.